Why is making a good Superman movie so hard?

Iv often thought that Forest Gump would make for a great basis for a solid Superman origin to mid life film.



Forest being an outsider but humble kid with a disability that turns out to be his "super ability" that as he grows takes him all over the world meeting people and saving lives and inspiring others to do good. Heck the running scene in FG would be a great scene to have in a Superman film


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Funny enough he is wearing red boots and red shorts with a blue shirt.



I personally dont see the need for him to have some great villain he needs to go up against but rather natural disasters or world events but mostly I want to listen and understand what Kal-el thinks and feels about the world I want to see it through his eyes from his experiences as a child to an adult.

I look at 90s Spielberg/Zemeckis films as how It should look and feel.
 
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I look at 90s Spielberg/Zemeckis films as how It should look and feel.


We are past the era of traditional supehero films and are now crossing over into genre films. TDK was a genre film in the vein of a crime drama, Logan was a genre film in the vein of a western... Superman can absolutely be a genre film as well in the vein of those old time Spielberg movies like Encounters & E.T.
 
^ Just mash-up the heroics of The Iron Giant with the character study of Spider-Man 2. Great Superman movie. One sentence ;)
 
^ So really, a proper life-in-Smallville would make a good Superman movie :)


Well I wouldnt have it completely set in Smallville but I would have it follow Clarks adventures from a young boy to 20 something to travelling the world and doing good deeds. But it would be layed out similarly to the way Forest Gumps story is.



One of the main things I would do is set it in a timless like setting. Where it could look like the 50s to present day to the future. Farms would still look like old farms but machinery all though still worn out and used would be futuristic. Like this image for example.
farm.jpg





I dont exepect everyone to see what I see but in my mind I can map Superman over Forest Gump and its a wonderful uplifting film with action, comedy and drama.


I did this write up a while back but never finished it so its kind of all over the place and very poorly written but if anyone is interested in reading some of the loose ideas id love to hear feedback.

Im not so interested in discussing a plot for the film but rather the different factors that when put together will create a perfect superman movie. This is how would I design a Superman film rather than what the plot should be.

Realism
Superman should be the only thing breaking the laws of physics.

A lot of superhero films these days are striving for more realism, films like Batman Begins and TDK show how a "Batman" would really operate in the real world, showing how his suit would work and what it takes to be able to be a non-super powered superhero.
I think a realistic approach for Superman is necessary to elevate the film but I think the realism should be focused on the physical and psychological side of Superman and less so on how his powers work or how the world would react to an alien being.

I think the realism should focus more so on the physics of what Superman interacts with and how he solves problems with his high intellect, should Superman find himself having to catch a falling jet, rather than being able to grab it from the wing and lower it with one hand he should have to find ways to maneuver himself around the jet allowing for it to come down in the safest manner. I think this creates a more dynamic approach to the action scenes.


The Man of Steel
I want the movie to be full of fun and action but what I love most about Superman is Clark Kent/Superman and I dont want to see his character take a side step for action scenes or clunky exposition.
As much as I want to see superman facing his enemies and taking charge of a situation I also I want to get into the mind of Super
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man and find out thinks about… Books, movie, pop culture. I think there is something fascinating in listening to what is in a sense a god walking amongst men talk about mundane things in life.

We as a viewer should find superman to be lovely and charming, funny and caring but also mature and serious when the time calls for it.
I often look at real life heroes as to how Superman can be shown, the strong rugged fire fighter that kicks down flaming doors and rescues people from burning buildings but then can go home and have a laugh and light hearted conversation with friends and family. They go from being a physically strong being to an emotional one depending on their situations.
He is the sort of hero you want to be able to hug after he saves you and it feels like the safest most comfortable thing ever. He needs to be a warm person physically and emotionally.


Metropolis/Smallville: Design.

