It's real simple, Fede. We just want the animal xenos from the Kenner toy line brought to life.
Why is it kinda cute though?One of the unused concepts for an earlier draft of Alien 3:
Finally saw this last night and loved it, it's what Prey was to the Predator franchise. Fede Alvarez absolutely captured the tone, foreboding atmosphere and horror of the first two movies, the bleak industrial aesthetic mixed with the sterile labs set the stage for an intense ride that could actually stand alone.
I followed this up this morning with Civil War and Cailee Spaeny is an impressive young actress, leading this type of movies isn't easy, it takes more than just talent, you need something extra and she has it as Rain, the relationship between her and Andy is the heart of the movie. They did Isabela Merced dirty, poor Katy's death was the grossest in franchise history!
The pacing is perfect, as the obstacles facing the characters escalate and the horror of the trouble they are in fully unfolds. I don't recall if the face huggers only being able to see humans via heat has been mentioned in any of the movies, maybe in extended media? But it created a really intense sequence here, the face huggers have never been scarier than in this movie! The film is full of creativity and the highlight of this is the sequence where Rain switches off the gravity so she can shoot the Xenomorphs and keep the acid blood suspended in the air so it didn't burn through the hull, great stuff!
When these type of movies venture from the main creature it rarely works, case in point the goo beast from Alien: Resurrection, but on this occasion they nailed it, the human/xenomorph hybrid was a truly horrific creation, reminiscent of the Engineers, and Alvarez made it work in the same way as he did with the Xenomorphs, using close ups, angles and lighting to maintain the menace. If there's a sequel and we find out what happens to Rain and Andy next, that's cool, but this film can stand on it's own regardless.
9/10
During a recent interview with ScreenRant at the Saturn Awards, Pruss shares an update on the Alien: Romulus sequel, revealing that it's still very much in the early stages of development. He shares that everything is on the table as far as the story goes, including ideas that aren't direct sequels to Romulus. Whether they end up pursuing one of those ideas, however, remains to be seen. Check out Pruss' comment below:
I am involved in the sequel with Ridley and our friends and colleagues and Fede, course. We are working on ideas for another Alien film, which may not be a direct sequel to Romulus, but it certainly is a part of the existing franchise.
At the moment we're doing what I call "sitting around tables and drinking water." We're discussing ideas. Good movies take time, and I just worked on Gladiator II, and that took 25 years to conjure up a sequel. It takes a period of time to really examine ideas and understand if those ideas are worth pushing. Sometimes they are, and sometimes they aren't, and we just have to submit to the best idea.
We are in an early phase, but we hope to really have something special to talk about as the year goes on. I promise it won't be 25 years; it'll be sooner than that, but I don't have more specifics. We aren't yet in more of a specific phase than just working with Fede and Ridley to try and come up with something great that will frankly garner the same reaction. Romulus was worth the wait, right? People loved it, they embraced it, and so it takes time to do it. But we want to give you something great.
My problems is it felt like 80% of the film was callbacks. I thought Beetlejuice Beetlejuice beat us over the head with callbacks then Romulus said "hold my beer."The worst parts about Romulus felt very much like movie producer decisions rather than directing/writing decisions to me. And also considering the reception to the movie mostly has people going "Yeah those specific nods weren't great" maybe it makes it easier for him to push back against those things in the next movie.
I think you shoot yourself in the foot by setting it between Alien and Aliens to begin with. That decision will remove 70% chance of new creative ideas because you gotta make it look like those films or feel like it could be set between them. Set design, ship design, cyborg design and so on.My problems is it felt like 80% of the film was callbacks. I thought Beetlejuice Beetlejuice beat us over the head with callbacks then Romulus said "hold my beer."
The ash thing bothers me how cliche modern Disney it is. They could have just as easily got Fassbender back to play another android if that's the route the absolutely had to goI think you shoot yourself in the foot by setting it between Alien and Aliens to begin with. That decision will remove 70% chance of new creative ideas because you gotta make it look like those films or feel like it could be set between them. Set design, ship design, cyborg design and so on.
But I can accept a lot of that because that's the movie they made. What grinds my gears is when they do the "remember this? wink wink" like "Get away from her you *****" or making deepfake Ash a huge part of the movie. You could easily fix both of those things by cutting "you *****" from the line (making it a small nod to the original line but it's not just a blatant callback) and I think the Ash/Rook thing is easily fixed by just keeping his onscreen appearance to like one scene.
This is what happens when a writer/director/creative wants to move forward (Prometheus) and because the film wasn't "received well enough" they have to go back to the originals and stay there forever. It's disheartening the way new ideas are not at the forefront when it comes to big franchises or blockbusters.I think you shoot yourself in the foot by setting it between Alien and Aliens to begin with. That decision will remove 70% chance of new creative ideas because you gotta make it look like those films or feel like it could be set between them. Set design, ship design, cyborg design and so on.
Or not. Let it be. Some franchises just aren't meant to go on forever. We are not getting stories that have a beginning, middle and end anymore. No, they keep going, they keep finding the most minuscule detail to make a full feature about it. It's exhausting, they take all the mystery out of things.On the other hand, when the franchise has sort of gone bad for such a long time, a "back to basics/beginning" is sort of needed.
On the other hand, when the franchise has sort of gone bad for such a long time, a "back to basics/beginning" is sort of needed.
I didn't really get the "back to basics" vibe from Romulus at all frankly. It felt like AI written DLC for Alien Isolation. Damn near everything that happens once they get to the space station is a half-assed callback to a previous film. Prey did it better on almost every level.On the other hand, when the franchise has sort of gone bad for such a long time, a "back to basics/beginning" is sort of needed.