Octoberist
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That's why having talks with Greg Berlanti for The Flash film is totally counter-productive.
Ratings don't mean much until the movie released b/c it fluctuates
I don't know about that. I looked over at Facebook and the average rating for the film was a 4.2 out of 5 (with 94 people voting). I know it's not very scientific, but it's probably just as good as people over here saying that it got mixed reviews or that it sucked.
I think looking at a Facebook page (that fans of the character are the majority of those who visit it) for data would be biased.
Probably true, but it is just as accurate as listening to the naysayers at this forum.
Probably true, but it is just as accurate as listening to the naysayers at this forum.
It's not just this forum though, it's also about comments from more general places like YouTube or gossip blogs- people who don't necessarily follow comic book movies.
Those could be the same trolls under a different alias. Truth be it known, only people with a definite interest or agenda are going to migrate to sites like this or vote at polls on the Internet. You really can't rely on that, and, once again for all intents and purposes, the Face book count is probably just as accurate as the opinions on this thread (or anywhere else for that matter). It's a good thing that the producers of these types of films have access to better data through market research.
merchandising. Having things in sync like they are doing with green lantern, having the movie, video game, animated series, animated movie.
But until they move beyond Batman and Superman and come up with a strategic release calendar for films based on other superheroes beyond GL, they are well behind Marvel in live action film.
What kind of "strategic release calendar" are you actually expecting? I think the problem is that you're expecting it to be done the same way as Marvel. It won't. The approach to these lesser known DC heroes is more introducing them *one at a time* with a huge mechandise/tie in machine behind each new release. That's exactly what we're getting, and what we're saying here. First it's GL, then it's Flash, then they possibly try with Aquaman or even lesser knowns like Lobo or Captain Marvel. I don't know how many times it can be said that they're waiting for GL, and seeing what the trend for superhero movies will be like after 2012, but if you're expecting a rush of DC superhero movies the way Marvel churned out its Avengers team, then you'll just be disappointed. Because DC is not taking that teamup approach.
She here's a question, is the DCE nothing more than studio spin to appease DC fans into believing things are being done? I've often felt that the creation of DCE has always been somewhat of a smoke screen coz I don't believe they have any real power in deciding what happens to which character in medium other than comics.
Quite possible. The longstanding problem with WB was that every division has had a veto over the use of the characters by every other division--a recipe for gridlock. If WB hasn't changed that by giving DCE the final say over when and where the characters can appear, then DCE will be a pretty feckless department. And I'd be stunned if the they gave DCE--"the comics division" that kind of power to push back against, say, the movie division.
This change has been in the works quietly for two years ever since Robinov moved into the top slot. "It was Jeff's idea to have DC Comics reporting to him, and DC will be his direct responsibility with Diane Nelson," an insider confided to me. I've also learned that Robinov for months has quietly gone to producers like Chuck Roven and Joel Silver and Akiva Goldman and "called back" all their high profile DC titles in development like The Flash and Wonder Woman. Not only was that shocking to the producers, but even more so when they found out this was part of Robinov's strategy to severely limit the number of gross participants on the projects. Because the producers were told that they may get the titles back to develop, but with far less rich deals. "Jeff always wanted some kind of oversight of DC, and now he wants Warner's to hold onto ownership," my insider explains. (My understanding is that Joel Silver, who is buddies with Robinov, was allowed to continue bringing low profile The Losers to the big screen under his Dark Castle banner. But Silver's 10 years of developing Wonder Woman is history now.)
Problems have plagued the DC Comics-Warner Bros relationship. For instance, the the film division didn't nail down the legal rights to Watchmen adequately, with mogul after mogul shaking their heads in disbelief how Warner Bros could even have started filming the graphic novel with 20th Century Fox still laying claim to the pic. Cutting Fox in at the last minute with Paramount already an overseas played wrought havoc with Warner Bros' economics on the movie. But the biggest failure has been to leave the most valuable DC Comics characters in movie development limbo by chaotically starting and stopping work on scripts for the high profile live action pics. Of Superman, Wonder Woman, and the Justice League, only Batman has an ongoing live action franchise. And now that director Chris Nolan is working on back-to-back pics, who knows when the threequel will get a start date. Most recently, it appears that Warner Bros and DC Comics are getting their act together. Jonah Hex has wrapped, and Green Lantern starts shooting in the spring. That's the same time period that Human Target debuts on Fox.
“It’s no secret that DC has myriad rich and untapped possibilities from its deep library of iconic and lesser-known characters,” said Horn. “While we’ve had great success in films and television, the formation of DC Entertainment will help us to bring more DC properties across additional platforms to fans around the world, while maintaining brand integrity and authenticity.
“Based on the great success we’ve had working with DC Comics to create some of the most popular and successful super hero films of all time, I’ve long believed that there was much more we could do across all of Warner Bros.’ businesses with this great body of characters and stories,” said Robinov. “The prioritization of DC and the creation of DC Entertainment is a great opportunity that reaches far beyond the film group. There are endless creative possibilities to build upon the many significant successes already achieved by my colleagues Kevin Tsujihara and the Home Entertainment Group in the videogame, home video and direct-to-platform arenas and Bruce Rosenblum and the Television Group in live-action, animated and digital series. Collectively, we have the ability to grow a body of properties highlighting the iconic characters and the diversity of the creative output of DC Comics.”
Jeff Robinov is already thinking about DC Comics movies for 2013 and beyond, and hes got Justice League and a reinvented Batman on his mind.
The president of the Warner Bros. motion picture group, who recently sat down for an extensive interview with The Times, discussed his long-term strategy for DC beyond movies already in the works, such as Junes Green Lantern and next years The Dark Knight Rises and Superman movie.
The first priority for the man with the ultimate say on what films get made at Warner Bros.: Finally getting the Justice League, DCs team featuring all its top characters, on the big screen in 2013. The picture had been very close to production in late 2007 and early 2008, but was killed by the Writers Guild of America strike, tax credit issues in Australia, and concerns by some at Warner about presenting a competing (and conflicting) version of Batman while director Christopher Nolans films were breaking box office records.
But Robinov said a new Justice League script is in the works. Also being written for Warner are scripts featuring the Flash and Wonder Woman, who could be spun off into their own movies after Justice League. Though Wonder Woman is also in the works as a television pilot for NBC produced by Warner, Robinov dismissed that as a sticking point. Wonder Woman could be a film as well, the same way that Superman Returns came out while Smallville was on, he said, referring to the 2006 film that put Brandon Routh in the cape and the television show starring Tom Welling that is now in its 10th and final season.
Robinov knows that the most bankable part of his superhero empire has been Nolan and his Gotham City films the studio has yet to deliver a 21st century superhero blockbuster hit without Nolan in the directors seat. Batman will continue to be a centerpiece property beyond next years The Dark Knight Rises and Nolans departure from the franchise. We have the third Batman, but then well have to reinvent Batman Chris Nolan and [producing partner and wife] Emma Thomas will be producing it, so it will be a conversation with them about what the next phase is.