JClive2007
Johnny in a half shell
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If you had the chance to redo any superhero movie what would do that would be different?
If you had the chance to redo any superhero movie what would do that would be different?
The Crow: I'd have made sure the weapons master was retained for the duration of the filming (and properly checked every part of each firearm), no matter the cost to the production. I'd also have probably taken the charcter of Myca out, and removed what little nudity remained in the film.JClive2007 said:If you had the chance to redo any superhero movie, what would you do that would be different?
The Crow: I'd have made sure the weapons master was retained for the duration of the filming (and properly checked every part of each firearm), no matter the cost to the production.
Have you not seen the Director's Cut on DVD? That's pretty much what it contained. The film was much more serious, and a completely different aspect to the story was reinstated.cerealkiller182 said:Daredevil: Less CGI, more emphasis on Murdock in the court room and as a person with less emphasis on the inflated origin intro. Darker, edgier, The Crow like atmosphere.
Have you not seen the Director's Cut on DVD? That's pretty much what it contained. The film was much more serious, and a completely different aspect to the story was reinstated.
I agree with this.Spider Man 3: Have the final battle with only Sandman, Spidey in the Symbiote suit and almost killing Sandy or killing Harry. Civvies and cops look at him like a villain and he goes to the church where he uses the "bell" to get rid of the suit which drips down onto Eddie who followed Spidey after the final battle to become infected. Final shot Eddie as Venom leaping towards the camera...again opening up for a totally Venom/Spidey sequel.
Agree with these,but will add:I don't know if you mean either a do-over or just fix what was broken, but here goes:
The Dark Knight: Shorten the run-time by 30 minutes. concentrate more on Bruce Wayne/Batman, and less on Harvey Dent and Lucius Fox. And do not kill off Two Face quicker than he got killed in Batman Forever.
Speaking of Batman Forever: Take away the Bat-nipples, Bat-ballsacks, and the Bat-ass shot, plus remove either Two Face or The Riddler. And this one is pure gold.
Superman 3: Tell Richard Pryor to take the part seriously. Remove all of the slapstick opening scene.
Blade Trinity: *sigh* Again, give Blade far more screen time. And his fight with Dracula should not have been intercut with the Van Wilder/Triple H fight.
to allThe Dark Knight: Have Harvey disappear and assumed dead after the Hospital Explosion and thus opening up the events for #3
Spider Man 3: Have the final battle with only Sandman, Spidey in the Symbiote suit and almost killing Sandy or killing Harry. Civvies and cops look at him like a villain and he goes to the church where he uses the "bell" to get rid of the suit which drips down onto Eddie who followed Spidey after the final battle to become infected. Final shot Eddie as Venom leaping towards the camera...again opening up for a totally Venom/Spidey sequel.
X-men 3: Don't kill off Cyclops return Jean to the X-men fold and deal with Magneto and the Cure only. Don't deal with the Phoenix at all in this or the next one, just hints of it going to appear. Finish with Trask or whatever going to a sub-basement while they're talking about the threats of mutant kind specifically citing what happened in San Fran. Only to see or hint at the start of the sentinel program (if you're planning on continueing the franchise)
Agreed
The Phantom: Take down the hamminess and treat it more like an Indiana Jones peer than an Indiana Jones knock off.
X-men franchise: Make Wolverine a better fighter, make Iceman funnier, make Cyclops a more competent leader, make Juggie and Pr. X brothers, make Mystique less freakish, make Sabes more accurate and reoccurring.
X-Men 3: Wait for Bryan Singer
Fantastic Four: Find a more competent, genre-savvy director. Recast Invisible Woman and Dr. Doom. Play with the idea of Doom as a fifth crew member, but more along the lines of getting disfigured and blaming Reed rather than having dormant abilities. Cut down the "look what I can do" scenes and make them out to be more "celebrity" like, for example "putting out fires" type missions, pacifying low scale crimes and accidents.
Spiderman: No pressure for Raimi to use a character he didnt understand or want in the first place (Venom). Better written romance. At least make Pete care when his mask falls off.
Hulk: Balance the 2. The psychological issues of Lee's Hulk and the action/thriller tone of Lettier's
Daredevil: Less CGI, more emphasis on Murdock in the court room and as a person with less emphasis on the inflated origin intro. Darker, edgier, The Crow like atmosphere.
Hellboy: Let Doug Jones voice Abe from the beginning
Superman Returns: No Donner worship. Rehash Batman Begins style with an appropriate tone and a more physical threat. Lex in a similar role as the Timmverse animated series. Greedy corrupt business tycoon with "clean hands" Capone-esque criminal speculation (obvious but unable to prove). Lex as a supporting character rather the principal threat EVER. Recast Lane. Drop love triangle and love child.
Yeah, because he can so do that when a loved one is in danger or he's in the middle of a damn battle. Unless you don't want to see emotion coming from Peter by just blocking it out with a mask that barely moves. Tell me. Do you think the scene at the end of SM2 when Peter is talking to Ock with his mask off would of worked with the mask? That thing that barely moves in the jaw area. Where it's restricted of all emotion and acting capability?
PEter was never so careless even when it counted. People keep saying it restricted acting capability but I dont believe that. Tobys voice inflection was far more effective than most of his facial expression ever was
Someone's voice just doesn't cut it in that thing. All his emotion comes from his eyes. You can do it in a comic or a cartoon, because in a cartoon it's flexible, and their's no really big lesson learned, and no epic showdown like in the films. But as stiff as that thing looks, I can't see any emotion. Jeez, some of you just don't understand about things working different on film. And you didn't answer my question about the ending of SM2 with Peter and Ock.
Yes I did. I said his inflection was more effective than his facial expressions so yes it could have worked.
Not so sure why your annoyed that I think so. You can roll your eyes and say "some stuff doesnt work on film" but we dont know if it wouldnt have worked because we didnt see it happen. Instead we got three scenes of Spidey losing his mask consecutively. Its just poor pacing.
You can't imagine that? If they made the mask more flexible I could agree with you. But this is different. It's a film. It needs to be dramatic. I don't think it would of worked with Peter reaching out to Ock with his mask on. It was personal. If it didn't come off, it might seem like he doesn't care. I'm not trying to argue. Just to point out something that I think needed to be done and that was appropriate for these films. Think about it, please?