pyromaniac
Sidekick
- Joined
- Feb 3, 2003
- Messages
- 3,655
- Reaction score
- 9
- Points
- 58
Everything on record would indicate a visual treat for the eyes and the story will be very much intact, but what about the one last slightly nagging concern: emotional investment?
What forms a large part of my moviegoing experiences is that I find myself relating to the characters, not only in sympathy and such but also in feeling their highs and lows, a'la the desperation and cracked despair of The Dark Knight's characters (I was rewatching on dvd yesterday and I felt myself being swept up in the story and in the characters once again, and that strengthens the film, in my opinion).
So that's one worry I have about Watchmen. I am cautiously optimistic that Synder will make the film brilliant, and that his last 300 wasn't an indicator of his directorial style. However, when I think of 300, particularly upon second viewing, I wasn't as invested in the characters then, and certainly didn't care about the father's grief for the son who'd died in battle, but whether it was because of the plot that was paper thin to begin with, execution, predictability or even acting, I'm not sure. While it's possible Synder might have alluded to it in interviews, I cannot remember for the life of me now.
So what do you think? Will you feel wretched, sad, pessimistic, hopeful, curious with any of or all of the characters, as well as the supports? That's a big tick that goes a long way towards a good movie to a fantastic one.
What forms a large part of my moviegoing experiences is that I find myself relating to the characters, not only in sympathy and such but also in feeling their highs and lows, a'la the desperation and cracked despair of The Dark Knight's characters (I was rewatching on dvd yesterday and I felt myself being swept up in the story and in the characters once again, and that strengthens the film, in my opinion).
So that's one worry I have about Watchmen. I am cautiously optimistic that Synder will make the film brilliant, and that his last 300 wasn't an indicator of his directorial style. However, when I think of 300, particularly upon second viewing, I wasn't as invested in the characters then, and certainly didn't care about the father's grief for the son who'd died in battle, but whether it was because of the plot that was paper thin to begin with, execution, predictability or even acting, I'm not sure. While it's possible Synder might have alluded to it in interviews, I cannot remember for the life of me now.
So what do you think? Will you feel wretched, sad, pessimistic, hopeful, curious with any of or all of the characters, as well as the supports? That's a big tick that goes a long way towards a good movie to a fantastic one.