X3 Reviews & Poll

0-10 How do you rate X-3? (Don't vote unless you've seen it)

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Results are only viewable after voting.
Advanced Dark said:
^ Of course the Hypsters reviews count. That's why I put a poll here too. :) Read the first post.
Oh, right. Yup, I read it. I knew that the poll was for the Hypsters, but wasn't sure if we're supposed to post our reviews here. Thanks bunch.
 
Austrailian At the Movies Review

Its not too good.......the woman reviewing it is Australias version of Roger Ebert. She reviews movies with another guy who wasnt on the show tonight.

X-Men: The Last Stand

Review by Margaret Pomeranz

For the first time, mutants have a choice: retain their uniqueness, though it isolates and alienates them, or give up their powers to fit in. Opposing views of mutuant leaders Charles Xavier, who preaches tolerance and Eric Lehnsherr, who believes in the survival of the fittest, are put to the ultimate test - triggering the war to end all wars.

The theoretical last of the X Men trilogy has a possible answer to everyone’s problems, a cure for the mutant X gene which has produced individuals with singular physical and telekinetic powers. But is being one of the mutants a disease to be cured? Opinions are divided.

After dying in X Men II Jean Grey, (FAMKE JANSSEN) returns miraculously to life with all her powers, a fact that causes concern to Xavier, (PATRICK STEWART). But Wolverine, (HUGH JACKMAN) who loves her, believes in her ability to control herself. Meanwhile Magneto, (IAN McKELLEN) is gathering forces to fight the supposed cure and he wants Jean as part of his team.

This Marvel comic based series has spectacular special effects – but they seem a bit soulless. It’s not enough to be dazzled by the pyrotechnics of contemporary technology, you need a bit of heart.

And somehow this film doesn’t seem to have as much as the previous one in the series. This is B-grade popcorn entertainment, so you don’t expect miracles, but a bit more concern with the dare-I-say it? Human values of the mutants who are an ethical breed for the most part, would have enhanced the film enormously.

2 1/2 stars.

You can watch a video of it here http://www.abc.net.au/atthemovies/txt/s1630847.htm

Copied from other thread.
 
That show comes on every Wednesday (I think) over here. Pay no attention to her. :o It's obvious that she doesn't like to have fun and leave her serious face at the door.
 
Sunstar said:
Advanced Dark, is that the Empire review everyone was waiting to see?

Also a link would be nice!

Hello! AD are you going to answer my question in this lifetime?lol:p
 
Spidey 2007 said:
when is X-men premieing at cannes? we will get bombarded with reviews that day or so.

plus CNN' show... Showbiz Tonight, will host a live review of X3 after its premiere.

Davinci code was reviewed tonight....
Monday, May 22.
 
This thread will be a flame-haven once it reaches Page 5/6


Why? Because there's alot of TROLLS and n00bs voting on the movie who havent even seen it. Yet they JUDGE this by reading other negative reviews and keep the good ones out of sight.

Bah ... disgusting. This board is getting crappier and mindless by the second.
 
There's no way to avoid it but I"ll ask Lightening to wipe the poll clean (if possible) otherwise the poll will even itself out because the majority of us here aren't trolling a-holes.

These 2 guys/girls gave it a "ZERO" rating. Where's your review? Stupid.

JZ1, Kurosawa
 
:rolleyes: it was bound to happen! Some people are so immature!
 
I think that Wolverini's the only one who actually saw the movie out of the people who voted.
 
From A1ant:

Spoiler-free!


http://www.xmenfilms.net/xnews/x3review2.html

Written by: Tyrone James

To say that X Men: The Last Stand doesn’t rely on special effects and CGI would be wrong. But what sets X3 apart from other comic book movies is that it also manages to deliver a credible story. The X Men trilogy has dealt with the underlying themes of alienation, prejudice and intolerance. The third movie has become more than just the struggle of the minority group. X3 is a far more emotional film than the first two. As well as raising issues of discrimination and the need to conform, X3 also uses romance, humour and grief to add to the depth of the storyline.

The Last Stand definitely has a huge reputation to live up to after having decades of comic books and two huge movies before it. It seems the first two movies were more of an entree to this, considered the final movie in the series. This third instalment builds on the groundwork set by the first two films and allows the characters to get right into the heart of their roles without the need to explain who they are or what they do.

