the 89th Annual Academy Awards

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lime

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OK, we are past the half year mark of 2016, so we can now start talking about the 89th Oscars.

There are movies for some of the best working directors in line for this year.

Here is a list of some of them (and some from unknown directors but very ''Oscar'' on paper:

Silence - by Martin Scorsese
(SYNOPSIS) - In the seventeenth century, two Jesuit priests face violence and persecution when they travel to Japan to locate their mentor and propagate Christianity.

Billy Lynn's Halftime Walk - by Ang Lee
(SYNOPSIS): An infantryman recounts the final hours before he and his fellow soldiers return to Iraq.

The Birth of a Nation - by Nate Parker
(SYNOPSIS): Nat Turner, a former slave in America, leads a liberation movement in 1831 to free African-Americans in Virginia that results in a violent retaliation from whites.

Fences - by Denzel Washington
SYNOPSIS: An African American father struggles with race relations in the United States while trying to raise his family in the 1950s and coming to terms with the events of his life.

La La Land - by Damien Chazelle
SYNOPSIS: A jazz pianist falls for an aspiring actress in Los Angeles.

Loving - by Jeff Nichols
SYNOPSIS: Richard and Mildred Loving, an interracial couple, are sentenced to prison in Virginia in 1958 for getting married.

Passengers - by Morten Tyldum
(SYNOPSIS): A spacecraft traveling to a distant colony planet and transporting thousands of people has a malfunction in its sleep chambers. As a result, two passengers are awakened 60 years early.

The Zookeeper's Wife - by Niki Caro
(SYNOPSIS) - The Zookeeper's Wife tells the account of keepers of the Warsaw Zoo, Jan and Antonina Zabinski, who helped save hundreds of people and animals during the Nazi invasion.

Sully - by Clint Eastwood
SYNOPSIS: The story of Chesley Sullenberger, who became a hero after gliding his plane along the water in the Hudson River, saving all of his 155 passengers.

Hacksaw Ridge - by Mel Gibson
SYNOPSIS: WWII American Army Medic Desmond T. Doss, who served during the Battle of Okinawa, refuses to kill people and becomes the first Conscientious Objector in American history to be awarded the Congressional Medal of Honor.

HHhH - by Cedric Jimenez
SYNOPSIS: 1942: The Third Reich is at its peak. The Czech resistance in London decides to plan the most ambitious military operation of WWII: Anthropoid. Two young recruits in their late twenties, Jozef Gabcik and Jan Kubis, are sent to Prague to assassinate the most ruthless Nazi leader - Reich-protector Reinhard Heydrich, Head of the SS, the Gestapo, and the architect of the "Final Solution".

The Lobster - by Yorgos Lanthimos
SYNOPSIS: In a dystopian near future, single people, according to the laws of The City, are taken to The Hotel, where they are obliged to find a romantic partner in forty-five days or are transformed into beasts and sent off into The Woods.
 
As much as I loved The Lobster (film of the year, so far), the films by Denzel Washington, Mel Gibson, and Martin Scorsese feel like the frontrunners. I'm not so sure with Silence though because I've read the book and going by Scorsese's history with faith (The Last Temptation of Christ) it might be too divisive for the Academy voters.
 
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Hacksaw doesn't have a flying chance because of Gibson. Nobody in this town will forgive him.
 
There's also Arrival from Denis Villenueve. It's coming out in November so they're at least positioning Amy Adams for Best Actress.
 
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Some of these titles will be no where near and I know you just gave examples. A few of the titles you mentioned probably will be there to be fair.

There's so many possible contenders like:

Arrival
Fences
Allied,
The Girl on The Train
Nocturnal Animals
Manchester By The Sea
Loving
Lion
Rules Don’t Apply
Light Between Oceans

etc, etc, etc

And there will be some that will get in that's not been mentioned at all.
 
Casey Affleck got raves out of Cannes for Manchester by the Sea.
 
Manchester By The Sea was a big hit at both Sundance and Cannes. It'll be a contender. Nate Parker's Birth Of A Nation will be a big contender as well.
 
Lots of holocaust/WWII and slavery/race issues again, I see.

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'Sing Street' should hopefully get nominated and win for a best song.

'A Monster Calls' could wind up like 'Lovely Bones and 'Extremely Loud and Incredibly Close.'

The film is about how a boy's grandmother and estranged father must try to help him find a way to deal with his mother's cancer and let her go. It's a very emotionally complex tale in looking at a broken family and the struggles they face dealing with it. Basically - it's not a monster story, but a very strong and haunting character piece.

