Amen.Plus they've been on a bit of a role ever sine Princess and the Frog (Tangled, Wreck It Ralph, and Frozen).
I’m very pleased to announce the Official Casting Call from Disney. Enter your audition submission here.
“Walt Disney Animation Studios is launching a global casting call for a key role for their upcoming feature, Moana, a comedy-adventure
set 2,000 years ago in Oceania about a spirited teenager who learns that the future of her people is in jeopardy. Along with a lovable pot belly pig and a legendary hero, Moana searches for a mythical island, traversing the open ocean and encountering mystical sea creatures and underworlds on an action-packed quest to save her world and make her ancestors proud.
Directed by the renowned filmmaking team of Ron Clements and John Musker (“The Little Mermaid,” “The Princess and the Frog,” “Aladdin”, and produced by Osnat Shurer, this CG-animated adventure sets sail in late 2016.
Character breakdown:
MOANA – (female, 14-18) Smart, passionate, and funny. Brave, inquisitive, and confident. A teenager who yearns for something more. Strong singing voice a must.”
Titiro Mai! Here is a simple guide for you:
Send a video of yourself framed close up, showing your head and shoulders with plenty of light on you.
Introduce yourself. Practice this several times before you film.
Tell us why you would make a great Moana.
Then tell us your email contact and your phone contacts. Check with mum and dad if you are under the age of 18 years.
Then widen the frame & film yourself in mid shot singing part of a song that you do well (no longer than one minute)
Upload the video to youtube or similar sharing site (make sure to keep it private)
Then submit your audition details here.
He's a big name but Disney doesn't promote names in their animation.
Piers McCarthy said:The hope that hand-drawn animation was back, was again dashed when we saw aspects of Moana. Many concept pieces were hand-drawn and looked SUBLIME. It was like Lilo and Stitch with double the man-power and scope. I was getting very excited, and Lasseter dropped the bomb that it was another CGI project. His final clip from Moana eventually changed my mind, but more on that later.
Moana follows a tribal princess of a long-lost tribe who are noted in history of discovering island in the South Pacific for 3000 years. There were 1000 years where they stopped for unknown reasons and Moana follows the eponymous heroine who wants to be a navigator, bringing back the centuries-old tradition. The father does not want her to get into danger, whilst her grandmother nurtures the adventurous side. When the grandmother dies, Moana sets out to follow her wishes. She gets caught up in a storm and washes ashore to find demi-god Maui inhabiting the island. He was a folklore hero, who could fish up island from the ocean floor with his magic hook. One fight with an evil spirit loses him his hook-staff and Moana finds him post-loss. Together they get back out to the ocean, battling sea monsters, and building up to fighting Mauis nemesis and regaining his powers.
Its a similar yarn to most Disney films a heroic journey but has this ancient, South Pacific vibe to it. Lasseter showed us a lot of character profiles, all of them looking typically Disney and full of life without any animation. Theres a pig side-kick for Moana, and a grumpy rooster that later joins, and one badass-looking spirit foe.
We also saw the research crews trips to the islands (a nice perk to the job), learning about the culture from many citizens. 8 or 9 people are now consultants on the film as they are trying to get this story as sincere as possible. The music is a crucial part as this will be a musical. With The Little Mermaid and Aladdin directors Ron Clements and John Musker directing, this should be a musically-alive film. We got to see the opening sequence (in scraps of storyboard and semi-rendered clips), which is a musical-opening. The song had a strong drum rhythm and tribal hymns, before moving into English lyrics (much like Pocahontas).
The last point Lasseter made about Moana was the animation. During research many citizens told the team how important the sea was, and how it was a character in the history of their ancestors. This changed the film slightly and Moana became a princess with powers an ability to interact with the water. Parting sections of the ocean and playing with the water as if it was a pet meant the water had to look good. They had the technology from Finding Nemo, but Moana required more due to its essential water element. Our final clip showed a toddler Moana having the ocean reveal shells by lifting itself off the floor to uncover them. It then splashes her, and parts itself to show her a turtle swim by (like seeing it through a watery window). With the South Pacific clear blue water, the colour was awe-inspiring. The effects were so magnificent, corresponding with the twee Disney princess and bright colour palette, that you can understand the amount of work put into this. It will be probably be one of Disneys best after Frozen, and will take things in a new direction for their CGI department.
Moana is due Christmas 2016 and it may be the one I look forward to most.