X Men: The Last Stand
picks up seamlessly from the end the last film. The final scenes of X2 somewhat pave the way for the story that unfolds. Jean Grey who ‘died’ in the second film while trying to save her friends is reborn in X3 as the Phoenix. Many X Men fans will be familiar with the story of the Dark Phoenix, an entity that inhabited the body of Jean Grey and enhanced her psychic abilities. The writers for X3 managed to re-introduce her without the need for a drawn out background story. While all the powers of the X Men have grown throughout the three movies, it is Phoenix’s power that emerges as the strongest. Only by seeing the movie can you realise what she is truly capable of.

Brett Ratner, (director of the Rush Hour films) had the unenviable task of taking the reigns of X3 after the director of the first two movies jumped ship to work on Superman. Not only did Ratner have to contend with maintaining the precedent set in the first two movies, but also to utilise and give sufficient screen time to the astounding cast that includes two Academy Award winners, a Tony Award winner, Lord of the Rings’ Gandalf, Star Trek’s Captain Picard, three former models and an ex-soccer player. Ratner not only manages to achieve this, but does it in a way that remains true to the comic book characters. Yes, Storm actually does fly!

The die hard fans who approach the movie with a huge expectation will be pleasantly surprised as this movie gives them what they really want. Ratner spared little expense when bringing the script to life. The mutant versus mutant fight scenes in X3 make the first two movies look almost poor. On top of that, there isn’t anything slow about the movie. All the scenes were relevant and tied themselves in well.

In the first X Men movie, the villain was Magento, in X2 the mutants banded together to stand up to a human enemy. This time around, the real ‘villain’ exists in the form of a cure for mutation. Having fought all their lives for equality for mutantkind, Professor Xavier and Magneto approach this new foe with different attitudes. While he still sees it as a threat, Xavier chooses to take a diplomatic stance to the introduction of the cure. Magneto on the other hand, believes that the cure will be forced on his people and so, recruits an army to show the world that mutants and more importantly, himself, will not be restrained.

For those who feel a little saddened what happens in the film, you may want to sit right through the credits as there is a little bit of salvation that leaves you going... Ahhhhh!
__________________

WHO WILL YOU STAND WITH?
 
MTV Review...sort of.

http://www.mtv.com/movies/news/articles/1531992/05172006/story.jhtml?rsspartner=rssYahooNewscrawler

Will Any X-Men Survive 'The Last Stand'? Is This Really The Final Flick?

'X-Men' stars debate what it means to be 'cured' of their powers.



Halle Berry in "X-Men: The Last Stand"
Photo: 20th Century Fox


A boy is in the bathroom, making strange noises, while his dad pounds on the door. If his son doesn't open up, he's going in there, anyway. When the dad does manage to barge in, he catches his shamed son in the act — of cutting off his wings.

The X in "X-Men" is like the algebra variable — it can stand for anything. Being a mutant is code for being a geek, being gay, being black, being anything that makes you feel like you just don't belong. "It's a fictional minority, so there are an unlimited amount of parallels," said Aaron Stanford, who plays a flame-spewing mutant called Pyro in the film versions of the long-running comic book franchise. "And I don't know anybody who [at some point] felt like they weren't an outcast."

What prevents the series from devolving into an after-school special is how well-imagined the "X-Men" universe is, thanks to director Bryan Singer (who helmed the first two films) and, of course, to the comics. With soulful characters like Wolverine and engrossing story lines like the Dark Phoenix Saga, "X-Men" comic writers and artists have kept readers flipping pages for decades. So it's no big surprise that the first two movies were just as magnetic at the box office, grossing a combined total of more than $370 million in the U.S. alone.

According to the usual Hollywood calculus, that kind of money would mandate many sequels. But here we are with "X3" — sorry, "X-Men: The Last Stand" — out May 26, and the surprising news is right there in the title: adios! Major characters die. Others lose their powers and become human again — for some, a fate worse than death. ("I'm sorry, my dear," Magneto, played by Ian McKellen, tells one of his fallen followers. "You're not one of us anymore.") It's a plot that seems to prevent a sequel, but it's all for a good cause, the filmmakers say: This time, the metaphor becomes a message.

