WC11: "Green Lantern: Emerald Knights" World Premiere
                                              by Dave Sikula,            Contributing Writer
After a pre-screening wait which saw lines literally stretching around the block, a packed 
WonderCon ballroom gave an overwhelmingly enthusiastic response to 
"Green Lantern: Emerald Knights," the latest animated feature from 
DC Entertainment and 
Warner Bros. Animation. The film, which consists of six stories of members of the Green Lantern Corps, will go on sale June 7.
    At the conclusion of the screening, questions were directed to a  panel consisting of Eddie Berganza, executive editor at DC; Geoff Johns,  DC's creative director; Alan Burnett, who co-wrote one of the film's  six segments; executive producer Bruce Timm (introduced as "the  godfather of modern day superhero animation"); casting and dialogue  director Andrea Romano, and actor Wade Williams, who voices the role of  Deegan, the Corps' drill instructor.
    Before the questions could begin, however, Nathan Fillion, who plays  the role of Hal Jordan, called in from Los Angeles, where he's wrapping  up the current season of "Castle." Fillion delighted the crowd with his  recitation of the Green Lantern oath, starting with the original, "In  brightest day, in blackest night," before finishing with a tongue in  cheek, "I wish I may, I wish I might, have the wish I wish tonight."
    Before hanging up, Fillion agreed to answer one audience question,  which turned out to be shouted from the crowd: "Who's your favorite  Lantern outside of Hal?" Fillion declined to answer, which may have been  due to a pledge by the producers to have him back to play Jordan again.  He concluded his brief call by thanking everyone "for being there and  thanks for letting me be a part of it."
    And with that, the floor was opened to general questions from the audience.
    
Is it easier or harder to have three directors?
    Timm: It was actually great to have Chris Berkeley direct.  He's been at it a long, long time, and it was great to give him a  chance. He went crazy; his segment has almost as much production design  as the whole rest of the movie.
    
How do you guys settle on the writers, and was it difficult to recruit such a group?
    Burnett: We wanted to recruit the actual "Green Lantern"  writers. In most cases, they were the writers who wrote the original  comic stories, and Geoff has a little to do with the Lanterns. The idea  was, let's tell some of the short stories and give the guys who write  "Green Lantern" a chance to do these stories.
    Burnett went on to explain that Johns and Peter J. Tomasi were among  that company, and that Dave Gibbons had originally drawn the story "Mogo  Doesn't Socialize," for which he supplied the screenplay. Alan Moore  had written the original comic story, but for this and the segment based  on his story "Tygers," he receives no screen credit. 
    
How did you choose stories for this film?
    Berganza: We wanted to pick stories that would give you a view  of the Corps. We love "Star Wars" and we were trying to a Star  Wars/kung-fu thing (for the segment featuring Green Lantern Laira), and I  think it came off pretty well. 
    
What are the differences in writing comics and for animation?
    Johns: It's harder to write for animation because you have a  budget and you can do only so much with the characters and scenes. With  comics, you can have as many characters and scenes as you want. Alan  called me and I was proud to be a part of it.
    
(Directed towards Wade Williams) Do you have a preference of which  role is better, Deegan (Williams' character in "Emerald Knights" or  Brad Bellick (his character on "Prison Break")?
    Williams: Both are great; they're such full characters, and  both written so beautifully. When you get a chance to play a great  character, it's just a privilege to play him.
How do you get these roles?


    
Williams: I have a penchant for characters with a dark side. I like to play evil demons, But Deegan isn't a bad guy; he has a soft heart.
    
What told you Wade was the right guy for the role?
    Romano: I knew he would commit to the role. He would finish a  session just bathed in sweat. Even "Rowdy" Roddy Piper (who plays the  warrior Bolphunga) was bathed in sweat. The recording studio took a  beating. The role required a lot of vocal strength. (Deegan's) a drill  sergeant, and he was never going to let his people die; he was just  training them.
    
Where did you get the idea to cast "Rowdy" Roddy Piper?
    Timm: His name comes up every now and them. We never had a  role for him, and (co-director) Jay Oliva suggested him for the role of  Bolphunga. I thought, "Yeah." He was available, and when he was in the  booth, he was swinging his arms around and hitting the mic stand. Nathan  (Fillion)'s name came about when we thought, "We've got to recast Hal  Jordan. Who do we get this time?" Chris Meloni (who played the role in  "Green Lantern: First Flight") wouldn't be available because of his "Law  and Order" shooting schedule. We asked, "Have we used Nathan too  often?" Andrea said, "You can never use him too often."
    
Are these the voices you heard in your head when you were writing the script?
    Burnett: Pretty much so. The thing about this show is that it's so populated.
    
Romano: There are at least 35 speaking roles.
    
Burnett: So, yeah; I'm happy.
    
Johns: I had Mark Strong (who plays Sinestro in this summer's live-action "Green Lantern" feature) in my head when I was writing this.
    At this point, Timm was asked what's on the horizon for DC's animated  features. "Fairly soon, we do have 'Batman: Year One.' All I'm really  allowed to say about it is that it's really great. It's as close to the  comic as we can make it. We just got the footage from overseas, and it  looks fantastic." It'll premiere at this summer's Comic-Con  International in San Diego. Timm refused to name the voice cast,  however, teasing that they'll "be announced soon" before revealing some  details about the film after "Year One."
    
