Comedy One Battle After Another - PTA/DiCaprio Team-Up

 
I truly don't remember the discourse around Sinners's box office. I guess because I mostly ignored it.
 
I just finished it, watched it on digital for the first time, and dare I say... I didn't like it?

For this to be a lauded film about revolutionaries, the characters outside of Leo and Sean Penn's were very undercooked, I did not like the hypersexualized take on Teyana Taylor's character and then to top it off, the film fridges her thirty minutes in just to prop white male heroics to give Leo something to do. But PTA's fetishization of black women in this film and having Leo called 'Ghetto Pat' for liking them was a choice.

But yeah, good editing, nice little action pieces, but this was not my cup of tea at all.
 
I just finished it, watched it on digital for the first time, and dare I say... I didn't like it?

For this to be a lauded film about revolutionaries, the characters outside of Leo and Sean Penn's were very undercooked, I did not like the hypersexualized take on Teyana Taylor's character and then to top it off, the film fridges her thirty minutes in just to prop white male heroics to give Leo something to do. But PTA's fetishization of black women in this film and having Leo called 'Ghetto Pat' for liking them was a choice.

But yeah, good editing, nice little action pieces, but this was not my cup of tea at all.
Fair enough but it's not like it's lauded as a serious film about revolutionaries. It's a dark comedy where most of the characters, even the "good" ones are meant to be flawed.

I don't know if we can talk about white male heroics when Leo's character is a has-been who's about as effective as Dude Lebowski. The two true heroes of the film are Benicio del Toro's Sensei who is portrayed being better at fighting for the people than French 75 ever were and Chase Infiniti's Willa who represents the hope that the younger generation will succeed where the previous one failed.
 
Fair enough but it's not like it's lauded as a serious film about revolutionaries. It's a dark comedy where most of the characters, even the "good" ones are meant to be flawed.

I don't know if we can talk about white male heroics when Leo's character is a has-been who's about as effective as Dude Lebowski. The two true heroes of the film are Benicio del Toro's Sensei who is portrayed being better at fighting for the people than French 75 ever were and Chase Infiniti's Willa who represents the hope that the younger generation will succeed where the previous one failed.
I'd even add a third one too: Regina Hall's character, who put herself on the line to save Willa. I'm still peeved about where her character ended up.
 
I'd even add a third one too: Regina Hall's character, who put herself on the line to save Willa. I'm still peeved about where her character ended up.

Got screwed over twice.

That pissed me off (diagetically speaking).
 
Got screwed over twice.

That pissed me off (diagetically speaking).
The whole time I was hoping Leo and Willa would have sprung her at the end. Benicio's character ended up getting arrested but it's easy to tell that he'd have been freed. I wanted more closure and justice for Regina.
 

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