*First off, I do like the usage this issue made of having two artists. Unlike last issue in which the contrasting styles took you out of the story, here they are appropriately utilized to designate the difference between the present day and the flashbacks. However, the flashback sequences involving Ben Reilly and Damon Ryder have the disadvantage of having those two characters look almost identical that, save for their hair color, its almost impossible to tell them apart (theres even one point where the word balloons correspond to the wrong person).
*Also, this is a well-structured story in terms of going back and forth between now and then, and Guggenheim tightly plots the story. Its simple and direct and all the characters serve their part. Heck, even Michele Gonzales, whom Ryder appears to threaten towards the end of this issue, doesnt come across annoying or psychotic as she has been wont to do of late (although I still cant stand her). Not to mention there was a clever bit of exposition to remind the readers who Ben Reilly was that was used as Peters fantasy scenario of how hes like to explain things. And the bit with Screwball at the beginning was quite an amusing intro before things became more serious with the main story. (Although, as some have pointed when the preview came up, wouldnt have been easier for Spidey to use his web-shooters to both restrain Screwball AND recover the bearer bonds?)
*And of course, theres the cliffhanger involving everybodys favorite killer klone--KAINE! Its been at least twelve to thirteen years and it should be interesting to how this survivor from the clone saga fits into the overall scheme of Spider-Mans world.
*So what could possibly be the problem with this issue, you ask? Well, it all comes down to the villain. First of all, I realize that when Guggenheim created Damon Ryder, a.k.a. Velociraptor, that he was intentionally evoking comic book clichés from the 1990s. The trench coat, the permanent scowl, the tragic back-story, the cool moniker, the desire for revenge, the long hair, Liefeld eyes
you get the idea. But to reveal that hes the product of injecting himself with recombinant DNA from dinosaurs? Hmm, who does that remind me of? Oh yeah! That other Lizard inspired villain, Stegron the Dinosaur Man. I know 1990s comic book characters were never all that original, but you would think Guggenheim could have come up with something a little better than redoing the origin one of Spideys lower-tier villains. Also, the theory that human beings actually evolved from dinosaurs? Methinks someone has been watching the Super Mario Brothers movie one too many times.
*But then of course, is the motivation behind Ryder, which drives the entire premise of the story--that he believes Ben Reilly may have murdered his family and, in a case of mistaken identity, thinks Peter Parker is actually Ben Reilly. Which is just one big plot hole. Now, I understand Ryder is blinded by grief and revenge, some obviously hes not thinking rationally. Except for the fact that he is. After all, its obvious Ryder has done his homework, since he not only knows Ben Reilly is going under the name Peter Parker, knows where he lives, where he works, and who is friends and loved ones are. So you would think that he would have also uncovered things like collegiate transcripts, employment records, W2 forms, photographs Peter has taken--you know, conclusive evidence which proves Peter was in New York during the time Ben Reilly was with Ryder in Portland? Of course not, because the plot dictates that Peter be the victim of mistaken identity so that the villain can threaten those he cares about and make said people more suspicious of him and think Ryders story has some credibility. Never mind that it would be ridiculously easy to prove the villain wrong and without having to necessarily compromise Peters secret identity, which is already protected from the psychic blind spot anyway.
*Oh, and as for that little scene showing Aunt May and Jay Jameson on their honeymoon, where Jameson talks about how May should see the world and May wants to have an interlude in New York to catch up on Peter before they go off again? Well, Jays a dead man when they get back. Maybe not in this story arc, but soon, Im sure of it (course I thought he was going to die in issue #600, but lets just say theyre delaying the enviable).