I must be the only one who didn't think he was taking a jab at Elfman's score.

"Jolly" ?!? I'm becoming less and less tolerant to the whole Batman begins aficionadosor makers as they contantly try to destroyed or reduce the movies or Tim Burton. It's quite irritating and boring at the end.
I'm pretty sure a legion of BBegins fans will drink Zimmer's speech and take it as God's.
I think the music of Danny Elfam was one of the most powerful elements in the movies. "Why revist the old stuff ?" because it's good. IMO, it is not always necessary to take the same things in a new movie, but I think there are room for transformations. A new franchise could take the Elfman's theme and make it more violent, or more this or that, transform it but keep the whole theme like they do with James Bond so to speak.
Elfman's theme was heroic as hell, and very dark and strong, and it embodies perfectly the character. The cartoon used a similar theme and I think it worked fine, similar but different. I think this is how it should work. BBegins theme was not bad, but it is not as good as Danny Elfman's one.
agreed.
You guys think Zimmer would be jealous of Elfman? How wrong some of you guys are. Again, I think most of you guys are taking his comments out of content. He is not bashing Elfman's work at all. Using the word "jolly" doesn't mean he is saying Elfman's music was awful or anything. Maybe it just his way of saying what make their tune different or something. And Zimmer or anyone else are not trying to say negative about what Burton/Elfman with saying their is better. Nobody has said that.
Zimmers done a **** ton of scores for alot of successful movies. Hes really talented and professional.
He's not talking **** or making fun or anything, Hes just friggin citing that yer not going to get his take on the same idea.
And as far as the batman begins score goes..he has specifically said that he did not think that batman had earned a "THEME" as it was a year one story where he was finding his footing.
I'd expect some more notable themes this time around, as on the leaked soundtrack track titles one is called "I am the batman". Not to mention the harvey/two face and joker scores.
And tell me you dont get goosebumps everytime those rising two notes play at the end of the trailers.
Some of this is pretty amazing. It sounds like it will be a perfect sequel to the original score.Samples of TDK soundtrack up here:
http://www.exlibris.ch/musik/OSTVARIOUS/Dark_KnightThe/PHO/8505-9362498600.aspx
Even though they are short clips, I'm liking it. Sounds a lot more ominous, and it sounds like Newton Howard's contributions show through well. The Harvey Dent theme (from what you can hear of it) sounds tragic, which is exactly as I hoped.
I completely agree. I think Jolly in the european context means "great," not "happily silly." I think both scores were great for their respective movies, and both composers understand that.I must be the only one who didn't think he was taking a jab at Elfman's score.
I think Jolly in the european context means "great," not "happily silly."
No, but it still means "happily silly", which to Europeans is the pennacle of greatness.no, it doesn't.
I think they could have and should have incorporated the theme into Begins, but not in the "jolly" way with the brass and everything it was used in BATMAN.
Thatz tru 2 da game, but I meant that the Elfman theme was powerful and drew attention to itself and was a scene stealer. They could have made it more soft and haunting for modern audiences who are afraid of memorable movie themes.That's easy since nothing was jolly on Elfman's theme.
Thatz tru 2 da game, but I meant that the Elfman theme was powerful and drew attention to itself and was a scene stealer. They could have made it more soft and haunting for modern audiences who are afraid of memorable movie themes.
What I'm saying is they could have done what that guy who basically sucks but did good at updating John William's Superman score for SR did with the Love Theme from Superman. The original was too light, fluttery and untamed for today's standards so he tweaked it and made it more emotional.Are you saying that music can make you stop paying attention to a movie and what's going on on the screen?
I thought people could watch and listen at the same time?
Man, I'm glad they didn't tone the score's power down for future paranoid audiences.
What I'm saying is they could have done what that guy who basically sucks but did good at updating John William's Superman score for SR did with the Love Theme from Superman. The original was too light, fluttery and untamed for today's standards so he tweaked it and made it more emotional.
Audiences today can't handle powerful scores. They don't know what to do with themselves and they lose control of their motor skills. IMO.

