Abishai100
Civilian
- Joined
- Oct 21, 2014
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A special private homage to the jarring and haunting comics-series The Crow (James O'Barr). Enjoy (and thanks for reading),
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Amlan Satan is a princely heir living with his wealthy single-mother in New England when he decides to make a change in his artwork, despite keeping his same sensibilities about abstract expressionism.
You see, Amlan's a big fan of O'Barr's The Crow comics and decides to transform his art from high-brow intellectualism to low-brow youth-oriented bank-robbery and street-vigilantism doodling. He's become a nerdist of street cartoons.
What moved him so about O'Barr's series featuring a resurrected antihero who enacts justice through the magic of vigilance as seen through the darkness of modern dystopia? Perhaps The Crow reached his sanity regarding the perceptibility of tangible beautiful fantasy.
Regardless, Amlan Satan hits the streets as the bank-robbing 'Scarecrow' and steals terrorism-financing 'blood-diamonds' from a corrupt Boston-baron named Dollar and does so using a water-rifle filled with acid, claiming he's an Interpol-relation working against chemical warfare being funded by Dollar and requests immediate discreet access to the baron's blood-diamonds in exchange for silence regarding the bank's dealings with the evildoer.
Satan (Amlan) then returns to his New England art-studio and begins translating O'Barr's work into street-language fairy-tales about finding/enacting justice through the mist and darkness of modern hell, hell created by relentless druglords preying on both the wealthy and poor alike!
Will this 'Crow' become a man of romance? For that matter, will this 'Scarecrow' (Amlan Satan), our artistic protagonist, discover the magic of love despite this newfound sensibility regarding the pursuit of vigilance in a time of great dark urban depression?
Satan continued to cast O'Barr's work as a modern rendition of an artistically mounted Thomas Nast, a commentary on the perceptible yearning to disregard normal ethics in preference for the attainability of perfect crime and evil. Who can reverse such modern trends, really? Can the Scarecrow (Amlan Satan) do it?
INTERPOL: Blood-diamond corruption threatens capitalism-integrity and requires vigilance-writers.
The "Scarecrow" (Amlan Satan) discovers that a new hellraiser in the streets of Boston has emerged, vowing to escape his past employer's domain, a blood-diamond baron of course, and become his own 'private' manslayer, a horror-film 'copycat' named Leatherface who wields a homemade electric chainsaw. Scarecrow (Amlan Satan) wonders if he must somehow engage this super-villain with forms of costumed journalism!
Satan/Scarecrow posts children's doodles of this 'Leatherface' being challenged by a mysterious bat-man creature vigilante of Boston who dresses up and dons special weapons like tranquilizer-darts and poisoned throwing-knives. Scarecrow (Amlan Satan) claims to reseize urban imagination, we'd have to find creative ways to contrast modern deformity and insanity with images of child-like heroism.
SCARECROW: With these children's doodles to challenge Leatherface, I've become the real Crow!
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"Money is everything" (Ecclesiastes)
====
Amlan Satan is a princely heir living with his wealthy single-mother in New England when he decides to make a change in his artwork, despite keeping his same sensibilities about abstract expressionism.
You see, Amlan's a big fan of O'Barr's The Crow comics and decides to transform his art from high-brow intellectualism to low-brow youth-oriented bank-robbery and street-vigilantism doodling. He's become a nerdist of street cartoons.
What moved him so about O'Barr's series featuring a resurrected antihero who enacts justice through the magic of vigilance as seen through the darkness of modern dystopia? Perhaps The Crow reached his sanity regarding the perceptibility of tangible beautiful fantasy.
Regardless, Amlan Satan hits the streets as the bank-robbing 'Scarecrow' and steals terrorism-financing 'blood-diamonds' from a corrupt Boston-baron named Dollar and does so using a water-rifle filled with acid, claiming he's an Interpol-relation working against chemical warfare being funded by Dollar and requests immediate discreet access to the baron's blood-diamonds in exchange for silence regarding the bank's dealings with the evildoer.
Satan (Amlan) then returns to his New England art-studio and begins translating O'Barr's work into street-language fairy-tales about finding/enacting justice through the mist and darkness of modern hell, hell created by relentless druglords preying on both the wealthy and poor alike!
Will this 'Crow' become a man of romance? For that matter, will this 'Scarecrow' (Amlan Satan), our artistic protagonist, discover the magic of love despite this newfound sensibility regarding the pursuit of vigilance in a time of great dark urban depression?
Satan continued to cast O'Barr's work as a modern rendition of an artistically mounted Thomas Nast, a commentary on the perceptible yearning to disregard normal ethics in preference for the attainability of perfect crime and evil. Who can reverse such modern trends, really? Can the Scarecrow (Amlan Satan) do it?
INTERPOL: Blood-diamond corruption threatens capitalism-integrity and requires vigilance-writers.
The "Scarecrow" (Amlan Satan) discovers that a new hellraiser in the streets of Boston has emerged, vowing to escape his past employer's domain, a blood-diamond baron of course, and become his own 'private' manslayer, a horror-film 'copycat' named Leatherface who wields a homemade electric chainsaw. Scarecrow (Amlan Satan) wonders if he must somehow engage this super-villain with forms of costumed journalism!
Satan/Scarecrow posts children's doodles of this 'Leatherface' being challenged by a mysterious bat-man creature vigilante of Boston who dresses up and dons special weapons like tranquilizer-darts and poisoned throwing-knives. Scarecrow (Amlan Satan) claims to reseize urban imagination, we'd have to find creative ways to contrast modern deformity and insanity with images of child-like heroism.
SCARECROW: With these children's doodles to challenge Leatherface, I've become the real Crow!
====
"Money is everything" (Ecclesiastes)