I want the film to be a combination of new and old, Metropolis would look like a utopian city in the making but in a not too distant future. The city wouldn’t look so much like a Moebius illustration but rather something a bit subtler films like “Her” “Looper” or “Children of Men”.
When we are first introduced to the Kent’s on the farm we would see a farm that looks like it could be from 50 years ago but as we start to see more of the farm around them we notice futuristic looking machinery along with more details of their clothes that also look familiar but different.
I would have Martha and Clarks inspiration for the costume to come from Jonathan Kents farm wear. Clark will have worked on a farm most of his young adult life, wearing warn out dirt farm clothes will be a regular thing of his. looked up to his parents as a positive role model as a hardworking people that does what it takes to get by.
I think a big focus on Clarks small town farm boy up bringing is important and will help the audience understand why Clark does what he does as an adult




The Costume:

As mentioned earlier the film would be set in a not too distant future that stylistically takes designs from old and new. One of the main reasons why I want to set this in the near future is to allow for Superman’s traditional costume to be done accurately but while also not feeling out of date.
I imagine his costume to be part Kryptonian and part earth made. The setting of the future allows for different kinds of fabrics and fashion styles that will allow for Superman’s costume to look traditional but updated. It’s been said that the inspiration for Superman’s trunks is based on strong men from the 50s, in this film Clark and his his dad J. Kent would both spend times being fans of a “future sport” that the Kents take inspiration from for his suit another idea would be Jonathon takes Clark out camping and their hiking outfit which is made strong is where Clark gets the idea for the costume.
 
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It would take quite a bit more than lacking angst to make him Donald Trump. He would also have to Tweet his disdain for anyone who has a problem with including "the American way" in the "truth and justice" slogan.

Not sure how Superman would react to people attacking his values or, in his view, lacking proper values, probably publicly and pretty sullenly.
 
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Its not hard. Its just people want the same over and over. Its very hard to do something fresh and get people to like it with an old character. Man of Steel and BvS were different but people lost their ****. Superman is a very boxed in character. A sometimes very boring character. An over powered character at times.
Snyder had the right idea to deconstruct him then turn him into what we know and love but people couldn't wait. They wanted now, now, now. They wanted the Superman who is all positive which is what he's known for not hey look how your hero can also be. Superman is the king of Superheroes and always will be. Maybe Superman wasn't the hero to deconstruct in the public's eyes but I loved what Snyder wanted to try with him.
 
Snyder simply failed at presenting a realistic superman.Thats it.The Comics succeeded in presentung this more than once.See Superman Birthright for example.Or Morrisons Action comics.
 
Superman doesnt need to be all positive but there are many real life examples of people who work in hard ass industries such as fire fighters that know how to put on a straight face for the serious times and then come back to being a kind and gentle person that just wants to help people. It often seems people think he needs to be struggling all the time or happy all the time. The "realism" of Superman should come from someone who spends a lot of their days in dangerous situations trying to save people but because of his own understanding of his self that he can also see the brighter side of life.


Do people here read others posts or do they just want to spout the **** they are thinking. Forums use to be good for discussions now its just feels like a facebook comment page.
 
Superman doesnt need to be all positive but there are many real life examples of people who work in hard ass industries such as fire fighters that know how to put on a straight face for the serious times and then come back to being a kind and gentle person that just wants to help people. It often seems people think he needs to be struggling all the time or happy all the time. The "realism" of Superman should come from someone who spends a lot of their days in dangerous situations trying to save people but because of his own understanding of his self that he can also see the brighter side of life.


Do people here read others posts or do they just want to spout the **** they are thinking. Forums use to be good for discussions now its just feels like a facebook comment page.

Exactly

No one.No one.No one wants Superman to be positive all the time.He isnt that way in the comics.

No one wants Superman to be mopey all the time either.Thats one area Snyder failed.Majority of the time(not all)Superman was mopey.And argue this fact till your blue but the negative reception says this.

The characterisation of Superman is just one of Snyders failures.A bigger failure is that hes a poor storyteller.

Wonderwoman is a good example that Superman can be done right.Captain marvel from mcu is going to prove this point further
 
Exactly

Wonderwoman is a good example that Superman can be done right.Captain marvel from mcu is going to prove this point further

Definitely agree with the bolded point. One of the reasons why I'm so looking forward to Captain Marvel is that if it a success, it'll crack the code on how to properly write an immensely powerful but, at the same time, vulnerable and flawed character. Everything, I felt, that the Thor solos came close to, but missed the mark on.
 
