I wouldn't say I'm a visual guy, as much as I'm someone who takes a movie on the terms it attempts. A movie isn't bad because it has a stripped down plot if the plot isn't the point. It doesn't mean it's good either, but we should accept that there are masterpieces of all stripes and failed films of all stripes. 2001 doesn't have a complicated plot. The General is, mostly, a series of chases. Battleship Potemkin is more about a movement than about characters.
Sure, Indiana Jones might have a better plot than Gravity, which seems to have a fairly straightforward premise, but I'd also suggest that a lot of what we think of Indiana Jones' character isn't on the paper but in Harrison Ford's performance. The smile on his face when he accomplishes something he didn't think he'd really pull off, for instance. I think we should certainly wait to see what's in the direction and performances before we declare that the film isn't about character. Character is sometimes action, after all, and between the lines of dialogue.
Sure, Indiana Jones might have a better plot than Gravity, which seems to have a fairly straightforward premise, but I'd also suggest that a lot of what we think of Indiana Jones' character isn't on the paper but in Harrison Ford's performance. The smile on his face when he accomplishes something he didn't think he'd really pull off, for instance. I think we should certainly wait to see what's in the direction and performances before we declare that the film isn't about character. Character is sometimes action, after all, and between the lines of dialogue.