Brad Pitt to play Jesse James

^It comes from the title of the book it's based on, but seriously, wouldn't you love to be a fly on the wall at one of their marketing meetings tying to sell it with this title. I'm not sure why they don't shorten it.
 
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can´t wait for this Movie.....all the early Reviews where positive.
 
can´t wait for this Movie.....all the early Reviews where positive.

....

http://latinoreview.com/filmreview.php?id=338

5 Successful things every western movie must have:
  1. Characters you care about.
  2. Exciting gun fights.
  3. A villain you hate.
  4. Tragedy followed by revenge
  5. Poker. Actually every movie should have poker in it.
The western film I’m about to talk about has none of these things.

Our’ Wake me up in 2 hours’ movie is TAOJJBTCRF. I’ve spelled the title out once, and I’m not going to spell it out again. While the title may seem to go on forever, it actually fits for a film that seems to go on for forever. After two years, Jessie James is finally going to be released after having been re-edited more times then the studio can count. It has lingered in between having a three hour runtime to having a two hour runtime, so they decided to just stick to a runtime of about two and a half hours. If you’re starting to notice how I haven’t actually begun to talk about the film itself, it’s because just writing about it will probably put me to sleep.

Brad Pitt is trying to get audiences to forget his performance as a pretty Tarzan in Legends of the Fall by playing a scoundrel. While I actually enjoyed Legends, especially when Anthony Hopkins does his comical performance as a stroke victim, it was a pretty gay movie. Pitt plays the legendary thief, robber, and murderer Jesse James. Casey Affleck is Robert Ford, a man pretending to be James’ friend only to eventually shoot him from behind, with Sam Rockwell playing Robert’s brother Charley. There are other actors in the movie but they’re about as interesting as these three so I’m not even going to bother bringing them up. I do like the actors, but they never sold me on these characters. I couldn’t buy Brad Pitt as a crazy badass and Casey’s performance was annoying and never grew on me. The only guy who seemed to be able to have some fun with his role was Sam Rockwell, but he’s usually spot on no matter what character he’s playing.

There’s a minimal amount of action in Assassination, focusing more on Jessie’s relationship with Robert and Charley. It would be interesting to watch if you’re used to seeing western drama pieces on A&E, but here dialogue dominates the film and each scene seems to move at the pace of a roomful of senior citizens playing a game of Bingo. It’s sad when older western TV shows are more fascinating to watch than a new film about the death of one of histories greatest outlaws. Director Andrew Dominik seemed intent on making each scene try to feel like a moving portrait. He also loved camera shots of a door opening, focusing on the scenery outside, and then having a person that we see from behind walk thru said door. He seemed to do that about 5 times in the movie which is overkill if you’re trying to be ‘artistic’. Some of the shots were pretty to look at, but I’m not interested in a western movie if the only things enjoyable in it are the ****ing trees.

The character of Jessie is depicted as a man who wears many hats. One minute he’s a loving, caring father, the next minute he has no problem shooting a man he thinks has betrayed him. If you don’t know much about the life of the real Jesse James, don’t worry. You still won’t know very much after having watched this movie since it focuses on Jessie’s life after telling his gang he’s retiring from robbing. Great. Instead of seeing all the cool stuff I get to watch Jessie play Martha Stewart to his buddies. There’s no sex or nudity in the film either. I was hoping for some to keep my attention focused on the screen rather than count how many rows of seats Warner Brothers has in their screening room, but the only time we think a sex scene is coming it’s robbed from us when the woman blows out the candle and we go to the next scene. The sex scene, if they had shown it, would have taken place inside of an outhouse which is a perfect location to store all of the **** we’ve been exposed to in the first half of the film.

During the first half of Jessie James my watch died which was a sure sign from the Gods that I’m caught in a time vacuum of suck. The Big Bang, building the Great Wall of China, and shaving Tom Selleck’s chest are all events that have a shorter time span than this movie. When we finally get to the scene of Robert shooting Jessie from behind, it’s depicted as Jessie knowing it’s coming and accepting his fate which is just stupid since all they’ve shown us up to this point is a man hell bent on wanting to stay alive. So for me to accept Jessie as possibly knowing it was coming when he was cleaning one of the pictures on his wall is bull**** and a lame attempt and getting us to feel pity for the character just because female audiences don’t want to see Brad Pitt get his brains blown out.