Wonderwoman is a good example that Superman can be done right.Captain marvel from mcu is going to prove this point further

Wonder Woman is a completely different story. Her naivete and lack of perspective drive her actions through most of the movie.

Superman doesn't lack perspective. Hell, the whole "Maybe" Conversation is about maintaining perspective on his actions

And as far as Carol Danvers is concerned, it will most likely be Iron Man in Space. Or is their a leaked script i don't know about
 
Wonder Woman is a completely different story. Her naivete and lack of perspective drive her actions through most of the movie.

Superman doesn't lack perspective. Hell, the whole "Maybe" Conversation is about maintaining perspective on his actions

And as far as Carol Danvers is concerned, it will most likely be Iron Man in Space. Or is their a leaked script i don't know about
The point is nearly every difficulty argued with tackling Superman can be said of Wonderwoman.yet lo and behold we have a WW movie thats succcessful.Why do think many kept comparing WW to Superman?

Carol Danvers can not be Ironman in Space.Unlike Dr Strange she has a lot more differences with ironman.More similar to Green lantern and Superman.

Kevin Feige already promised she would be the most powerful hero in the MCU and a Captain America like moral compass.That sounds very Superman like.When they nail this movie(and you know they will cause they actually know how to tell a story) it will be further proof of just how to handle Superman
 
The point is nearly every difficulty argued with tackling Superman can be said of Wonderwoman.

This is in-arguably wrong.


Why do think many kept comparing WW to Superman?

Because they "feel" movies rather than watch them.

Kevin Feige already promised she would be the most powerful hero in the MCU and a Captain America like moral compass.That sounds very Superman like.

Except Cap is MCU Batman.
 
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Heroes don't achieve their goal because the CB business model demands the story keeps going, not because the heroes can't achieve their goals. Hell Heroes achieve their goals in self contained stories. Superman Achieves his goal by quitting and letting Lex unite earth in Red Son. Batman wins in the TDK.
I don't think it's just the business model, but the nature of stories. Stories can't keep going once the hero runs out of conflict. That's part of why people have trouble writing Superman because they don't know where his conflict is, and since it's not at all in beating up normal people, they presume he has none.

I guess then we can extend it further that it's unusual to have a character who has such an international presence to be bogged down to something so inconsequential. He becomes only ever relevant when the world is in danger.
In the same extent, comes the ironic intrigue of a superhero with so many convenient powers needing to show restraint because relatable adversaries are just that meager. He then becomes stuck in maintaining a caricature.
Right, which is my point, like in a boxing movie, a street fight is a chance to show that the boxer is in another class than the average joe, this can be played for comedy as suggested by another poster, subverted for theming if being able to dispatch people with ease makes things worse, or something else. I'm not sure what you mean by relatable adversaries, nor do I agree that they are meager, they simply aren't working for the Joker. There is no shorthand of taking unrelatable things and saying they're relatable just because they have human durability with Superman, you have to actually connect things for the audience. It makes writing Superman harder, because you can't pull any action movie shorthands, but that's all, you just can't use existing shorthands, you're not 'stuck' or 'meager' or relegated to only being relevant when punching is the answer, in fact, in a great Superman story, the punching is perhaps the least relevant part, see All-Star, Earth One, American Alien and etc...
Right, it's not like anyone is ever concerned that Batman isn't going to make it out alive in a fight against a group of faceless henchmen. We all know he's going to dispatch them with ease.

Superman's chances of survival against a gang of 'mooks' are exactly the same as every other superhero... which is 100%.

Exactly. But if you tell people that a bullet could theoretically kill him, they have a very familiar suspension of disbelief to go to. After all, the same is true of John McClaine, and every action hero, but people are used to feeling like normal super talented guy can die, and so it's easy to do that for Batman too, even if Batman makes it essentially impossible.

That's what makes writing Superman harder, the audience isn't used to people like him getting hurt, and so they can't imagine it for you, you have to spell it out.

If it’s played for laughs, Superman versus a group of normal criminals could be very effective. SG did it perfectly.
IKR! Superman Returns tried it, but with so little creativity and so brief, it didn't do much for the movie as a whole.

^ Good for him.

