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American Nightmare: The Ballad of Richard Jewell

Weird, they are also making a TV series about this right now. It's filming this week. I got a call to be an extra in it but I couldn't do it because I'm out of town on a business trip.

Also, Hauser is a good actor but I absolutely HATED him on Cobra Kai so hopefully this means he won't be back for season 3.
 
I just saw Wilde interviewed a couple days back, she's funny as hell.
 
Also, Hauser is a good actor but I absolutely HATED him on Cobra Kai so hopefully this means he won't be back for season 3.

To be fair, his characters in I, Tonya and Blackkklansman weren’t likeable either, but he made them funny as hell. Hopefully with Eastwood, they can bring some humanity to this role for him. Funny but empathetic, I’m sure.
 
The f**king madman! Eastwood will make Christmas great again!

Speaking about great things, old man Clint is the greatest 90 year old filmmaker ever :thf:
 
Again... Will this get into some depth about the actual bomber and how he escaped the law for so long? And did so with a virtual network of other citizens who were sympathetic to him and his cause?

I feel this will just be a mouthpiece for Clint to rant about the media and "Liberals" while ignoring that the bomber was in fact a Right Wing terrorist.
 
Again... Will this get into some depth about the actual bomber and how he escaped the law for so long? And did so with a virtual network of other citizens who were sympathetic to him and his cause?

I feel this will just be a mouthpiece for Clint to rant about the media and "Liberals" while ignoring that the bomber was in fact a Right Wing terrorist.

The movie is about the man in the title who’s life the media ruined.
 
That guy nailed the mannerisms and vocals of Jewell. I suspect award noms.
 
This does look very good, but it's hard to not be cynical about Eastwood's message telling this story, ESPECIALLY given the actual bomber's agenda against "the government and the media". Some of the lines from that trailer could have been taken straight from Rudolph's defenders. I know that, obviously, the true story is all there. But the emphasis, given the current social climate, is... not great.
 
That you and Clint Eastwood both have a separate political bent?

I think Krypton’s concern is pretty clear here. Given the current sociopolitical climate and Eastwood’s own conservative and often antiquated views, it wouldn’t be shocking if he used this tragedy as a means of drumming up right wing ire over “leftist media.”

By choosing to focus on the media and FBI aspects of the story while steering clear of the right wing extremism that enabled the entire debacle, it creates some pretty obvious parallels to Trump’s common defenses and excuses the actual act of terrorism to a certain degree.

That’s certainly well within his rights to make that movie, but it’s irresponsible at this point in time.

On a smaller scale, it’s like if Joker tanks and we direct all of our anger at the media for covering the threats of violence at its screenings while ignoring the people who actually threatened to do the violence.
 
But specifically this is the story of Richard Jewell, the man the media DID ruin. Regardless of Eastwood’s political motivations, this is a character piece on his life and how it affected him and not the bombing as a whole.
 
It looks really good, but I'm still kind of hesitant since I thought the trailer for The Mule looked great too, but the movie itself ended up being a massive dissapointment IMO. The true story aspect has me intrigued though and it does have a good cast, especially Hauser who has been great in pretty much everything I have seen him in from I, Tony to Blackkklansman and Cobra Kai Season 2.
 
I think Eastwood is interested in a larger issue here. It seems about this man in terms of what these institutions did to him when there was false information. He's been a mixed bag lately, but he's still a good filmmaker. And this movie is totally relevant right now. We're living in a time where sensationalist media perpetuates hysteria and fear mongering. Whether it's self manufactured panic like the Joker movie or this where it ruins peoples lives. Showing its power in terms of how it can be turned against someone is just as valid of a topic as something like The Post. This is all too real. That's an interesting story.
 
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I think Krypton’s concern is pretty clear here. Given the current sociopolitical climate and Eastwood’s own conservative and often antiquated views, it wouldn’t be shocking if he used this tragedy as a means of drumming up right wing ire over “leftist media.”

By choosing to focus on the media and FBI aspects of the story while steering clear of the right wing extremism that enabled the entire debacle, it creates some pretty obvious parallels to Trump’s common defenses and excuses the actual act of terrorism to a certain degree.

That’s certainly well within his rights to make that movie, but it’s irresponsible at this point in time.

On a smaller scale, it’s like if Joker tanks and we direct all of our anger at the media for covering the threats of violence at its screenings while ignoring the people who actually threatened to do the violence.

The 15:17 to Paris was clumsy and inept propaganda piggybacking on a real life aversion of a tragedy.
 
But specifically this is the story of Richard Jewell, the man the media DID ruin. Regardless of Eastwood’s political motivations, this is a character piece on his life and how it affected him and not the bombing as a whole.

Yes we all know the story. The question many of us have is whether or not Eastwood will use that story to further his political leanings. If he ignores the whole white supremacy thing then it’s just plainly irresponsible.
 
That you and Clint Eastwood both have a separate political bent?

I LOVE Clint as a performer and a director. A man that's a true Hollywood legend whatever I might think of his politics.

But you'll forgive me if, when it comes to the Olympic bombing, which killed two people, injured 111 more, and the man that perpetrated that and other crimes including three other bombings which killed two others, one a police officer, and injuring six more, I tend to think of THE BOMBING AND THE BOMBER as pretty ****ing important and not just the back drop, and I hope Eastwood doesn't gloss over these FACTS.

Eric Rudolph - Wikipedia

Oh, and here's the bomber's message about the bombing from a statement by him in 2005:

In the summer of 1996, the world converged upon Atlanta for the Olympic Games. Under the protection and auspices of the regime in Washington millions of people came to celebrate the ideals of global socialism. Multinational corporations spent billions of dollars, and Washington organized an army of security to protect these best of all games. Even though the conception and the purpose of the so-called Olympic movement is to promote the values of global socialism as perfectly expressed in the song "Imagine" by John Lennon, which was the theme of the 1996 Games—even though the purpose of the Olympics is to promote these ideals, the purpose of the attack on July 27 was to confound, anger and embarrass the Washington government in the eyes of the world for its abominable sanctioning of abortion on demand. The plan was to force the cancellation of the games, or at least create a state of insecurity to empty the streets around the venues and thereby eat into the vast amounts of money invested.


Media, law enforcement, neither are above legitimate criticism. It was unfortunate how Jewell got a raw deal during a time when both law enforcement and media were looking for answers to such a heinous public crime... But I think the GREATER crime was, the actual CRIME of killing two people with explosives packed with nails and injuring to varying degrees over 100 others.

Maybe the politics of the bomber and that he was a Right Wing terrorist don't matter to you. You don't have to care, and it was admittedly a long time ago... But we are currently actually in a time of unorganized lone wolf styled terrorist attacks from citizens that are substantially motivated by Far Right Wing rhetoric, and I think if a film about the Olympic Park bombing doesn't get into that in some way it's missing a key element to the story (And the reality of the 1990's when, again, during the Clinton era Right Wing militia groups were metastasizing at alarming rates and besides the Atlanta Bombing we experienced the bombing of a Federal building in Oklahoma City, death toll 168, 680 injured...) for reasons that I suspect might have a lot to do with Eastwood's reflexive Conservatism, all in the here and now where rhetorical attacks from Conservatives and Republicans on the legitimacy of free press and Federal Law enforcement are an almost daily phenomenon.
 

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