Dread
TMNT 1984-2009
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As an addition, as well as to continue a conversation from last week's B/T topic, I did flip through this week's AVENGERS ANNUAL. Now, a "flip-through" is not the same as a read so I will try to keep it brief. I likely will fail. 
I had flipped through the NEW AVENGERS annual I think so the conclusion of this story and where it was taking Wonder Man didn't stun me too much. However, even on a flip-through, I saw enough that irritated me that handing over $4 to read the rest would not be a fathomable suggestion. I simply do not understand why Bendis seems to be convinced that the best thing to do with Wanda Maximoff is to make her a crazy woman. Ages ago when he was just on NEW AVENGERS and I was still reading WIZARD or somewhere else, Bendis claimed it stems from a story in WEST COAST AVENGERS where Wanda goes batty again and joins Magneto, and he felt that story ended too soon or whatnot. I suppose for the man who made it a fad to stretch every story at least 6 issues, if not 7-8 across the medium, he's right. The problem is this train of thought removes a heroine who has long been a mainstay of the Avengers franchise. Her resurrection of Wonder Man to save herself from Morgan LeFey during the start of the Busiek/Perez AVENGERS run has often been heralded as a great AVENGERS moment, timeless and even romantic given what came later. Well, in this annual, Bendis reduces that to a dark summoning spell cast by a crazy woman. I think I understand why Bendis is at home in crime noir or solo vigilante stories. It is because he seems to have a thing for taking fantastic or extraordinary things, and people, and bringing them down to something seedy, trashy, grim, violent, or disturbed. After all, he couldn't write Dr. Doom unless he did so by having Doom insult a woman's figure or be in the middle of sex with Morgan LeFey. BKV in THE OATH had Dr. Strange and Night-Nurse begin a rather charming romance as a sort of mystical version of Holmes & Watson - the eccentric genius expert and his down-to-earth practical partner. What does Bendis do? Take it between the sheets with some crude humor thrown in. He's also the guy - and this bit I never forget - who devoted an entire page in ULTIMATE SPIDER-MAN to using Reed Richards to tell a urine joke. Clearly, he does not like fantastic elements or people in comics and sees them only as a means to an end, and usually that end is ugly or crude because that's "real".
Lord knows I have complained up and down about Heinberg's AVENGERS: THE CHILDREN'S CRUSADE, so it isn't as if Bendis is the only writer who I am hard on. But if there is one thing that I do like that Heinberg is doing there, he's trying to rehabilitate Wanda as a character. He is trying to attach a lot of her worst moments to Dr. Doom. He's doing a crude job of making the X-Men and Avengers seem like violent thugs to better portray Wanda as an innocent victim, but at least there's that. Despite all of Heinberg's faults, I at least get the idea that he does like Scarlet Witch and wants to see her a serious Avenger again. At the very least, he sees her as a tragic figure and not a mad crazy woman.
This, naturally, avoids the topic of Bendis making Wonder Man into a far more twisted character than Grim Reaper, his own brother. In fact, I could see leading a team of "revengers" for supposed crimes which really are just hypocritical lunacy to justify violence being a PERFECT plot for Grim Reaper. Yet the only time Bendis uses villains, it's either Norman Osborn or the Hood, and he both over uses them and makes them 400% more efficient and powerful than they should be. He had Hood go after the Infinity Gauntlet, for heaven's sakes. BKV made him to basically be a "hood", a morally ambiguous lower level villain like Shocker, and instead Bendis has made him a megalomaniac who even Wizard works for. Wonder Man has been a character that wonky things happened to, but at his heart is redemption. He was initially consumed by revenge which was why he agreed to be empowered by Zemo and work to betray the team, but ended up dying to save them. Ever since he's sought to atone for that and be a worthy hero, and he has many times over. Well, now he's just some summoned creature out for blood.
I said elsewhere, and I may as well repeat it, how it's funny how Bendis seems to save the worst for WCA characters. He's intent on destroying Scarlet Witch, one of Marvel's few longtime heroines. He made Tigra a random victim. He killed off Vision for six years, and Hawkeye for a few. And now he's set about making Wonder Man a worse villain than any actual villain he has actually written. I'd say he didn't help Pym much, but at least the "Pym" he wrote was a Skrull. I can't speak on how well or poorly he's handled Mockingbird, but I do find the concept of a Skrull being so good at replacing her that "she" fooled even Mephisto who had the "dead" Mockingbird present in the underworld a few times laughable.
This also doesn't get into his usual mangling of lower tier characters. Seriously, what did D-Man or Devil-Slayer do? The fact that Capt. Ultra and Atlas are willing to form an Avengers hit squad out of anger about not being made members shows why they weren't made members. But even many of these little characters are off. I suppose Anti-Venom is fine given that lunatics always can alter their motives. But, didn't he want to be taken seriously as a vigilante crime fighter? How does battering the Avengers do that? As a rite of passage? Razorback saw it that way once.