If you absolutely must see every Brad Pitt film then no review will keep you from it. Just be warned that you’re in for one long, boring ride. Brad doesn’t even dominate the screen time so you had best be a big fan of Casey Affleck as well since there’s a lot of scenes after the assassination that deal with how Robert’s shooting of Jessie was portrayed to society. The movie just never seems to end. My advice? Save two hours by reading about Jessie James’ life on Wikipedia. It’s not as painful an experience.
 
I hate Latino Review, mainly because there script reviews are beyond CRAP so I'll take this with a grain of salt :yay:
 
http://www.aintitcool.com/node/33899

There are few tales told with the somber bittersweet taste of melancholy, like that of THE ASSASSINATION OF JESSE JAMES BY THE COWARD ROBERT FORD.

Why submit to a tale of melancholy – a film where you know right from the out start… Jesse James will be shot, in the back, by the coward Robert Ford.

Everyone knows that part of the story. It’s widely known that Bob Ford shot Jesse James while he was dusting or adjusting a photograph in his own living room. However, do you know why Robert Ford pulled that trigger? Do you know how well they knew each other, that Bob loved Jesse James more than any other person on the planet – and that there’s a lot more to the story than that eventual act of cowardice – which could be interpretated as an act of mercy, an act of self-defense or just an error in judgment… a mistake.

It is a very interesting time we live in where I’ve just seen one of the best Westerns since the death of the Genre with 3:10 TO YUMA – to then be faced by the exact sort of masterful Western that killed the genre altogether.

In the late 1960’s and 70’s – a genre of western came about that ignored the Penny Dreadfuls, the myths and the legends – and instead of the John Ford or Howard Hawks Western take – there became a new way of making westerns. They were Westerns that new they were dying. Films like THE WILD BUNCH and THE PROFESSIONALS were the first signs… They were the brutal westerns where your friends died and the good guys and the bad guys started to become… well, less clearly defined. Then came the Westerns that ceased to look like anything we’ve seen before – no – not ZACHARIAH or EL TOPO – though those definitely count. No – I’m talking about films like JEREMIAH JOHNSON, A MAN CALLED HORSE, THE BALLAD OF CABLE HOGUE or PAT GARRETT & BILLY THE KID and THE LONG RIDERS.

These were films about the sad reality of legends. It all sort of culminated with UNFORGIVEN – they underlined that the old west was a beautifully ugly world. The ****es were no longer Marlene Dietrich, but women that’d gut you as easily as the men. The photography and the scores for the westerns became arty and obscure. They ceased to be about characters you could root for and get behind, and became about how we’re all alone on this world and we’re all going to die badly… oh… and there’s no such thing as a hero.

THE ASSASSINATION OF JESSE JAMES BY THE COWARD ROBERT FORD is a brilliant western in that crowd. I love these films – just as I love the mythic westerns. But with this film in particular – it isn’t so much about demystifying the myth of Jesse James – as much as punctuating how tragic and sad the end of that myth was.

My favorite all time Jesse James on film is currently Brad Pitt. There’s a wild rabid dog in his eyes – there’s moments when he’s a nightmare and yet you could see why people would like him. Don’t get me wrong – I love James Keach and Tyrone Power. This particular story was done very well by director Samuel Fuller with his I SHOT JESSE JAMES, as Sam’s very first film to direct. Even James Dean played Jesse on Walter Cronkite’s amazing show, “YOU ARE THERE” – and I have to wonder what that was. I’d love to see it – just because James Dean was very definitely an actor – not unlike Brad Pitt in technique and style. But Brad’s Jesse James is a squirrelly character. He observes the room he’s in, studying anyone in it and their every move. And everyone else reacts to him – as if he’s a rattlesnake. They become still and cautious. There’s respect and fear. Nobody wants to get bit, but they all know if they spend too long with him, it’ll be an inevitability.

However, as great as Brad is as Jesse James – the actor to watch and marvel at in this film is Casey Affleck.

