Comedy One Battle After Another - PTA/DiCaprio Team-Up

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Conservative Backlash Rises Over "One Battle"

It has taken a little while to get going, but a conservative backlash towards Paul Thomas Anderson’s “One Battle After Another” is reportedly brewing according to THR. Anderson’s film, inspired by Thomas Pynchon’s decades old novel “Vineland,” is political by its very nature and begins with a...

www.darkhorizons.com

 

[Kane52630]

 

[Drizzle]

I truly don't remember the discourse around Sinners's box office. I guess because I mostly ignored it.

 

[blueharvest]

 

[blueharvest]

 

[blueharvest]

Leonardo DiCaprio Set For Palm Springs Film Festival’s Desert Palm Achievement Award

Leonardo DiCaprio will receive the Palm Springs Film Festival's 2026 Desert Palm Achievement Award, Actor, for Paul Thomas Anderson's 'One Battle After Another'

deadline.com

 

[blueharvest]

How Paul Thomas Anderson Landed in Fortnite, as the Movies-as-Games Era Arrives

SCOOP: I get the story behind the director's ‘One Battle’ crossover as studios also flood Roblox — and Disney’s Epic Games investment starts to deliver

theankler.com

 

[Shinobi Shaw]

I just finished it, watched it on digital for the first time, and dare I say... I didn't like it?

For this to be a lauded film about revolutionaries, the characters outside of Leo and Sean Penn's were very undercooked, I did not like the hypersexualized take on Teyana Taylor's character and then to top it off, the film fridges her thirty minutes in just to prop white male heroics to give Leo something to do. But PTA's fetishization of black women in this film and having Leo called 'Ghetto Pat' for liking them was a choice.

But yeah, good editing, nice little action pieces, but this was not my cup of tea at all.

 

[MilkmanDan]

I just finished it, watched it on digital for the first time, and dare I say... I didn't like it?

For this to be a lauded film about revolutionaries, the characters outside of Leo and Sean Penn's were very undercooked, I did not like the hypersexualized take on Teyana Taylor's character and then to top it off, the film fridges her thirty minutes in just to prop white male heroics to give Leo something to do. But PTA's fetishization of black women in this film and having Leo called 'Ghetto Pat' for liking them was a choice.

But yeah, good editing, nice little action pieces, but this was not my cup of tea at all.

Fair enough but it's not like it's lauded as a serious film about revolutionaries. It's a dark comedy where most of the characters, even the "good" ones are meant to be flawed.

I don't know if we can talk about white male heroics when Leo's character is a has-been who's about as effective as Dude Lebowski. The two true heroes of the film are Benicio del Toro's Sensei who is portrayed being better at fighting for the people than French 75 ever were and Chase Infiniti's Willa who represents the hope that the younger generation will succeed where the previous one failed.