Tron Bonne
All Ass, No Sass
- Joined
- May 24, 2007
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I wasn't planning on picking up The Return of Bruce Wayne #1 but did when I saw Chris Sprouse was on art. I knew he was doing some variant covers, but was unaware he was the main artist.
For one, I'll go ahead and get this out of the way; I hate, hate this whole amnesia part of the storyline. I find the fact that Bruce has lost his memory and just happens to become a Batman of some sort in each era to be a little silly and maybe even somewhat gimmicky. Yeah, I get Morrison's whole meta thing with Bruce being the only true Batman in the end or whatever, but I would have preferred him keeping his memory and perhaps even making this a time traveling detective story. However, that's neither here nor there.
We see Batman emerging from the cave seen in the last issue of Final Crisis. Apparently, Bruce has not only lost his memory but his ability to speak correctly, with all of his words slurring into an incompressible mess. Batman is looked at as a God, more on that in a moment, and he and his caveman buddies are ambushed by none other than Vandal Savage (or Chief Savage to his friends). Savage plans to kill Bruce in battle, but thanks to a little help from Kong and his trusty utility belt, he overtakes him easily enough. Of course, in that meta-loveliness, he's dressed as a giant bat and is referred to as the 'Man of Bats' by Kong and the cavecrew. Then, he's teleported away to what seems to be pilgrim-ish time with a sea creature on his back, hoping the next leap will be his last. He can also speak English well enough again, for whatever reason.
Unfortunately, the actual appearance of Savage and battle afterward are over and done pretty quickly. The main points of interest, that seem to be setting up some type of mystery element, is that Bruce apparently arrived in a space ship, which also has a broken Bat-signal in it (hence why the cavemen thought him a God and that his 'sky cart'). Also, we see what is assumed to be the party time searching for Bruce, but Superman says something to the effect that if Bruce makes it back to the 21st Century on his own, everyone is going to die. But is it Superman? He had red eyes, so he's either angry; we're seeing the point of view of the caveman seeing Superman; something is not as it seems; or there's an unknown element that's apparently Earth scattering involved with Bruce's time tripping.
Overall, I would say it wasn't an awful issue but a somewhat weak start. I'm interested what the space ship and death of the 21st century comment means in the long run, but I wasn't particularly grabbed with anything else. Part of that may be that I just don't care much for the idea of a caveman version of Batman. I get what Morrison is doing with it, like much of his run, but like some other things we has returned to continuity, I can take or leave it. This idea leans fairly to the 'leave it' side.
I couldn't also help but feel that the idea just wasn't developed well enough. It's hard to put my finger on, but I think a lot of these elements could have been used better. I dare say it feels like Morrison was going for a Tom Strong-ish feel with this, but didn't quite make it. Of course, with the way Morrison writes, sometimes you have to wait until all is said and done to see what he was going for. I'll probably stick with the miniseries, but can't say I was incredibly impressed with this first issue.
I will say that Sprouse's art is great, though, and I think this really was a great project for him to handle. I've always thought he would be good for a Batman project of some sort based on his Tom Strong work. They also put a nice preview of the upcoming Tom Strong mini in this. It's not like anyone cares about that, since Moore obviously won't be writing it, but it's nice to see.
For one, I'll go ahead and get this out of the way; I hate, hate this whole amnesia part of the storyline. I find the fact that Bruce has lost his memory and just happens to become a Batman of some sort in each era to be a little silly and maybe even somewhat gimmicky. Yeah, I get Morrison's whole meta thing with Bruce being the only true Batman in the end or whatever, but I would have preferred him keeping his memory and perhaps even making this a time traveling detective story. However, that's neither here nor there.
We see Batman emerging from the cave seen in the last issue of Final Crisis. Apparently, Bruce has not only lost his memory but his ability to speak correctly, with all of his words slurring into an incompressible mess. Batman is looked at as a God, more on that in a moment, and he and his caveman buddies are ambushed by none other than Vandal Savage (or Chief Savage to his friends). Savage plans to kill Bruce in battle, but thanks to a little help from Kong and his trusty utility belt, he overtakes him easily enough. Of course, in that meta-loveliness, he's dressed as a giant bat and is referred to as the 'Man of Bats' by Kong and the cavecrew. Then, he's teleported away to what seems to be pilgrim-ish time with a sea creature on his back, hoping the next leap will be his last. He can also speak English well enough again, for whatever reason.
Unfortunately, the actual appearance of Savage and battle afterward are over and done pretty quickly. The main points of interest, that seem to be setting up some type of mystery element, is that Bruce apparently arrived in a space ship, which also has a broken Bat-signal in it (hence why the cavemen thought him a God and that his 'sky cart'). Also, we see what is assumed to be the party time searching for Bruce, but Superman says something to the effect that if Bruce makes it back to the 21st Century on his own, everyone is going to die. But is it Superman? He had red eyes, so he's either angry; we're seeing the point of view of the caveman seeing Superman; something is not as it seems; or there's an unknown element that's apparently Earth scattering involved with Bruce's time tripping.
Overall, I would say it wasn't an awful issue but a somewhat weak start. I'm interested what the space ship and death of the 21st century comment means in the long run, but I wasn't particularly grabbed with anything else. Part of that may be that I just don't care much for the idea of a caveman version of Batman. I get what Morrison is doing with it, like much of his run, but like some other things we has returned to continuity, I can take or leave it. This idea leans fairly to the 'leave it' side.
I couldn't also help but feel that the idea just wasn't developed well enough. It's hard to put my finger on, but I think a lot of these elements could have been used better. I dare say it feels like Morrison was going for a Tom Strong-ish feel with this, but didn't quite make it. Of course, with the way Morrison writes, sometimes you have to wait until all is said and done to see what he was going for. I'll probably stick with the miniseries, but can't say I was incredibly impressed with this first issue.
I will say that Sprouse's art is great, though, and I think this really was a great project for him to handle. I've always thought he would be good for a Batman project of some sort based on his Tom Strong work. They also put a nice preview of the upcoming Tom Strong mini in this. It's not like anyone cares about that, since Moore obviously won't be writing it, but it's nice to see.