Dude.....I'm kidding.
The Batman was lambasted on the basis of it's shoddy scripting, not it's deviations from canon.
Is there a reason that we're arguing over scenes in a trailer that none of us have seen?
Things change, kids, not only from comic to film, but from comic to comic over the years I'm afraid. we want harvey scarred in the courtroom (which i myself would prefer) as in our precious modern canon, most deftly illustrated in the long halloween, where we can spy the batman watching from some high pillar. ok. but with all this respect for genuine canon, why not adapt the bat-scripture as it was written in its purest form, when dent was scarred room, as he is cross examining masked vigilante batman, who sits n the witness stand of the court of law? oh wait cause that doesnt work, which is why loeb and countless others since have changed that, and nolan and co may have to make some necessary improvements on the work of loeb, o'neill, moench miller, whoever the hell, to make their partiular vision work.
The Discuss over this trailer is frightening.
Granted, your points about Burton I stand corrected. But the more interesting question than becomes:
Why was it successful?
Now, I have to ardently disagree about Singer's X-Men movies, since I think they did a novel job at adaptation a particular difficult source material. but this is Batman, not X-Men, so I digress.
So, why was Burton's Batman successful?
I think one reason that people largely overlook is that it had been so long since anything of relative decent Bat-quality had emerged in a while.
Now, while I can't deny that Batman was most certainly "spraying-bullets," I do take issue with whether or not Bruce Wayne was a psychopath in that movie. A lot of things happen in the movie to support that he is not.
But, again, I digress. Why was Burton's Batman successful? I listed one point above. But, quite simply, it was dark, it was moody, it captured that atmosphere and that danger and the insanity of Batman's world.
So, most fans were able to overlook the guns and the ultra-violent tactics (which I don't neccessarily mind) and embrace that, at the end of the day, what they were watching was Batman, a man driven on a quest of vengence to protect Gotham City.
Burton came onto Batman and decided he needed to shock audiences into a newer, darker version of Batman that took itself seriously for the most part. He relied on untraditional casting to complete this, creating an authentic movie world that embrace what was best about Batman and reinvigorated -- nay, made -- a franchise possibly due to audience's latching on to this newer take.
And that's the point: the audience is what really matters here and audiences rarely want the same old song. They want something new, something more relevant to the times, something more exciting.
Indeed, I'm gonna actually wait to see it before I start debating what-was-what in it.
I'll be damned I just figured out who you are! I'm a little slow. I'm referring to our mutual facebook friend.
Way to generalize. You come up with 3 consecutive, well-articulated posts, and end with this s**t?![]()
Man, I love bacon.
How can liquid be portrayed as 'flammable-looking'? I suppose if one can see ripples of gases rising out of it, that would be a sign. Did you see anything like that? (Though you don't even recall seeing any liquid, never mind 'flammable-looking' liquid.)
Sounds like this person was a poor observer, eh?
I too, wonder how exactly they knew it was flammable liquid. But I presume, like the person probably did, that they deduced it was acid because of Harvey and the predicament he was in.
Ah yes!
You and one other are the only ones.![]()
Bacon is bullcrap. The true essense of the bacon character is that he is a waffle on the outside and a frightening pancake on the inside.
Conclusion: Bacon needs to be permabrown all the goddamn time.
Yeah, I hit your homepage on your screen name here a few minutes ago and was like - "where do I know that face?" And then it hit me.
How can liquid be portrayed as 'flammable-looking'?