“The movie is done. Because it doesn't come out for a few months, for the first time in my career which is so great, I was able to say, ‘Hey guys, can you let me fiddle with this? Can you let me fiddle with that?’ So I'm fiddling but the movie is technically done.”
As to what form that fiddling takes, Jenkins was willing to tease. “I have an idea and I'm like, maybe it would make [the movie] shorter. We're not going to officially say [how long the movie is] yet, however it's in a good territory.” (She was willing to reveal that the first cut was 2 hours and 45 minutes, adding, “It wasn't like three hours and a half; I’m not that kind of filmmaker.”)
...
“I knew exactly what I wanted it to be. But then, the thing that excites me the most is we literally set out to do something that I may never get to do again, which is to say, let's not make a movie that's ‘funny ha ha, the '80s.’ Let's make a grand tentpole like they made in the '80s so it's as if you, I want it to feel like you're seeing a movie in the '80s.”
That means practical effects and stunts wherever possible, including bringing Cirque de Soleil in for some of the more outlandish stunts.
“We shut down Penn Ave. in Washington DC, which was just [by] itself incredible,” Gal Gadot added. “And then we had wires, rigs, for kilometers, for miles, so I can run in the same speed that Usain Bolt ran in the Olympics.” The stunts weren’t easy for Gadot, she admitted, but she felt compelled to do them because of her close relationship with Jenkins.