However...I can say that the best thing of this is that it can create some opportunities for the right writers. Editorial will support these shocking character shifts - anything Bendis writes is INSTA-CANON, that every editor down the line ensures is consistent. The only writer who undid something Bendis did specifically was Peter Milligan, who repowered Iceman 1 issue after Bendis personally depowered him at the end of HOUSE OF M. You'll notice he doesn't write high profile things (like UNCANNY X-MEN) for Marvel since. It's probably a coincidence, but it's an amazing one. BUT, then we have Christos Gage, who took Tigra after the NEW AVENGERS victim bit and really utilized that as a catalyst to reform her and make her more than furry fetish fuel, but an experienced and even deep heroine. Tigra's a stronger character than she's ever been thanks to Gage's care on A:TI and AA. Every character big or small has someone that likes them, and sometimes that can be writers in the Marvel bullpen themselves who may use this story as a reason to rehabilitate them. After all, it may be easier to justify a Devil-Slayer story in an anthology somewhere after this, than it would have been before.
Bendis finally got around to using Count Nefaria as a super powered mobster, and where does he use him? MOON KNIGHT, where the character is crazier than Two-Face. His final issue of Avengers material this year can't come soon enough. Maybe then the Avengers can get more writers who don't seem to consistently hate the tropes of the franchise as much as Bendis does. It's never been where he's been at his best, and the fact that Marvel has kept them there so long despite that is telling.
Yeah, I suck at being brief.
Batman hails from the U.S. and as a rich white guy, is a stereotypical American superhero.
I actually forgot that DC now claims Booster Gold is Canadian - albeit a future Canadian. Still, Canada is technically part of North America. Guy Gardner hails from the U.S., he's simply part of an intergalactic space cop squad. Has it been explained why Earth needs 4 Green Lanterns in the NEW 52 continuity when every other planet in the universe seems to only have one? I still find it bemusing that earth has 4 of them and not one is or has ever been a woman, considering they consist of half the planet's population. The Guardians must think earth women don't have willpower.
An elseworlds story where Lois Lane got a ring might be interesting. But now I'm just brainstorming.

I had flipped through the NEW AVENGERS annual I think so the conclusion of this story and where it was taking Wonder Man didn't stun me too much. However, even on a flip-through, I saw enough that irritated me that handing over $4 to read the rest would not be a fathomable suggestion. I simply do not understand why Bendis seems to be convinced that the best thing to do with Wanda Maximoff is to make her a crazy woman. Ages ago when he was just on NEW AVENGERS and I was still reading WIZARD or somewhere else, Bendis claimed it stems from a story in WEST COAST AVENGERS where Wanda goes batty again and joins Magneto, and he felt that story ended too soon or whatnot. I suppose for the man who made it a fad to stretch every story at least 6 issues, if not 7-8 across the medium, he's right. The problem is this train of thought removes a heroine who has long been a mainstay of the Avengers franchise. Her resurrection of Wonder Man to save herself from Morgan LeFey during the start of the Busiek/Perez AVENGERS run has often been heralded as a great AVENGERS moment, timeless and even romantic given what came later. Well, in this annual, Bendis reduces that to a dark summoning spell cast by a crazy woman. I think I understand why Bendis is at home in crime noir or solo vigilante stories. It is because he seems to have a thing for taking fantastic or extraordinary things, and people, and bringing them down to something seedy, trashy, grim, violent, or disturbed. After all, he couldn't write Dr. Doom unless he did so by having Doom insult a woman's figure or be in the middle of sex with Morgan LeFey. BKV in THE OATH had Dr. Strange and Night-Nurse begin a rather charming romance as a sort of mystical version of Holmes & Watson - the eccentric genius expert and his down-to-earth practical partner. What does Bendis do? Take it between the sheets with some crude humor thrown in. He's also the guy - and this bit I never forget - who devoted an entire page in ULTIMATE SPIDER-MAN to using Reed Richards to tell a urine joke. Clearly, he does not like fantastic elements or people in comics and sees them only as a means to an end, and usually that end is ugly or crude because that's "real".
Lord knows I have complained up and down about Heinberg's AVENGERS: THE CHILDREN'S CRUSADE, so it isn't as if Bendis is the only writer who I am hard on. But if there is one thing that I do like that Heinberg is doing there, he's trying to rehabilitate Wanda as a character. He is trying to attach a lot of her worst moments to Dr. Doom. He's doing a crude job of making the X-Men and Avengers seem like violent thugs to better portray Wanda as an innocent victim, but at least there's that. Despite all of Heinberg's faults, I at least get the idea that he does like Scarlet Witch and wants to see her a serious Avenger again. At the very least, he sees her as a tragic figure and not a mad crazy woman.