In "X-Men: The Last Stand," the mutants are faced with "the cure" — a vaccine of sorts that would suppress their powers permanently. "We all know that ['X-Men'] is about discrimination, fear of the unknown, persecution of minorities and things like that," said Hugh Jackman, who plays Wolverine. "But I think it's clearer in this movie."

That may be in part because director Brett Ratner was hired to replace the departed Singer, whose own distinctive X now marks the spot on the upcoming "Superman Returns." When Ratner stepped in, just eight weeks before the start of production, fans were aghast — how could the director of the lighthearted "Rush Hour" movies possibly do justice to Singer's weighty vision of "X-Men"? (see "Brett Ratner Shrugs Off Critics, Promises More Humor In 'X3' ") Ratner had a few doubts himself, so he called Singer for "some words of wisdom, some encouragement," Ratner said. "He told me, 'Whatever you do, don't read the Internet. They're going to say bad things about you, because they said the same bad things about me when I did the first movie.' " So Ratner decided he'd let the film "speak for itself" — and speak it does. There's a lot of talk about what the cure could mean, and most of the action stems from the schism between mutants who reject it peacefully and those who say it means war.

The militant group of mutants led by Magneto believes the cure is the beginning of a genocide — in one heavy-handed sequence, Magneto reveals a concentration camp number tattooed on his arm, vowing, "No needle will touch me again!" Some rival mutants are simply offended ("Since when did we become a disease?" Storm asks), but then find themselves having to physically defend the humans who created the cure. Those action sequences might have suffered due to Ratner's lack of prep time; fortunately, expensive sets such as the Danger Room had already been constructed for "X2," but were never used. "Prepping a movie of this kind is a six- to nine-month job," said Patrick Stewart, who plays Professor Charles Xavier. "And he just had weeks to do it."

So Ratner had to keep things moving at a quick clip. Where Singer was what James Marsden (who plays Cyclops) called more "introspective and measured," Ratner was "the Tasmanian Devil — and you can see it onscreen." Ratner's more memorable action scenes include one in which Magneto bends the Golden Gate Bridge to his will, and a sequence that showcases a slightly different kind of "action" — a rousing make-out session between Wolverine and Jean Grey/Phoenix (Famke Janssen), in which they practically have sex on a lab table. "She's just pure rage and passion," Janssen said of her character's transformation. "She's the most powerful mutant, but she can't control her powers."

Because Phoenix (who can literally rip people apart) and Rogue (who absorbs other mutants' life forces when she touches them) can't get close to anyone, for them the cure isn't an open-and-shut issue. "[Rogue is] missing out on a lot of stuff," Anna Paquin said of her character's quandary. Her dilemma makes the cure seem potentially beneficial — are you really giving up so much if you're gaining the ability to love and be loved? Don't people change themselves all the time in order to become more loveable, more desirable? "If you don't have boobs, you get boobs," said Halle Berry, who plays Storm. "If you don't want a bump on your nose, you get it taken off. Then the question is, do you feel better on the inside? We struggle as a society to figure that out."


Looking for the newest, hottest trailers?

Check out "Casino Royale," "Lady in the Water," "Click," "Rock the Bells" and more, on Overdrive.


"On a very simple level, if you have the choice, for you or someone you love, to take a pill or a vaccine to get rid of the thing for which you're persecuted, would you take it?" Jackman asked. "Or that thing that you just don't like about yourself, or that people pick on a little bit — if you could get rid of it, just like that, would you do it? Or does that thing make you who you are?"

There are plenty of real-life examples of the situation dramatized in "X-Men: The Last Stand" — groups like Exodus claim they can "cure" homosexuality with prayer — however not every cure is cosmetic, or even feasible. "I could not change the color of my skin if I wanted to," Berry said, "and I'm happy about that."