A young kid who grew up with awesome parents a
nd had unique talents?

Sounds like my life story :P

I think you've hit the nail on the head. I think a lot of times when we talk about these characters we miss how their premise connects with people. Most people aren't parented well, as far as I've observed. Very rarely do I hear stories about how parents created an awesome environment for their kids to grow, I often hear "they did their best" or "loved me in their own way." Even growing up in the country is 'rare' in a way. I think when people latch onto "oh Superman's too strong to get hurt" even when he's fighting people that hurt him, I think part of what the subtext is is that they don't connect with Superman's most basic experience - carrying his parents' values into a changing world. Much of

This also helps explain *part* of why the same value system works so much better for the audience in Captain America films. Cap is an orphan. Like Batman. He never had the Norman Rockwell painting life, all his goodness he essentially made himself, from what we can tell. He's carrying values from old time, but because he chose them and clung to them, that's something that everyone can relate to, but at the end of the day, there's a TON of people who simply *can't* relate to having awesome parents, at all. They may not be able to relate to being a billionaire, either, but everyone in a capitalist society has dreamed of it, and so we are all at least acquainted with what we would do if we had tons of money, and as such, are able to relate to *fictional* billionaires. This is why Bruce Wayne never does actual billionaire stuff, but fantasy billionaire stuff.

In short, it's much easier to imagine being abandoned by our parents, than them being outstanding at parenting, and that, more than anything, is what makes Superman unrelatable to most.
 
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I don't think it's just the business model, but the nature of stories. Stories can't keep going once the hero runs out of conflict. That's part of why people have trouble writing Superman because they don't know where his conflict is, and since it's not at all in beating up normal people, they presume he has none.

The Stories for characters don't have to keep going you sideline them and put them on support duty, or kill them or retire them.

Superman has conflict. The problem is no one wants to watch a movie where the conflict makes Superman struggle to be Superman as evidenced by the vitriol spewed at MoS and BvS and the continued ******ing of Reeves Superman.
 
I think you've hit the nail on the head. I think a lot of times when we talk about these characters we miss how their premise connects with people. Most people aren't parented well, as far as I've observed. Very rarely do I hear stories about how parents created an awesome environment for their kids to grow, I often hear "they did their best" or "loved me in their own way." Even growing up in the country is 'rare' in a way. I think when people latch onto "oh Superman's too strong to get hurt" even when he's fighting people that hurt him, I think part of what the subtext is is that they don't connect with Superman's most basic experience - carrying his parents' values into a changing world. Much of

This also helps explain *part* of why the same value system works so much better for the audience in Captain America films. Cap is an orphan. Like Batman. He never had the Norman Rockwell painting life, all his goodness he essentially made himself, from what we can tell. He's carrying values from old time, but because he chose them and clung to them, that's something that everyone can relate to, but at the end of the day, there's a TON of people who simply *can't* relate to having awesome parents, at all. They may not be able to relate to being a billionaire, either, but everyone in a capitalist society has dreamed of it, and so we are all at least acquainted with what we would do if we had tons of money, and as such, are able to relate to *fictional* billionaires. This is why Bruce Wayne never does actual billionaire stuff, but fantasy billionaire stuff.

In short, it's much easier to imagine being abandoned by our parents, than them being outstanding at parenting, and that, more than anything, is what makes Superman unrelatable to most.

You and I must come from very different backgrounds. When I was a senior in high school, our teacher asked us to write about our heroes. Almost every kid in class named his/her parents as their heroes. The teacher said he was really touched by that.

And dreaming that our parents are billionaires is somehow more relatable than dreaming we have the perfect family...wut.
 
Superman has conflict. The problem is no one wants to watch a movie where the conflict makes Superman struggle to be Superman as evidenced by the vitriol spewed at MoS and BvS and the continued ******ing of Reeves Superman.

Or they just don't think that conflict was actually handled well. Zack Snyder is not the first person in history to try to make a Superman story where he has actual problems or conflict.
 
I don't think it's just the business model, but the nature of stories. Stories can't keep going once the hero runs out of conflict. That's part of why people have trouble writing Superman because they don't know where his conflict is, and since it's not at all in beating up normal people, they presume he has none.


