Do you have the ingredients to this formula? Not everyone looks for the same thing in films or has similar aesthetic criteria for what makes a film successful. Opinions and the like.
What deep thoughts were you pondering upon leaving the theater for First Class or Deadpool as opposed to Winter Soldier or Civil War? Can we get no insight from humor or laughter? Aside from the various elements of experience one thinks about when evaluating a films success or failure, I really don't see a difference between the two or judge overall success by intellectual concepts when measured against the emotional experience..
What's the crime in leaving a theater feeling joyous after laughing for 2 hours, a la Ragnarok? What issues were you hoping Ragnarok explored or perhaps parallels it made with our current world predicaments to give you a sense of purpose after leaving the theater? Or was it just a matter of 'feeling stakes' with serious CB drama, which is an emotional subjective desire like wanting to laugh or wanting the film to give you that response. I don't see Ragnarok as a hollow, empty vessel like you apparently do ,in fact I think it's every bit as intelligent in it's own humorous way as any usual X-Men films, which have dealt with the persecution complex from the start. At least you weren't distracted and were able to find your car. I appreciated the 2 hours of laughter myself.
Thor: Ragnarok is a perfectly adequate entertainment, but I wish it had the emotional depth of, say, Taika Waititi's previous movie, Hunt for Wilderpeople. That movie was also 2 hours of laughter, in fact I laughed more in it than in Thor. Be that as it may, the relationship between Ricky Baker and Sam Neill's gruff anti-social grieving widower was filled with genuine nuance and humanity that made their run from authority and society seem far more grandiose and inspiring than it possibly could be when viewed from the perspective of local news. It made that whole film a heartwarming experience as well as hilarious.
Thor to me was nothing but some good laughs at its best. And I could tell the movie Taika Waititi wanted to make was on Sakaar. That was
his movie. Hence why the second act was unusually long (about an hour). The stuff on Asgard to me was completely perfunctory and, yes, felt more like designs made by the usual Marvel Studios committee. There is a rambling first act filled with fan service and pace-killing cameos (Doctor Strange), there is an obligatory villain that even when played by the
great Cate Blanchett is still treated as a one-note ingredient, as you say, instead of an actual character. It's clear Waititi wanted to just have the grandmaster be the villain, and I would've loved that because Jeff was hilarious in it and felt more like a character (even as a comical one) than Hela.
But consequently, the third act goes the same way as most third acts of post-2012 MCU movies--where a bunch of disparate personalities team up, the "band" is formed, and they confront the bad guy (Waititi even comments on the formulae of it by having good surfer bro Thor call this group, "The Revengers"). Thus even the plight of Asgardians [blackout]losing their homeworld[/blackout] is treated as not a big deal and something to chuckle about as they fly through the cosmos. It all has an air of a missed opportunity. What would I liked to have seen them do with that? [Blackout]How about make Thor actually grapple with the fact that his father was once a genocidal warlord and that his father hid his sister from him. None of these things were dealt with in any way to make the Thor/Hela dynamic interesting. Nor was Thor's relationship with Odin given any weight since Odin had the lamest of "write him out quick" first act deaths. Further, what does it mean to Thor to be an actual immigrant? What does it mean to lose your homeland? None of that is conveyed. And in a year of Donald Trump's racism, yes, talking about the immigrant experience is very worthwhile, and Logan did more with it as an unspoken subplot than the movie that knowingly plays "Immigrant Song" twice![/blackout]
So I view Thor as a perfectly pleasant film, enjoyed the heck out of it. And if it could have just been Waititi's comedy on Sakaar, I think I could have loved it. But the Marvel formula's need to structure it around Hela and a team-up while building up to IW left me with a first and third act that were a lot of wasted potential. As per comparing it to First Class, I actually saw Charles and Erik go on a journey, and felt the sense of betrayal Charles did when Erik left him paralyzed on the beach, as well as Erik coming to terms with the death of his mother and his political motivations. It's not exactly deep stuff, but when packaged with the comedy of that movie (because Matthew Vaughn movies are very funny) it was exhilarating and emotionally engaging. So yes, I thought about it after leaving the theater. Whereas Ragnarok only comes up in my mind when people talk about it on here.