And how do the "X-Men" actors and actresses (the ones who don't die or lose their powers in this third film) feel about their new limitation — the inability to return in another sequel (see " 'X-Men' Director Says Movie Will Really Be 'The Last Stand' ")? Well, Berry has a feeling that that may not be the case. "There might be a fourth X-Men movie," she suggested hopefully, "if this movie does well enough at the box office." Plans are already under way for spinoff films about Wolverine and Magneto — origin stories that would require filmmakers to employ the same reverse-aging software that enabled McKellen and Stewart to play younger versions of their characters in this current "X-Men" installment (see "Ian McKellen Sticks Up For Evil In 'Da Vinci Code,' 'X-Men' " and "900-Pound Juggernaut Weighs In On 'X-Men' Spinoffs, Feels For Amanda Bynes").

Ratner says he's not attached to direct either of those future films — yet — and that as of now there are no scripts for either of them. But if he had his druthers, the character he'd most like to spin off into his own movie is blue-haired Beast, the boy who — in the film version, anyway — starts to grow blue hair after he hits puberty. "We were all mutants once," he laughed.

Note: There are some exclusive links on "overdrive" found within the above link.
 
http://news.inq7.net/entertainment/index.php?index=1&story_id=76265

An X-pedient smorgasbord
First posted 02:44am (Mla time) May 19, 2006
By Ruel S. de Vera
Inquirer

SO MUCH COULD HAVE GONE wrong. Like the comic-book mutants it revolves around, "X-Men: The Last Stand" was pursued by adversity and regarded with suspicion. Could it go toe-to-toe with the artfully crowd-pleasing "X2: X-Men United?" Now that director Bryan Singer had gone up, up and away to the forthcoming "Superman Returns," had the team lost its X-factor?

"You have no idea what is upon us now," says Dr. Charles Xavier (cerebral Patrick Stewart). Exactly. The pressure was on director Brett Ratner ("Rush Hour") to tie up the loose plot threads from "X2" and deliver 20th Century Fox from the wrath of anxious X-fans. That he did, by wisely leaving the material mostly alone.

While "X2" was a stylish, moody movie, "Last Stand" is a straightforward superhero smorgasbord, efficient and beefy if overly busy. It's fascinating how Simon Kinberg ("Mr. & Mrs. Smith") and Zak Penn ("Fantastic Four") have engineered an enhanced plot possessing the recombinant DNA of X-Men tales by Stan Lee, Chris Claremont, Grant Morrison and even Joss Whedon. The Danger Room, the Fastball Special and Dark Phoenix appear in the movie, as do a handful of fan favorite mutants, albeit in brief and different circumstances.

Fiery McKellen
"When the air is still and the night has fallen, there's only one question you must answer: Whom will you stand with," asks Magneto (fiery Ian McKellen). "Last Stand" follows the events of "X2." Students of the Xavier School for Gifted Youngsters go about their lives and Jean Grey (Famke Janssen) is still feared dead. Meanwhile, Magneto raises a mutant army when a cure for mutation is announced. Storm (Halle Berry) leads the X-Men in a bid to repel Magneto's rogue elements while Grey has mysteriously been resurrected, heralding an enigmatic new threat.

Hugh Jackman is front and center, doing that Wolverine voodoo that he does so well. In fact, Wolverine is in almost every scene, clearly paving the way for the "Wolverine" spin-off in 2007. Berry gets a meatier part as Storm takes on the mantle of X-leadership.

Yes, Frasier
Astonishing performances come from extremes.
Hamming it up delightfully, is Kelsey Grammer--yes, "Frasier"--as Prof. Henry "Beast" McCoy. The fittingly low-key, pale turn of young Ellen Page as Kitty Pryde is similarly striking. And any chance to catch Brit hooligan Vinnie Jones ("Snatch") chewing scenery--as Juggernaut to boot--is welcome.

In his most remarkable work yet, Ratner approaches "The Last Stand" with workmanlike earnestness. The script fires one gambit after another, and while viewers may not have time to absorb the ramifications of one turn before another comes cannon-balling in, there is a multiplicity of clever reinvention here. Aside from the mutant-spotting, fans should not leave their seats until after the credits have finished. Consider yourselves warned.

The heavily expository dialogue aside, "Last Stand" is "Fantastic Four" done right, taking the super-powers seriously and making the Marvel Comics panels come to life. This is where the avalanche of seamless special effects really works, making the battles possible and indulging in requisite homage to the source material. More ambitious, though not as sophisticated as "X2," "X-Men: The Last Stand" is an unexpectedly muscular curtain call for the movie franchise that made superheroes super on screen again.
 
