i have a feeling that forster is gonna surprise a lot of people with the action.
Forster is a great director, but is he a great action director?
Forster is a great director, but is he a great action director?
everyone is concerned a little about the action. but if the guy can milk perfomances and do great story... isn't that enough to celebrate about?
but i'd hoped for Proyas as second choice,
Depends. Bond's action is mostly second unit anyway, so it's more a matter of having a great second unit director and action choreographers than having a director whose forte is action. CASINO ROYALE's awesome action wasn't as much due to Campbell as it was to Alexander Witt, Gary Powell, and editor Stuart Baird.Forster is a great director, but is he a great action director?
Depends. Bond's action is mostly second unit anyway, so it's more a matter of having a great second unit director and action choreographers than having a director whose forte is action. CASINO ROYALE's awesome action wasn't as much due to Campbell as it was to Alexander Witt, Gary Powell, and editor Stuart Baird.
Furthermore, there's a question as to whether BOND 22 will be as action driven as CASINO ROYALE. It's possible that it won't be, and I actually hope it won't be. CASINO ROYALE had one giant set-piece too many, and I would welcome a Bond film that was a little more of a thriller than just an action blowout.
What Forster does bring to the table is a lot of talent. Unlike previous Bond directors, he's not a "producer's yes man."
He's going to have a lot of input on the script (he'll be working with Paul Haggis as they hammer out a draft). He's phenomenal with actors. He has a great visual eye, so BOND 22 will probably look great.
Yup. And we have the same folks who wrote the material from CASINO ROYALE.Yes and no. Great action scenes also have to do with the writing.
How so? CASINO ROYALE was still a far cry from FROM RUSSIA WITH LOVE. And I don't mean that as a slight... CASINO ROYALE's my favorite Bond film of the lot, but there's definitely plenty of room to trim back the action and up the suspense and character development.Thats just crazy talk!
Yeah they were. They were often told exactly what to do by the producers, and dutifully complied.What do you mean by alot? Terence Young, Guy Hamiliton, Lewis Gilbert, Peter Hunt, and Martin Campbell weren't yes men.
Yes and no. I wouldn't exactly call Campbell a great action director even though CASINO ROYALE has excellent action.Forster IS a great director, but I'm just wondering if he's a great action director. And, yes, that is important.
Sure, at least in the planning stages (in the execution, it's mostly second unit and the editing room).Second unit or no second unit you need a director who knows what he's doing in terms of action.
Actually, nobody agrees on who's idea that scene was. Ford says it was his, Spielberg says it was his... so forth and so on. That's why the DVD doc doesn't exactly deal with it very much - everyone has a different story.Remember the famous scene from Raiders of the Lost Ark when Indy shoots the sword man? That was all Spielberg. No screenwriter. No second unit. No producer. No actor. SPIELBERG!
The 2 don't have to go hand in hand. You can improve the writing/dialog without having to sacrifice the more action-oriented moments of the film.How so? CASINO ROYALE was still a far cry from FROM RUSSIA WITH LOVE. And I don't mean that as a slight... CASINO ROYALE's my favorite Bond film of the lot, but there's definitely plenty of room to trim back the action.
It's not about improving the character moments, which were great. It's simply about screentime. There could have easily been more character-building, which was fairly bare-bones. We got it in certain scenes, and the scenes were good, but they were kept very tight and brief. CASINO ROYALE could have lost a big set-piece and it wouldn't have mattered. Heck, it would have even improved the structure (which was odd, to say the least... the first third is front-loaded with tons of action, slows down for a more character-based focus with the rest of the film).You can improve the writing/dialog without having to sacrifice the more action-oriented moments of the film.
How so? We know that BOND 22 is a direct continuation of CASINO ROYALE, and Forster's position as director doesn't make that at all uncertain.I really prefer the Bond as stand alone movies, and a director like Forster combined with a writer like Haggis makes it more and more likely that this will not be a direct continuation of Casino Royale.
How so? We know that BOND 22 is a direct continuation of CASINO ROYALE, and Forster's position as director doesn't make that at all uncertain.
Every official word from members of the production team have stated that this film continues what CASINO ROYALE started, and that Bond still has things to learn in his development. Even recent comments from P&W about their BOND 22 first draft back that up.Sure it does, and we don't know anything.
How would he be "finishing someone else's work"? It's not like this is "Campbell's Bond franchise." He directed a Bond film, and somebody else could easily direct the next - whether story elements carry over or not. BOND 22 can still pick up from CASINO ROYALE and be its own film, ya know.It isn't common practice in Hollywood for a director of that nature to finish up someone elses' work.
Forster is a great director, but is he a great action director?