Without getting too deep into the accounting weeds, I’d be interested in the case that these number-crunchers would make. :nerdy:
By my own amateur analysis,
ACME would need to gross about $280M at the (world-wide) BO to break even. With only a $200M gross, WB would lose about $40M — which (as I understand it) is the same loss it willingly took by abandoning
ACME and booking the $30M write-down. (For the sake of argument, I’m assuming WB gets 100% of the $30M.) Anything less than $200M and the write-down starts to make financial (if not PR) sense. I
think.

OTOH, the movie
might have been a (modest or big) hit. I.e., profitable. So it seems to come down to which crystal ball the execs go with.

(And note that the BO isn’t the only source of studio revenue. There’s also streaming, DVD and (eventually) commercial TV.)
Another thing I don’t get… At the time of
Batgirl’s cancellation, it was explained that WB was taking advantage of a special (one-time-only?) write-off/write-down opportunity due to the WB-Discovery corporate merger. And yet, here we go again with
another cancellation — this time of a fully completed movie. Is this the new normal?
BTW, I can’t help thinking (again) of Zack Snyder’s lucky timing. He managed to get
ZSJL financed, completed and actually
released (!) just prior to the Zaslav regime.