X-Men : The Last Stand
By 'Chris Dzelde'

Answer three simple questions and instantly gauge how much you might enjoy X3:

1) Do you want to know more about Charles Xavier and Magneto?
2) Do you want to see the awesome power of the Phoenix?
3) Famke Janssen, Halle Berry, Rebecca Romijin? (okay - not a question, but still...)

The mighty Internet cast its decision on this film months ago, and I am pleased to say the bagging is unwarranted. In "X3", the X-Men are suited up, sexed-up and, in a very tangible way, vulnerable. There are new responsibilities, new challenges and no guarantees.

Watch the opening scene closely and marvel (bad pun) at a CG process which may potentially revolutionise future filmmaking - Magneto and Xavier from 20 years ago meet a young and powerful Jean Grey. (Anyone who is doubting Harrison Ford's ability to keep up with the Joneses may go very quiet upon seeing this. Potentially, Ford could be playing Indy till he's 92!) The flashback is assuredly handled and to see McKellan and Stewart as allies walking side by side makes what is to come even more weighty. It is in these three characters that X3 draws much of its dramatic tension.

This time round all bets are off. Quite early in the film you begin to realise that this trilogy-closer is taking some risks that the other two couldn't. Once that realisation dawns, the film gains a unique energy - put simply, anything can and will happen, and our favourite X-Men may not be able to put things right.

Yes, Rattner can direct. The style of the film is so close to Bryan Singer's, your average punter would be surprised to learn he didn't call the shots. Addressing concerns of X2 and Halle Berry, Storm is basically more useful and has more screen time here. Kelsey Grammar's take on Beast is a definite highlight, considering how ridiculous the Blue Furball could have become. Jackman takes Wolverine to a place it may be surprising to see - he actually cares. But the core of this film is rooted in the performances of Patrick Stewart (Xavier), Ian McKellan (Magneto) and Famke Janssen (Jean Grey).

When Jean Grey returns, you can just feel something isn't right. Janssen conveys the confusion, the pain and the terror in equal measures. As the new weapon in Magneto's X-War, she is remote, aloof and possessed of terrifying power. She goes all scary on us. There are scenes in X3 that are some of the most powerful in the series so far. And yes - sexy. This time round, it's not only sexual tension one-liners; the stakes are WAY different.

There are casualties with an ensemble piece. Rogue is incidental, and any X-Fans looking forward to Angel's appearance in the film should know it is ultimately just that - an appearance. His part in the final act almost seemed tacked on, but, hey, the wings look great. Mystique also is peripheral, but in one of the series best twists, turns out to be integral to the entire storyline. James Marsden as Cyclops puts in his best performance yet, and makes his character more important perhaps than in the last 2 movies. The other thing Rattner has done is make this film effective as a stand-alone as well - seeing the other 2 is not as necessary as you may think.

Okay - sounds all good so far? Well, I will say this - at it's conclusion I thought, as much as I enjoyed it, it is "X-Men Lite" at times. Zero caffeine, less sugar. Moments of unconvincing CG? Check. Sometimes curious Hugh Jackman accent? Check. Cheesy dialogue? Check. (If the battle of Fire and Ice doesn't make you groan, check pulse)

But - there are moments of , well, if not greatness, uber-coolness in this chapter: The fight at Jean Grey's house; Wolverine and Storm's return to Jean Grey's deathsite; Beast and Wolverine kicking some major butt; Rebecca Romijin in her naked glory....mmmmmmm.

And yes, ethical dilemmas and outsider themes that are well-delivered ......and perhaps not always what they appear to be.

For mine, the characters in X3 are the most fleshed-out we've seen yet. X3 works hard to get you off-balance early on and it pays off, as once again we really want to know what will happen to these mutants. You may not race out to tell the world you MUST SEE THIS MOVIE, but there's no doubt any X-Fan will get their money's worth. And is it the last stand? FOX has, not surpsisingly, left a few tantalising possibilities hanging. Oh - and stay to the end of the credits for an extra buzz.

However, if you need a good nap, see The Da Vinci Code.........................................................................sorry, nodded off there for a bit.