Timm: "For our first film of 2012, we do have another 'Justice  League' movie. At this point, its title is 'Justice League: Doom,' and  it's loosely inspired by the 'Tower of Babel' storyline (by Mark Waid  and Howard Porter from "JLA" 43-46), it was written by (the late) Dwayne  McDuffie, and is his last work.
    
Do you have any stories about the recording sessions?
Romano: Nathan has seventeen-hour work  days, since he's in every scene of "Castle." We contacted his agent, but  we didn't hear back, we didn't hear back, we didn't hear back. Finally,  I said, "You just want to text him?" So we did, and got an immediate  answer: "Hell, yes!" We recorded on Martin Luther King weekend, and it  was a pleasure -- he has such charm. Really, his role is a kind of a  narrator, and as a storyteller, the role requires someone who can draw  you in. He did such a beautiful job. The sound system (in the ballroom)  is bad, and unfortunately a lot of the sound effects and music  overwhelmed the dialogue. I'm thinking that when you buy the DVD, you'll  be able to hear the dialogue much better, and you'll hear how he keeps  the narrative moving. 
    I've known Elisabeth Moss (who plays Green Lantern Arisia) since she  was six, and I ran into her at an event at the Television Academy. I  asked her if she'd like to come over and play with us, but because of  her schedule, she had to do her session by long distance from New York.
    I really loved Bruce Thomas, who played Atrocitus, I just loved his voice, and he was so good.
    Most of the actors didn't work together in the same room; some were  even recorded months apart, but still gave such wonderful performances. 
    A quick story about Nathan: after the initial filming we were doing  ADR sessions (where dialogue is rerecorded), and in the middle of it, he  was sitting with a television in front of him, watching his  performance, and he suddenly paused us. He took out his iPhone and took a  picture of the screen. His old, dear friend 
Ryan Reynolds  from "Two Guys, a Girl and a Pizza Place," had sent him a text message,  "We've stolen your makeup girl, and I'm going to keep her." Nathan sent  his picture of the television screen and microphone, with the message,  "We've stolen your Green Lantern, and I'm going to keep him."
    
Andrea, you've been a voice director on so many projects, can you guide us through the casting and directing process?
    Romano: We always try to find new people. We try to find  people we love, and we bring them in all the time. There's always room  for excellence in this field, and when we find an excellent actor,  whether it's someone we know, or someone new, it's a find for us to find  a new actor. If we're not sure what they can do, we listen to their  demo tape, or I'll even send them copy and have them do an audition over  the phone. 
    
Bruce, when are we gonna see the first full feature of "The  Flaming C?" (Referring to the occasional animated shorts Timm has done  for Conan O'Brien.)
    Timm: Only time will tell.
    
Was there anything that was left out (of "Emerald Knights") or got cut?
    Burnett: It was all in there. Geoff, were there six other stories you wanted to pack in there? 
    
Johns: They'll be in the sequel.
    
Wade, what first attracted you to doing voice work?
    Williams: Andrea Romano. I was doing "Prison Break" and got a  call from Andrea to do two episodes of the series "Avatar," and she said  she liked me and said she would find something else for me -- and she  has! I'm very grateful to Warner Bros. and to her. I've just fallen in  love with doing it.
    
To the writers: what do you feel like when you see your work transferred into animation?
Johns: Very lucky. You get to work with the best in animation and I feel very fortunate to work with Bruce and the rest of the staff.
    
Was this a teaser for the "Green Lantern" animated series? Are you  pulling anything from this for that series? Any concepts or ideas?
    Timm: No, no, no. (That series) is not connected to this or to  "First Flight." None of them are connected with direct links. The  series will have new concepts that are unique to it, though Hal's  personality is pretty consistent, from this and "First Flight."
    
I know you sometimes give yourselves acting cameos. Did you give yourselves roles in this?
    Romano: I'm the voice of the ring. "Power levels at 1.7 percent" 
    Timm plays Galius Zed, who mainly gets beaten up, so his role mainly consists of saying "oof!"
    
What character from the comics that hasn't been animated yet would you like to see?
    Berganza: I'd like to see Firestorm.
  
Johns: Larfleeze
  
Burnett: Deadman
  
Timm: Ma Hunkle
  
Romano: I haven't a clue
    
Geoff and Eddie, most of the stories in "Emerald Knights" were  based on original comic stories. What was the biggest challenge in  translating the stories from the written to animated form?
    Johns: In some ways, they had to be expanded. If you just put  the dialogue down, it's going to be two minutes long, so you need to get  more into the characters and more action 
    
Berganza: You have to make it more accessible to a general audience. And for my segment, I had to study up on Japanese weaponry.
    
Bruce, I grew up watching the animated series, you do animation so well, would you consider doing live action?
    Timm: I'm pretty happy doing animation, but if someone offered  me a live action project and I thought it was a character I could do  something with, I'd consider it. In TV, you take so many notes from so  many people, but with animation, I take some notes from DC and some from  Cartoon Network, but for the most part, I'm left alone to do what I  want.