Not sure if this has been brought up or not, but most of the things detractors of the film dislike (in particular Luke's role) are simply logical extensions of what Abrams did in TFA. So the choice was either dump all of what came before in VII or respect what Abrams did and make the best sequel possible out of the elements that were presented.
It was Abram's decision to make Luke a hermit and have Rey's overriding character trait be the mystery of her parentage. All Johnson did was take those plot threads and craft the most narratively satisfying story he could. It wouldn't have made sense for Luke to immediately leave with Rey when she found him; there had to be a reason why he chose to go into hiding, and their conflict makes the film more interesting. Same goes with Rey's parents; how many fans would've truly been happy with her being a Skywalker or Kenobi? Wasn't the overriding narrative about TFA that it was too much like the originals, that there weren't many surprises?
I think ultimately (some) people are unhappy with TLJ because recent blockbusters have allowed them to become lazy viewers. Studios are more interested in making money than creating art, and that's allowed them to form bad habits when creating these films. They're afraid to piss anyone off so they make safe, predictable popcorn flicks. If you look at the "controversial" blockbusters (TLJ, IM3, Hulk '03) they all did something unexpected, and for some reason that has become verboten.
The conversation surrounding movies today is rarely about the films themselves and what they mean. Instead we get crap like Cinema Sins which are obsessed with continuity errors, "plot holes" and other meaningless statistics that have no bearing on what movies are truly about: ideas, emotion and character. Movies are not puzzles to be solved and analyzed.
I will never understand the type of people that would prefer Vader's fan service fight scene from Rogue One over Luke's showdown with Kylo.
Eh, I'd kind of disagree with this on behalf of Lawrence Kasdan's script in TFA; TFA gives Rey and Finn fundamentally more character arcs and importance than TLJ, and it's a mistake to think that the core of Rey is wrapped up wholly in the mystery of who her parents were, or at the least that the mystery box doesn't actually matter as much in TFA as it does on TLJ. Don't get me wrong, a big chunk of Rey's characterization and scenes are bound up in her stubborn refusal to leave Jakku and desire to reunite with her parents. But ultimately, she has a clear character arc that's about getting her to let go of her obsession and look to the future, and the latter half of the film shows her doing that. And she never expressed any curiosity about
who her parents were in TFA, just about whether they'd come back for her. Rey's story on TFA is still far more about who she is and what she can become than it is about her parents.
TLJ is the one that effectively made Rey's plotline about everything but her as a character; she's contorted and shortchanged in characterization around Kylo, creating an uneven and frankly unbelievable story that revolves around the two men in the Force plot, with her as a junior partner and third wheel. And not only is her parentage plot in TLJ largely redundant, since it copies the basic idea and even the specific emotional beats for her from TFA, but it becomes more of a meta-commentary than a character thing. Whereas in TFA her parents mattered only insofar as how their memory impacted
her, in TLJ, it's about what her largest mean to the film's attempt at an "anyone can be the hero" theme, which feels laughable, considering that Kasdan did a better job with Finn in TLJ on the same topic and everyone already knew the Jedi hero could be anyone.
I also got to say I think my rejection of Luke's state at the beginning of the film hails from the scale of the atrocity in TFA and the contrast between Luke apathy and Han's responsible altruism; while I can accept a broken Luke as being the logical result of TFA's setup, a Luke who never even expresses a burning desire to help the Galaxy feels like strictly a TLJ invention made by slipping into melodrama and ignoring scale and consequences from the established lore.
The problem is that neither side seems all that willing or able to except that someone disagrees with their feelings about the film. As a result , they argue past each other as opposed to actually listening to their arguments or exchanging ideas.
At this point, its pretty clear why people love or hate the film. They've said it in posts, videos, blogs, articles etc , so it shouldn't be any mystery why some fans hate or love the film. They're all available and easy to find.
The problem is , neither side seems really willing or want to engage in a dialog with the other side based on their arguments because both extremes would rather be right and be validated, than to really understand why someone disagrees with them on TLJ.
I think some of the vitriol is born out of a fear of the franchise backsliding in one direction or another, and trying to shape the narrative about its reception to discourage or encourage certain things. For instance, I'm very concerned and disappointed about the quality of lore usage and plotting in TLJ, but I see and applaud the quality of directing and acting. My buddy, meanwhile, cares much less about the plotting quality and was traumatized by the Prequels, so he curses bad acting and directing
t:.
As a result, I think that he disagrees with my anger and disenfranchisement on the basis that he knows I may actually be more willing to accept Prequel-style flaws in exchange for better writing, while I'm more likely to disagree with praising the film because I regard the lore and plotting as core elements that can't be forsaken as I believe they were in TLJ.
You *don't* have to argue angry, though. My buddy and I's podcast (which you can download and listen to in my signature
) managed what I think was a very even handed an good debate comparing TFA to TLJ. In part, we did this by following a set group of rules and script, but I think we also approached this with a lot less hyperbolic rage and disgust.
Give it a listen?