I’m divided on this. We might as well say we don’t need anymore comic book movies or romantic comedies. Slave movies is just another genre and if an interesting story can be told in a way that hasn’t been done before, I want to see it.We don't need anymore slave movies
There's a massive difference between slave movies and constantly primarily showing black people suffering and CBMs and rom coms.I’m divided on this. We might as well say we don’t need anymore comic book movies or romantic comedies. Slave movies is just another genre and if an interesting story can be told in a way that hasn’t been done before, I want to see it.
But I want more black mainstream movies that allow black actors to do more than just show pain and suffering. And no, I don’t mean Tyler Perry movies that are generally made for black audiences and are generally horribly reviewed. If the only time we recognize and reward black movies is when they are about slavery, that’s not progress at all
Eddie Murphy sold an all black cast in a sexy romantic comedy which became a big hit circa 1992. Can’t believe that didn’t spawn more at the time.
There's a massive difference between slave movies and constantly primarily showing black people suffering and CBMs and rom coms.
Stop it. Really. That's just nonsense. One has to do with the way a whole race of people is largely portrayed. The others don't. They are not comparable in this instance. Not at all
Slaves, poor, gangstas, social justice causes, struggling, etc. is how most movies with a majority black cast are shown. And with slavery what way can they show slavery that hasn't been done before? And I like some slavery movies a lot. 12 Years, Django, etc. But it's too much. And of course I like plenty of media that feature poor, gangsta, etc. black people. But it's way too much and Black Panther isn't enough.
If we were getting more of a balance, I'd be fine. But what does a slavery movie even do? "Wow I didn't know slavery was like that." And then people move on. We have enough movies of black people being victimized.
It's weird cuz in the 90s we had a good amount of predominately black movies that weren't all downtrodden and they actually were really good movies. All those Taye Diggs, Omar Epps, Sanaa Lathan, Richard T Jones, Nia Long, etc. movies still resonate today, but today it's so limited.
Didn’t he turn down Django because he thought white audiences wouldn’t accept him as a slave?I don't think Will Smith is enough of a character actor for when he tries to do these kinds of movies.
Didn’t he turn down Django because he thought white audiences wouldn’t accept him as a slave?
???I hope after all these years QT wrote Aaron McGruder a nice check for Django. After all he stole two of his characters for that movie.
???
I know you're not talking about Ruckus and Catcher Freeman because that'd be ridiculous
I don't see it because Aaron McGruder didn't invent the Uncle Tom. Other people have done similar things in works for years going back to stuff like Mildred D. Taylor. Other than being self hating dark skinned black guys SLJ's character and Ruckus aren't similar. Especially when one is meant for completely satirical and comical effect. Maybe SLJ based his performance of Ruckus. But again it isn't the first time a character like that has existed.No the better question is how don’t you see it?
Uncle Ruckus/Steven were the Uncle Tom trope so that’s a given for any of those kinds of stories but outside of being like Batman, you deadass don’t see the similarities between Django and Catcher?
I’m divided on this. We might as well say we don’t need anymore comic book movies or romantic comedies. Slave movies is just another genre and if an interesting story can be told in a way that hasn’t been done before, I want to see it.
But I want more black mainstream movies that allow black actors to do more than just show pain and suffering. And no, I don’t mean Tyler Perry movies that are generally made for black audiences and are generally horribly reviewed. If the only time we recognize and reward black movies is when they are about slavery, that’s not progress at all
I don't see it because Aaron McGruder didn't invent the Uncle Tom. Other than being self hating dark skinned black guys SLJ's character and Ruckus aren't similar. Especially when one is meant for satirical and comical effect
And how were Django and Catcher similar? Other than being slaves who revolted? Completely different personalities, completely different looks, completely different ways of going about things, completely different ways for how they were handled. Catcher Freeman was treated like a superhero or a savage beast. Django wasn't.
This is just lazily associating two things that have some very basic similarity
It's how LGBT movies used to only be about AIDS or some real-life hate crime. Or be totally depressing and angsty like Brokeback Mountain about closeted miserable people in the sixties. An actual high-profile mainstream feel good gay rom com like Love Simon is still rare.
That's just silly. They didn't have the same outline and character traits at all. Other than that very basic: they're both ex slaves who revoltNah.
As far as Django and Catcher, different goals yes, but same outline and character traits. Good hearted ex-slave who goes back to free the ones they love; with Django it was Kerry Washington, with Catcher it was the rest of his people. And then they both were good at combat, one just had the silly ninja things going on (according to Granddad).
But I agree with you about SLJ's character and Ruckus, that's basically what I was driving at.