This is from a previous Joe Fridays Q&A
[FONT=Arial, Helvetica, sans-serif]Q: Spideymark 04-19-2007 09:45 AM [/FONT]
[FONT=Arial, Helvetica, sans-serif]I'm just looking for clarification regarding the Lizard/Curt Connors. Last I saw him, in Paul Jenkins' Spectacular Spider-Man, he was found to be allowing his Lizard persona to take over, and the story ended with him in jail and his relationship with Peter having been damaged greatly. But now he's been showing up in Sensational Spider-Man as if nothing has happened, could you or one of your editors please clear this up? I never cared much for the character prior to Jenkins' story and think that it would be a shame for this development to be forgotten. [/FONT]
[FONT=Arial, Helvetica, sans-serif]JQ: While dont we ask Roberto Sacasa himself! [/FONT]
[FONT=Arial, Helvetica, sans-serif] Roberto Sacasa : First of all, Spidermark, let me say that the Lizard- if not my favorite Spidey villain - is in my top three. Second of all, I read and loved the Paul Jenkins story you mention (collected in the trade "Here There Be Monsters," well-worth checking out), which ends with Curt resigning himself to jail and Peter grudgingly leaving him there. [/FONT]
[FONT=Arial, Helvetica, sans-serif]To me, though, when I read that, it actually felt like Peter wouldn't leave his friend rotting inside the Big House for long - especially since everything Curt did wrong was because of his inner-lizard. (Also, the chances that Curt's Lizard personality would have emerged while he was incarcerated would have been high and would have proven cataclysmic, IMO.) So I thought Peter would advocate to get Curt released - on a "technicality," as Jenkins alluded to in his last Lizard issue - and try to set him up with a positive gig: [/FONT]
[FONT=Arial, Helvetica, sans-serif]Like, say, working at the Natural History Museum, though with the police keeping close tabs on him, which is where we find Curt at the start of "Feral." So hopefully I was building on what Paul started in Spectacular Spider-Man, especially in terms of Curt's relationship to his son, which I also explored in "Feral," and wasn't just undoing Paul's work. Cool?
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