Crooklyn
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I guess you could say I had more of a problem with how far, or in this case, how little they took the hallucinations. Bats coming out of Crane's mouth, ghostly eyes, demonic Bats, were all good ideas. But dammit, I wanted more, lol. It seems the focus of the hallucinations were the people around them. Maybe it's just me, but if the environment too had been amplified, the scenes would've been more effective/scary. Who knows though, maybe it was the PG-13 rating (yup, I'm going on-topic) that made Nolan cut down on the harshness of it all. Something's gotta explain why the damn scenes were so short.Keyser Sushi said:Well, I remember Scarecrow in the comics using his fear gas to make people think they were covered in spiders, things like that... which is very potent for most people. He schtick constantly changes. Sometimes it's experience your worst fear, sometimes it's experience a random horrific thing, sometimes it's taking away your fear (as an episode of TAS explored) and sometimes it's strategically making you afraid of specific things. The thing is, he basically, controls fear.
The stuff we saw in Begins -- with the bats coming out of his mouth and maggots from his eyes, the fire-breathing horse and the distorted, nightmarish reality... guys seeing the people around them as zombies, faces turning to skulls, Batman as a flying fire-breathing monster in one instance, and the Uruk-Hai from Hell in another... these are ENTIRELY consistent with what I remember of the Scarecrow in the comics.
Last I checked, graphic novels were repackaged story arcs..of comics books.Keyser Sushi said:Well, just based on the two pages I've seen posted here, it looks less like a Batman book and more like a horror story of some kind, which, I really have no interest in.
But I'm not a graphic novel guy anyway, I'm a comic book guy. Graphic Novels do things with the characters that the monthly titles don't. And while that's fun to explore it's ultimately... not what I'm most interested in.