Pacific Rim
King Kong
Cloverfield = Godzilla
- Pacific Rim takes the top because it clearly understood what it was, what audiences expected, and delivered on all promises made. Sure there was a human element, but that never got in the way of providing audiences with the spectacle of giant monsters getting into fights. It also doesn't hurt that the human element, though not as emotionally engaging as intended, was well developed through flashbacks.
- King Kong is a well made remake. However, the film was a bit too reverent of the source material. I feel as though an opportunity was missed to produce an interesting take on the concept. Instead, we get the film that retold an already told tale, rather than reimagined an old tale, right down to ending with the identical iconic line. Still, things are well done.
Cloverfield was absolutely dreadful. All of the characters behaved in a manner that made no sense, even in the film's reality. We have a man trying to rescue his bed buddy, whom he only slept with once. Then, his entire group of friends decide to follow him into this hell hole rather than forcibly dragging him away from certain doom. Can you even call such people friends? It made the film improbable.
I could have invested myself had the male lead gone back on his own. I could have suspended disbelief and assumed that one man could easily make such a rash and foolish choice. But the fact that not just one, but several of his friends followed him back? Preposterous. Also, the shaky cam ruins the presentation and the film lacked the presence of its chief antagonist. There were so many moments where the audience gets a glimpse but not a proper reveal. Even toward the end, we hardly see the monster.
- Godzilla manages to replicate many of those same mistakes made by Cloverfield. The fact that the film teases Godzilla vs the M.U.T.O.s not once, but twice, is entirely unacceptable. The aforementioned teasing may not have been so bad had the human drama elements been compelling in and of themselves. Sadly...
**SPOILERS SPOILERS SPOILERS SPOILERS**
The only interesting character was killed off after the first twenty minutes. The primary conflict for the son was that he was estranged from his father and disbelieved his father's claims. Killing the father off so soon left no room to really mature the emotional investment that the audience should have developed with the son. There is clearly an effort to create a parallel in which the son succeeds where the father failed (protecting his family), but the pacing and scripting of this parallel is poorly handled.
Human scenes are mismanaged, including wasted scenes of the son attempting to help a lost child as well as scenes of his wife at work. Ken Watanabe is wasted on this film, as his role begins as an authoritative research scientist for a shadow organization, but then suddenly transforms into that of a pseudo-philosopher spouting exposition and musings on the natural order and balance.
I loathed the entire premise that Godzilla exists to bring "balance." The concept is never fleshed out, and consequently, it makes Godzilla an ancillary and under developed character in his own film. Honestly, I don't want Americans (or Europeans) to ever make a Godzilla film, ever again. The West just doesn't understand the character, the property or how to accept the fact that audiences are okay with monsters beating the crap out of each other without trying to create plots involving how people feel about giant monsters beating the crap out of each other.
Yes, the original Godzilla was very much about the human drama, but that film was also an allegory for the atomic bombing of Japan. That incarnation of Godzilla was this awful force of nature that represented the horrors of the atomic age. That film was a human drama that featured a monster, but that portrayal is also the one least associated with the modern perception of Godzilla, who is notable for his clashes with the likes of King Ghidorah and Gigan. And even as an effort to modernize and ground the original Godzilla story within the context of the 21st century, the film still fails miserably because of its inability to create characters that the audience can invest in.