Right, which is my point, like in a boxing movie, a street fight is a chance to show that the boxer is in another class than the average joe, this can be played for comedy as suggested by another poster, subverted for theming if being able to dispatch people with ease makes things worse, or something else. I'm not sure what you mean by relatable adversaries, nor do I agree that they are meager, they simply aren't working for the Joker. There is no shorthand of taking unrelatable things and saying they're relatable just because they have human durability with Superman, you have to actually connect things for the audience. It makes writing Superman harder, because you can't pull any action movie shorthands, but that's all, you just can't use existing shorthands, you're not 'stuck' or 'meager' or relegated to only being relevant when punching is the answer, in fact, in a great Superman story, the punching is perhaps the least relevant part, see All-Star, Earth One, American Alien and etc...


Exactly. But if you tell people that a bullet could theoretically kill him, they have a very familiar suspension of disbelief to go to. After all, the same is true of John McClaine, and every action hero, but people are used to feeling like normal super talented guy can die, and so it's easy to do that for Batman too, even if Batman makes it essentially impossible.

That's what makes writing Superman harder, the audience isn't used to people like him getting hurt, and so they can't imagine it for you, you have to spell it out.


IKR! Superman Returns tried it, but with so little creativity and so brief, it didn't do much for the movie as a whole.



I think you've hit the nail on the head. I think a lot of times when we talk about these characters we miss how their premise connects with people. Most people aren't parented well, as far as I've observed. Very rarely do I hear stories about how parents created an awesome environment for their kids to grow, I often hear "they did their best" or "loved me in their own way." Even growing up in the country is 'rare' in a way. I think when people latch onto "oh Superman's too strong to get hurt" even when he's fighting people that hurt him, I think part of what the subtext is is that they don't connect with Superman's most basic experience - carrying his parents' values into a changing world. Much of

This also helps explain *part* of why the same value system works so much better for the audience in Captain America films. Cap is an orphan. Like Batman. He never had the Norman Rockwell painting life, all his goodness he essentially made himself, from what we can tell. He's carrying values from old time, but because he chose them and clung to them, that's something that everyone can relate to, but at the end of the day, there's a TON of people who simply *can't* relate to having awesome parents, at all. They may not be able to relate to being a billionaire, either, but everyone in a capitalist society has dreamed of it, and so we are all at least acquainted with what we would do if we had tons of money, and as such, are able to relate to *fictional* billionaires. This is why Bruce Wayne never does actual billionaire stuff, but fantasy billionaire stuff.

In short, it's much easier to imagine being abandoned by our parents, than them being outstanding at parenting, and that, more than anything, is what makes Superman unrelatable to most.

That's funny. My mom is pretty much one of the best people anyone would meet, and my dad is dependable and honest. The idea of a raccoon-like alien being more relatable than Superman is pretty funny (I like the GotG series more than a lot of Marvels, so this isn't a diss)
 
Making a good Superman isn't hard at all. In fact it's super easy. Barely an inconvenience. (Sorry, I've been watching Screen Rant's "Movie Pitch" series on You Tube a lot recently)

But seriously, It's not hard. They've already given us a perfect Superman movie back in 1978. It's sequel in 1980 might even be better than the original. But then they tried doing stupid stuff that just doesn't fit the franchise. Dark and serious storylines? Long, drawn out stories with little to no action? Changing Superman's costume from Royal Blue and Poppy Red to Navy Blue and Burgundy? Adding all this psychological symbolism and stuff? CRAP!

Just give us what we want! An inspirational, uplifting story with plenty of action, adventure, and a little comedy thrown in there too. Easy, peasy, lemon squeezy.
 
Making a good Superman isn't hard at all. In fact it's super easy. Barely an inconvenience. (Sorry, I've been watching Screen Rant's "Movie Pitch" series on You Tube a lot recently)

But seriously, It's not hard. They've already given us a perfect Superman movie back in 1978. It's sequel in 1980 might even be better than the original. But then they tried doing stupid stuff that just doesn't fit the franchise. Dark and serious storylines? Long, drawn out stories with little to no action? Changing Superman's costume from Royal Blue and Poppy Red to Navy Blue and Burgundy? Adding all this psychological symbolism and stuff? CRAP!