Reader review from moviehole.
 
SHADOWS ON THE WALL | REVIEWS | NEWS | FESTIVAL | AWARDS | Q&A | ABOUT | TALKBACK
X-men: The Last Stand

R E V I E W B Y R I C H C L I N E dir Brett Ratner
scr Simon Kinberg, Zak Penn
with Patrick Stewart, Ian McKellen, Hugh Jackman, Halle Berry, Famke Janssen, Kelsey Grammer, Shawn Ashmore, Ellen Page, Anna Paquin, Rebecca Romijn, Aaron Stanford, Vinnie Jones, James Marsden, Ben Foster, Shohreh Aghdashloo, Olivia Williams
release UK 25.May.06,
US 26.May.06
06/US Fox 1h44

Armed and dangerous: Berry and Jackman


Also: X-MEN (2000)
X2 (2003)

And from 2003:
SHADOWS MEETS THE X-MEN

With the departure of Bryan Singer, there was no way this film would live up to the first two. But at least Ratner knows how to handle both action and drama on screen, even if subtlety and substance fall by the wayside.
As American society continues to cope with its emerging mutant population, a scientist develops a serum that reverts mutant DNA. Professor Xavier (Stewart) worries that this implies mutants in need of a cure; Magneto (McKellen) takes this as a declaration of all-out war. Meanwhile, the government's Secretary for Mutant Affairs, a blue beast-like man (Grammer), is looking for a diplomatic solution. But there are secret agendas, and it's going to get messy. Especially when Jean Grey (Janssen) is reborn as Phoenix, with devastating powers even she can't control.

Ratner is very good at pacing, and this film launches like a rocket, with a vicious tone that lets us know anything can happen. It's a big action-effects movie, rather than X2's character-based thriller. This makes it feel rather shallow, with obvious dialog and unsubtle camera work that play up the moral questions: Is it cowardice to want to fit in? Is it unreasonable to fight back? These are great issues, although the film approaches them without much passion; when it tries to get emotional, it feels forced.

Performances are strong throughout the sprawling cast. Only a handful of characters emerge from the fray--Grammer is especially effective, and there's more development for Janssen and McKellen, and also Jackman's Wolverine and Berry's Storm. But there's a sense that the plot is ripping the guts out of the franchise. It's all-out carnage, as beloved characters are obliterated and the bad guys turn out to be far more charismatic and focussed than the heroes.

It also feels like a fanboy fantasy, indulging in big, ludicrous action-effects sequences (surely there are easier ways to get to Alcatraz). But there are moments when it springs brilliantly to life, forcing characters to make some very difficult decisions. Combined with the gripping story, this insight continues to mark this as one of the most grown-up comic book movie series ever made.

themes, strong violence, some language

From Rotten Tomatoes.
 
Nev Pierce from the
BBC

Given the amount of action and life-changing events which occur in X-Men: The Last Stand, you'd expect to feel more moved. But this third outing for the spandex-clad mutant superheroes and villains is surprisingly short of real emotion. X-Men 2 is regarded by many fans as one of the best comicbook movies ever made. This sequel is tidy but uninspiring, despite a storyline which deals with the invention of a controversial 'cure' for mutant-kind.

As in the previous movies, Hugh Jackman is the highlight, his Wolverine coming across like a young Clint Eastwood - with huge metal claws. There's a Wolverine spin-off in development and little wonder; he's easily the most engaging character. The real star should be Famke Janssen, whose Jean Grey returns from a watery grave as the world-threatening Dark Phoenix. A pity, then, that her heart and soul are rather lost beneath the CGI.

"STILL A CERTAIN SATISFACTION"

Of the other mutants, Halle Berry's Storm is somewhat dry, Kelsey Grammer is given little to work with as Beast, and none of the youngsters make an impression. You're most likely to care if you've watched the other movies back-to-back immediately before this; as we skip through events so swiftly, there's no time to embrace the characters. There's still a certain satisfaction from watching the mutant odyssey reach a kind of conclusion, and Jackman and Janssen are too watchable for the film to be damned, but unless you're already dedicated to the X-Men, The Last Stand won't really hold up.
He gave it 3/5, the same as he gave X2.
 
Anton O's review from SHH boards.