The scene that stands out is the boy tears his grandmother's house apart to fight his demons haunting him about his mother's house and having to live here afterwards. It's not a child friendly house at all, with plastic tarp everywhere. He's terrified after realizing what he's done and is nerve wrecked when his grandmother walks in to see what he's done. She struggles with her emotions. She doesn't want to yell at him because she knows how hard it is and it just reinforces to her how much she's going through from seeing her daughter on her death bed. To the boy's surprise and fear, his grandmother tears the house further apart and breaks down in agony. It's one of the scenes I'm looking forward to seeing the most because it's so visceral, poetic, real, and depressing. It's moments like this that makes this story really stand out to me as a strong contender - as long as the cast and director deliver, they have very excellent material to work from.
 
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your forgetting Manchester By The Sea which got rave reviews at 2016 Sundance Film Festival back in January.
manchester-by-the-sea-sundance-2016.jpg
 
Birth of a Nation is gonna win Best Picture. That's just a given at this point.
 
'Sing Street' should hopefully get nominated and win for a best song.

'A Monster Calls' could wind up like 'Lovely Bones and 'Extremely Loud and Incredibly Close.'

The film is about how a boy's grandmother and estranged father must try to help him find a way to deal with his mother's cancer and let her go. It's a very emotionally complex tale in looking at a broken family and the struggles they face dealing with it. Basically - it's not a monster story, but a very strong and haunting character piece.

The scene that stands out is the boy tears his grandmother's house apart to fight his demons haunting him about his mother's house and having to live here afterwards. It's not a child friendly house at all, with plastic tarp everywhere. He's terrified after realizing what he's done and is nerve wrecked when his grandmother walks in to see what he's done. She struggles with her emotions. She doesn't want to yell at him because she knows how hard it is and it just reinforces to her how much she's going through from seeing her daughter on her death bed. To the boy's surprise and fear, his grandmother tears the house further apart and breaks down in agony. It's one of the scenes I'm looking forward to seeing the most because it's so visceral, poetic, real, and depressing. It's moments like this that makes this story really stand out to me as a strong contender - as long as the cast and director deliver, they have very excellent material to work from.

It could get overlooked in favor of The BFG.

My money's on Silence.

I'm also looking at Its Only the End of the World and The Handmaid for best foreign picture.
 
It could get overlooked in favor of The BFG.

My money's on Silence.

I'm also looking at Its Only the End of the World and The Handmaid for best foreign picture.

Not effects. Supporting Actress for Sigourney Weaver. Adapted Screenplay. The kid could get the same kind of attention Jacob Tremblay got for 'The Room' - not from the academy, but overall. The same kind of high merits as the films I mentioned. As said, it might have a monster in it - but it's not a monster movie, it's a serious look at the grieving process and the effects cancer can have on a broken family. As said, it all comes down to whether the acting and directing is up to par - if it is, it has a great chance due to the strength of the material they have to work with.
 
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Sully still doesn't interest me but Im happy about Teller and Gosling. I was really looking forward to both movies and I hope they both get nods

Also happy that Moonlight is really good.
 
Telluride Film Festival: Opening Day Belongs To The Men As Best Actor Oscar Buzz Intensifies For Hanks, Teller, Affleck, Gosling
http://deadline.com/2016/09/telluri...s-teller-affleck-gosling-and-more-1201813089/
It will be interesting to see how Edgerton and Oyelowo fare for Loving and A United Kingdom. With Birth of a Nation's stock plummeting, the push for diversity will be looking for a new social message piece, and both of them deserve one, especially after Oyelowo was snubbed for Selma.

Speaking of which, when/where is United Nation scheduled to premiere?
 
I'm sure Tom Hanks will be nominated for Sully. The Academy likes true stories, and it's Tom Hanks.

The movie doesn't look like something that needed to exist, though.

Loving will probably be a critical/awards darling like movies of that subject matter always are.
 
I like Tom Hanks well enough, but I cannot muster up any interest in Sully.
 
The good buzz on Sully has me sort of more interested. Am I still gonna see it? Eh... but if it gets many good reviews where it becomes undeniable then I might. I miss a good Eastwood movie. Haven't had that in a long time.
 
The good buzz on Sully has me sort of more interested. Am I still gonna see it? Eh... but if it gets many good reviews where it becomes undeniable then I might. I miss a good Eastwood movie. Haven't had that in a long time.
One of Eastwood's Directorial efforts that is not talked about a lot anymore is Absolute Power, I liked that film for a lot of reasons.
 
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