I know – that sounds astonishing, but it is absolutely the god’s own truth. Casey Affleck delivers the single best performance that I’ve seen thus far this year. His Robert Ford is a reprehensible little worm. There’s something about the way he plays this character that makes you want to stand up from your seat and slap the ***** around then hit him with a ****ing shovel. He’s vile and disgusting. But on the surface, he’s just a nice unassuming guy. You would never really notice him. It might be that we all know he’s going to shoot Jesse James. And this story is very much about why that act was such a vile betrayal.

Casey’s Bob Ford is young. He hero worships Jesse James. The line in the trailer, “Do you want to know me or be me?” is so icky in the film, because Casey is watching. Casey’s smile is so disingenuine as to make my skin crawl. It literally gave me the heebie jeebies.

However – this is all distracting the real star of the film… Andrew Dominik. We last saw him with CHOPPER – an utterly brilliant film which birthed Eric Bana on to the scene. The two films are pretty far apart, but essentially a similar tale. Wild Rabid Dogs of the human variety facing betrayal and an end to their reign of terror. But in CHOPPER it was stark reality. Here, it is poetic. There is brutality, but it punctuates the beauty of existence, which you could say is reality. We live in a beautiful world that is punctuated by ugliness. When you watch this film – it’s impossible to not be intoxicated by how beautiful it is. Roger Deakins is a shoo-in for a nomination at least for his work here.

Then there’s the melancholic thread punctuated by the beautiful musical work of Nick Cave and Warren Ellis. If you loved Nick’s brilliant work on THE PROPOSITION – he is again at the top of his game here. That score in conjunction with the narration provided by someone named Hugh Ross… well it gives the film a feeling of impending doom. Any smile or laughter you see are momentary hiccups on the tragedy that is inevitable. Any hope is ended by the deliberate nature of the score and Hugh’s deliberate and slightly sad narration.

All of this combines to make a masterful tragic film. This is a brilliant film.
 
Its easier to review a film than a script though


Latino Review also gave an A+ (with a subtitle that reads: A movie miracle) to Shoot em Up, which while good, was far far from a movie miricle. They also panned Grindhouse (which I thought was much better than SEU)

One thing I have noticed about LR is they tend to take extremes on things, rarely any B's given out, generally if it isn't an A its a C- or lower

and also, they are just movie critics who don't even have a publication, they are no more credible than you or I

If you think this movie looks sweet there is no reason this half review should throw you off
 
Whatever happened to this movie? It made it to a select movie theatres,is it that bad?
 
Indeed. Absolutely fantastic. The best phrase to describe is ''hauntingly beautiful'' and ''hypnotic''. I finished watching it at night, around 00:30 and I suffered a bit from insomnia that night. I didn't sleep at all. So the movie kept running through my head the entire night. I just couldn't get it out of my head for two days. And I think that's one of the highest things a movie can achieve. To creep under your skin and stay there. This one did. By the exquisite combination of images, music and characters.
 
Can't wait. I saw this movie back in September or October and at the time I called it the best movie of the year. Hauntingly beautiful is still the aptest term for it. It is a masterfully made movie that sticks with you and the dance the characters of Jesse and Bob do is tragically hypnotic with only the outcome of one killing the other. Affleck was amazing in this, as good as he was in Gone Baby Gone, he was AMAZING in this. Oscar-worthy if not for Javier, really.

The cinematography was breathtaking and the end was heartbreaking. I loved how it moved beyond the assassination and how the narrator always pegged Jesse wrong and how Jesse shoots a man in the back in this and the parallels between heroes and villains in myth....it is so sad that thsi did not do well at the box office.

10/10.

Beautiful.
 
it is so sad that thsi did not do well at the box office.

It is indeed. But very well explainable. It was long and slow. And most people hate long, slow movies. Which in this case, I find absolutely moronic. It is a meditation of a film. (With some quite thrilling moments.) People have to look past the pacing and let the characters, music and images soak in their subconscience. Then, you actually have a very rewarding viewing experience.

I really wonder how I will experience this movie upon multiple viewings.
 
This was out a total of 6 days here on the cinema and the DVD isn't out until the end of March. :cmad: :csad:
 

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