I made it! Caught up on enough movies to lock in my official Top 10
1) Nine Days
I've never before been so mad about a movie being ignored as I have been by the whole internet and film community sleeping on 'Nine Days.' To start, it's just an ingeniously original concept for a script. That this is Edson Oda's first feature script AND directorial effort is insane. He's operating on the level of a long-time pro here. The performances are amazing, making you care deeply for each heart-breaking character. The production design creates a truly immersive and unique fantasy world. The score is beautiful... I saw this on my birthday back in August and immediately knew it would be my favorite of the year. Sure enough, eight months later, its reign is unchallenged.
2) Spencer
Gotta love a real-life story that dares to escape the basic biopic trappings. Larraín crafts a gorgeous, dream-like fable for Diana to inhabit, and Stewart gives my favorite performance of the year in the lead role. Everything is so tenderly crafted here to create the perfect ambience - A sinister atmosphere JUST vague enough so that the audience can be gaslit along with Diana that maybe we really are crazy, that maybe no one's out to get her. Until that final scene with the book. Props to Timothy Spall for perfectly embodying that ambiguous malevolence in a way that's crucial to the movie's success, and to the creative team for leaving us with a hopeful ending to complete the dream state, allowing a moment of escape from the tragic reality.
3) West Side Story
Gosh... ****ing Ansel Elgort. This would have been a perfect movie for me if it wasn't for him. ****** IRL issues aside, he has neither the looks nor the charisma to make Tony's role in the story believable. But the rest of the cast delivers show-stopping performances, the cinematography, crafts and choreography are brilliant, and Spielberg directs the living daylights out of it - Easily his best work in ages. Definitely eclipses the original in my book.
4) Belfast
Love permeates every inch of this movie. The more time it's had to marinate in my memory, the more I appreciate how Branagh showcases a full journey of life-long romance in this story - The childhood crush, the messy but powerful love of the parents and the settled, persistent affection of the grandparents. Such a beautiful framing that takes a very specific, very personal story and helps it feel timeless and universal.
5) Parallel Mothers
Production Design lauds tend to go to period pieces or fantasy worlds, but few movies are so perfectly designed as this, pure in its contemporary realism yet so lavishly intentional that it feels unreal in the best way. I WANT that freaking apartment. Add in thrilling performances and a gripping, layered narrative and you get a movie I hope to revisit many, many times again.
6) Shiva Baby
One of the highest feats of the cinematic art form is to make a small movie feel like a big movie. It is a wholly different style of film-making. There may be no spectacle to manage, no VFX to coordinate or elaborate designs to bring to life. But the level of intimacy brought on by a small-scale project like this brings on a whole different set of challenges. Emma Seligman rose to that challenge brilliantly, crafting a simple situational comedy into one of the tensest, most emotionally savage movies of the year without ever losing sight of the humor of it all. Can't wait to see what she and Rachel Sennot do next.
7) The Worst Person in the World
I've been attacked. I may still be a good deal younger than the characters in Joachim Trier's intricate millennial character study, but it was cripplingly relatable. So many older writers have tried and failed to capture the millennial zeitgeist, but Trier's characters and their difficulties feel just as authentic as actual-millennial Emma Seligman's work in Shiva Baby. A wonderful story that doesn't shy away from the depressing realities of 21st century social life but retains a hopeful spirit throughout, even in the most outwardly bleak moments.
8) tick... tick... boom!
I've been attacked, again. Even worse this time being a fellow writer like Larson and knowing that, for him, his time really was running out. Andrew Garfield carries this to incredible heights, one of my new favorite biopic performances. His capturing of Larson's mannerisms is impeccable. And huge props to Steven Levinson for taking a work many thought unadaptable and seamlessly blending the story with the performance to create a perfectly specific narrative style. Him missing the Adapted Screenplay docket was one of the year's worst snubs. And props to LMM for proving his directorial skills don't end at the edge of the stage.
9) The Green Knight
I think it was a good thing that the stars didn't align for me to see this in theaters. Because yeah, the marketing was not really honest about what sort of movie this is. It's a very small, cerebral story told on an epic fantasy backdrop. While I do feel like it didn't fully succeed in selling Gawain's character development, it was a fascinating approach to the myth and had hands down some of the best camerawork and production crafts of the year. Thrilling world-building that makes me really want more Arthurian movies.
10) Passing
A lovely debut from the director's chair by Rebecca Hall. She's adapted this story very well, but more impressively has perfectly captured the classic Hollywood aesthetic. Everything from the sound design to the way the cast delivers their lines works together to make this feel like it was made in the 50's, not for Netflix in 2021. Plus Ruth Negga and Tessa Thompson OWN their roles. Great work all around.
Honorable Mentions: Last Night in Soho, Nightmare Alley, Dune, Cyrano, Pig
I'll go back through Letterboxd later to try and new a complete listing of every 2021 movie I saw, but for now the Top 10 shall suffice.