--------------------------------------------------------------------------------

X-men the last stand

- A short positive non-spoilerish review by Anton Oksehud

This movie production have had a rough start. Before the shooting even started, there had been directorial changes, and a leaked script review at AICN, that had the fans furious……

Is this movie phenomenal? No.
Is it good? Yes, very good in its own right.
But in order to enjoy this movie, one must adapt a certain viewpoint, and accept some facts.

This is NOT a Bryan Singer movie. Meaning that the trademark character development of X1 and X2 has taken a backseat to action and mutant power display. Which is fine in a third movie of a trilogy, where the first two movies have had lots of exposition for the characters.

And the action is great! Miles ahead of X1 and X2, more mutant powers, great FX, breathtakingly big-scoped action pieces, but this leads to my main gripe with X3.

After a high-paced action sequence ends, I would like to have a mellow transition into the next scene, going slowly down in pace again, before more speed is picked up again.
But, this is not how Brett Ratner plays it! The transitions both between action scenes and non-action scenes seems abrupt and too sudden. I had a slight WTF-feeling several times during the movie where I felt, I was rushed through from one scene to the next, like I was on the last guided tour of the day, and the guide really wanted to go home early.

The length of the movie has been debated greatly, and I felt, the movie was a bit too short.
But if 30 extra minutes just meant Ratner rushing us through even more scenes, instead of lingering more in the moment, that deserved it, I would rather be without them.

The acting and dialogue is also changed a bit from X1 and X2. The dialogue is more comic-booky and could be interpreted as more cheesy, and the acting likewise a bit hammy, but IT WORKS in the context of the movie. This movie is much more a “comic-book” movie than the first two, and I immensely enjoyed the sheer “comic-bookness” of it all. Not silly comic-book like F4, but still with gravitas and emotion. But definetily more melodramatic than X1 & X2. (I almost cried at one point at the press screening)

(Some of )the characters:
Beast: Nailed down to an Ace, perfect casting, perfect delivery of the clever lines. The embodiment of a genius in the blue furball body.

Juggernaut: Great as the “dumb hired muscle”, cheesy one-liners, but again, it works in the comic-book sense.

Angel: Great acting from Ben, but the character is under-used.

Phoenix: The real star of the show. Famke is eerily good, and the movie could be called “X-men: Dark Phoenix Rising” without shame…

Prof. X: It is great to see cracks in the perfect polished image of the benevolent professor. It gives more depth to the character to question the ethics and methods of his psychic powers.

In conclusion: The movie is a decent conclusion of the trilogy, better than X1, but slightly inferior to X2. I can see this movie getting both negative and positive reactions. It all depends on whether one can accept that this movie is twisting in another direction than the first two, but still staying on the same road.
The movie is a rollercoaster ride of both fun and tears, and with the right mindset can be enjoyed greatly by fans and non-fans alike…..

8 out of 10
 
Here's what Maxim critic Pete Hammond says, having recently seen it at on the Fox lot:

"While there's a considerable amount of violence in the final battle scene plus a couple of others, it's not of the Sam Peckinpah variety but more in line with what we've all come to expect from these films. What astounded me is apparently Fox is determined to end the series with this one. It's flatly stated in the first line of the press notes: '....the climax of the X-Men motion picture trilogy.' Apparently there will be spinoffs including a Magneto film (Ian McKellen, great here again and by the far the best thing in The DaVinci Code) movie that is listed as 'announced' on IMDB as is Wolverine for Jackman, but who knows? There are definitely some surprising twists in Brett Ratner's film but perhaps the best of all is saved for absolute last in an end sequence after the final (endless) credits roll. Fox publicists told the handful of people at the screening to stay all the way through and it was worth it. (I'm usually the last person in the theatre when the lights come up.) I think Ratner put this last bit in there for the true fans. He's done an excellent job taking over for Bryan Singer, keeping the humanity and tone of the first two and adding his own thing. The action scenes are dynamite. For me this was the best of the three films. It will be interesting to see the reaction when it screens on Monday in Cannes and at the all-media screening [in Los Angeles]."

It looks like it'll be worth while to stay until after the credits roll for that bonus feature. "

-Found this on the Marvel finance boards on Yahoo.
 

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