This, naturally, avoids the topic of Bendis making Wonder Man into a far more twisted character than Grim Reaper, his own brother. In fact, I could see leading a team of "revengers" for supposed crimes which really are just hypocritical lunacy to justify violence being a PERFECT plot for Grim Reaper. Yet the only time Bendis uses villains, it's either Norman Osborn or the Hood, and he both over uses them and makes them 400% more efficient and powerful than they should be. He had Hood go after the Infinity Gauntlet, for heaven's sakes. BKV made him to basically be a "hood", a morally ambiguous lower level villain like Shocker, and instead Bendis has made him a megalomaniac who even Wizard works for. Wonder Man has been a character that wonky things happened to, but at his heart is redemption. He was initially consumed by revenge which was why he agreed to be empowered by Zemo and work to betray the team, but ended up dying to save them. Ever since he's sought to atone for that and be a worthy hero, and he has many times over. Well, now he's just some summoned creature out for blood.
I said elsewhere, and I may as well repeat it, how it's funny how Bendis seems to save the worst for WCA characters. He's intent on destroying Scarlet Witch, one of Marvel's few longtime heroines. He made Tigra a random victim. He killed off Vision for six years, and Hawkeye for a few. And now he's set about making Wonder Man a worse villain than any actual villain he has actually written. I'd say he didn't help Pym much, but at least the "Pym" he wrote was a Skrull. I can't speak on how well or poorly he's handled Mockingbird, but I do find the concept of a Skrull being so good at replacing her that "she" fooled even Mephisto who had the "dead" Mockingbird present in the underworld a few times laughable.
This also doesn't get into his usual mangling of lower tier characters. Seriously, what did D-Man or Devil-Slayer do? The fact that Capt. Ultra and Atlas are willing to form an Avengers hit squad out of anger about not being made members shows why they weren't made members. But even many of these little characters are off. I suppose Anti-Venom is fine given that lunatics always can alter their motives. But, didn't he want to be taken seriously as a vigilante crime fighter? How does battering the Avengers do that? As a rite of passage? Razorback saw it that way once.
However...I can say that the best thing of this is that it can create some opportunities for the right writers. Editorial will support these shocking character shifts - anything Bendis writes is INSTA-CANON, that every editor down the line ensures is consistent. The only writer who undid something Bendis did specifically was Peter Milligan, who repowered Iceman 1 issue after Bendis personally depowered him at the end of HOUSE OF M. You'll notice he doesn't write high profile things (like UNCANNY X-MEN) for Marvel since. It's probably a coincidence, but it's an amazing one. BUT, then we have Christos Gage, who took Tigra after the NEW AVENGERS victim bit and really utilized that as a catalyst to reform her and make her more than furry fetish fuel, but an experienced and even deep heroine. Tigra's a stronger character than she's ever been thanks to Gage's care on A:TI and AA. Every character big or small has someone that likes them, and sometimes that can be writers in the Marvel bullpen themselves who may use this story as a reason to rehabilitate them. After all, it may be easier to justify a Devil-Slayer story in an anthology somewhere after this, than it would have been before.
Bendis finally got around to using Count Nefaria as a super powered mobster, and where does he use him? MOON KNIGHT, where the character is crazier than Two-Face. His final issue of Avengers material this year can't come soon enough. Maybe then the Avengers can get more writers who don't seem to consistently hate the tropes of the franchise as much as Bendis does. It's never been where he's been at his best, and the fact that Marvel has kept them there so long despite that is telling.
Yeah, I suck at being brief.
Actually the JLI roster consists of seven members who are not Americans. As a matter in fact, I would say that the one flaw with the current JLI roster is that it is not American at all. The two members of the team that do come from the United States represent the interests of other organizations, not the United States while the rest of the team represents the respective regions that they come from.
It's why I think that Captain Atom is a much needed addition to the roster to represent the United States.
Batman hails from the U.S. and as a rich white guy, is a stereotypical American superhero.

I actually forgot that DC now claims Booster Gold is Canadian - albeit a future Canadian. Still, Canada is technically part of North America. Guy Gardner hails from the U.S., he's simply part of an intergalactic space cop squad. Has it been explained why Earth needs 4 Green Lanterns in the NEW 52 continuity when every other planet in the universe seems to only have one? I still find it bemusing that earth has 4 of them and not one is or has ever been a woman, considering they consist of half the planet's population. The Guardians must think earth women don't have willpower.
An elseworlds story where Lois Lane got a ring might be interesting. But now I'm just brainstorming.
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