Just give us what we want! An inspirational, uplifting story with plenty of action, adventure, and a little comedy thrown in there too. Easy, peasy, lemon squeezy.

78's Superman wouldn't play today. The 'gosh, golly' Superman wouldn't engage a highly cynical 21st century audience. Synder knew this but he went to far in the opposite direction with his humorless dour rendition.
 
As been stated making a Superman movie isn't hard. The problem with Superman Returns was Bryan Singer tried to Copy Richard Donner Superman. He didn't understand the character he just took the Superman movies and tried to reduplicate it and failed. Again lack of understanding of the character or Superman universe.

Man of Steel wasn't a bad film it just wasn't great. It was more blah then anything else. It had some really good moments but they where lost in all the other crap going on. Now the problems with Man of Steel could been easily fixed in a sequel. They just need to bring in writers more suited for Superman.

I know people blame Zack but he mostly directed the films. He did contribute to the story line most of the story was on Nolan and Goyer. Who where terrible picks for a Superman film. These write dark films. That's great for Batman but not for a Superman film.

That leads us to the next problem. That is a lack of faith in these characters. Other then Batman they have no faith in any of the characters. It's why they didn't do a solo films first (well partly, the other reason is they where rushing to get to Justice League. I think they where trying to one up Marvel is my personal opinion.). As I said the only character they have real faith in is Batman. Nolan and Goyer did such a great job righting Dark Knight series that WB went with them as writers. They didn't stop to consider they where terrible picks for a Superman. It doesn't make them bad writers just the wrong writers for Superman.

Bottom line is WB lack direction or an real plan. Everything they done is a reaction to Marvel. The didn't take their time and build DCU correctly. They had wrong writers working on the films. They don't understand that they need to treat their DCU like a comic book. So now DCU is built on a crappy foundation. It will always be flawed. It makes it extremely difficult to fix if not impossible.

I walked out of Avengers crushed because WB messed up DCU so bad that it never really be good. Darkseid could be just as epic and awesome on big screen if DCU is done right. Sadly I don't think that will ever be the case. That breaks my heart.
 
78's Superman wouldn't play today. The 'gosh, golly' Superman wouldn't engage a highly cynical 21st century audience. Synder knew this but he went to far in the opposite direction with his humorless dour rendition.

This is what bothers me people blame Synder. Synder didn't write the script Nolan and Goyer did. Don't get me wrong he probably had some input but for most the main fault falls squarely on Nolan and Goyer. When a movie has a bad story line and dialog they jump to the conclusion that it's the directors fault. More times then not it's more the writers fault then the director. Even then it some times not the writers fault but the studios pushing the writers for certain things.

However in this case I blame Nolan and Goyer. They where terrible picks to write a Superman film.
 

This is what bothers me people blame Synder. Synder didn't write the script Nolan and Goyer did. Don't get me wrong he probably had some input but for most the main fault falls squarely on Nolan and Goyer. When a movie has a bad story line and dialog they jump to the conclusion that it's the directors fault. More times then not it's more the writers fault then the director. Even then it some times not the writers fault but the studios pushing the writers for certain things.

However in this case I blame Nolan and Goyer. They where terrible picks to write a Superman film.

After the success of the Dark Knight trilogy they wanted a realistic take on Superman. I actually think that was a good idea. How would the general public deal with an all powerful alien. Good premise, poor executive.
And after writing that the world fears and distrusts Superman they then retcon the narrative to make out the world became a darker place when Superman died. You really have to roll your eyes at the lack of conviction.
 
This is what bothers me people blame Synder. Synder didn't write the script Nolan and Goyer did. Don't get me wrong he probably had some input but for most the main fault falls squarely on Nolan and Goyer. When a movie has a bad story line and dialog they jump to the conclusion that it's the directors fault. More times then not it's more the writers fault then the director. Even then it some times not the writers fault but the studios pushing the writers for certain things.

However in this case I blame Nolan and Goyer. They where terrible picks to write a Superman film.

Snyder was the director. He also, obviously, agreed with Nolan and Goyer’s take, so...
 

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