kainedamo
Superhero
- Joined
- Sep 11, 2001
- Messages
- 9,713
- Reaction score
- 0
- Points
- 31
I can't remember the last time I was so offended by how bad a comic was, if ever.
"Do you know what myspace is? Do you know who Paris Hilton is? Ever watch the Simpsons?"
My God. I felt that this whole comic (from that ridiculous rant given to Captain America, to that stupid character applauding Iron Man for having Green Goblin kill Atlanteans) talked down to the reader. I mean, it flat out belittled the reader and talked to the reader like an idiot.
So myspace, used predominantly by emo teens, and Paris Hilton, idolized by stupid ****es, exemplifies what it is to be an American? We're talking about a very small group of people here. The US has hundreds of millions of people in it. Only a tiny fraction has any interest in myspace and Paris Hilton.
The comic book sort of implies that this dumb ****e is the voice of the reader, and therefore the reader is a myspace junkie and in love with Paris Hilton, apparently.
So much for smart political allegory and political discussion. At £2.15, we deserve alot better than what we got here.
Whats even more confounding to me is, up until now, Frontline has been solid. More than solid, its pretty much been the highlight of the whole Civil War fiasco. I considered it better than the main book itself. Paul Jenkins is a good writer. What the hell went wrong in this issue? It was completely stupid on many levels.
"Do you know what myspace is? Do you know who Paris Hilton is? Ever watch the Simpsons?"
My God. I felt that this whole comic (from that ridiculous rant given to Captain America, to that stupid character applauding Iron Man for having Green Goblin kill Atlanteans) talked down to the reader. I mean, it flat out belittled the reader and talked to the reader like an idiot.
So myspace, used predominantly by emo teens, and Paris Hilton, idolized by stupid ****es, exemplifies what it is to be an American? We're talking about a very small group of people here. The US has hundreds of millions of people in it. Only a tiny fraction has any interest in myspace and Paris Hilton.
The comic book sort of implies that this dumb ****e is the voice of the reader, and therefore the reader is a myspace junkie and in love with Paris Hilton, apparently.
So much for smart political allegory and political discussion. At £2.15, we deserve alot better than what we got here.
Whats even more confounding to me is, up until now, Frontline has been solid. More than solid, its pretty much been the highlight of the whole Civil War fiasco. I considered it better than the main book itself. Paul Jenkins is a good writer. What the hell went wrong in this issue? It was completely stupid on many levels.