BOUGHT/THOUGHT July 25th

Haha, FadingCB agreed with me about something else entirely. Meaning that Tony just introduced two completely different doomsday devices today.:o

LMFAO, I haven't read IM itself for awhile, so I assumed doomsday device meant in MA, because how many doomsday devices can the guy be revealed to have been making in one day.
 
Buffy The Vampire Slayer #5: Average

First "off" ish of this series. It's about a Buffy decoy. Good message in this one, makes you feel kind of sad and kind of cheery at the same time. Joss's writing is evocative. However, the format of this ish--the storytelling techniques he uses, well, I think they would've worked better on television than they did here. We, the reader, see scenes seemingly misplaced, only to, a few pages later, realize that he's doing an out-of-time life flash thing. One scene where the girl in question is narrating is quite odd as it's cut out in the middle by a line in Giles' lecture. This would've worked better on TV, with her narration cut out by Giles' voice and then back again. At least Whedon is trying to expand his control of his craft. Hopefully by the end of the "season" he can do weird s**t and pull it off better, giving us some truly great Buffy comics.
 
He thought it was good

I thought it was bad



Different difference

I flipped through it, didn't see much happening and put it back down. Which, aside from whether or not you like that sort thing, goes along with what the two of you said.

Oh, and eat my shorts.
 
Huge week, and a couple of pretty big debuts....

Mighty Avengers #4
- I'll start by just saying that so far, I've been enjoying this title. It's by no means perfect, but it is a decent read and very nice to look at. This would actually make for pretty decent live action Avengers flick. It's got action, but it's of the big budget variety; like how disaster movie action is more epic and urgent than say, Jackie Chan style action. But that's the key, I guess. This is a disaster story. From the first issue, we've gotten nothing but big explosions, big monsters and big threats. It's refreshing to see an Avengers team tackle a global threat rather than a street gang of ninjas. I also like how Bendis tied the last issue of New Avengers into this. Subtle, yet workable.

That's what I do like. Here's what I don't like: Those damn thought bubbles. What the mother ****ing hell, Marvel. It's like crack. When Bendis presents them, you just say "NO". I've found that if you ignore them completely, the story becomes 26% more enjoyable. And it's not just the fact that they're there and they're annoying, either. It's the fact that through them, we learn that pretty much everyone on this team ****ing hates each other. I mean, what's the point of that? Why do I get two teams of Avengers, one of which is made up of people that have absolutely no trust between them and the other is made of people who can't stand to be around each other. Is that real life, Bendis? Are we all just on this Godforsaken, ****hole of a planet, just putting up with each other? Are there no two people in the world that actually have positive feelings for each other anymore? I have to seriously wonder if that's what Bendis is trying to get across. It's fueled by the fact that the one time in four issues where we're actually shown a positive relationship between two people, Bendis kills one of them off. Nice. Nice going you sad, little **** of a man. :up:

But hey, it's got Frank Cho. :whatever:

He's really the star for me. I like his work, a lot. His lines are so clean and tight it's almost too perfect. He's one of the few artists who actually depict facial expressions other than smile, frown and fright. People on these boards criticize him for all the ass shots, and I've said it before: It's all tongue firmly in cheek. It's a big, dumb action movie that plays to the stereotypical ears of the common fanboy. At least he does with style, guys. Also, women aside, this guy draws pretty great men. His Ares (who he gets to draw taking down armor after armor of Iron Mans) is very good, and he's somehow making that awful red leather jacket of Wonder Man's cool in a retro, 80's kind of way.

I don't know. It's a alright read. It's just frustrating because there are so many things, some of them big but most of them nitpicky, that if changed could turn this from an "alright read" into a "solid read". I guess that's standard Bendis, though. Great idea, poor execution.

Amazing Spider-Man #542 - There's something in this book that I'm not sure was intentional on JMS or Garney's part. I can only assume it is, considering how perfectly fitting it is when you take into account the scene's location. If in fact it is a coincidence, though...well, it's a great one. In the middle of the prison, in front of all the prisnors, after Peter beats the living snot out of Fisk, he picks him up by the fat of his chest...and proceeds to *****slap the holy hell out of him. Not once or twice. TEN times. That's a beating. It's such a brutal, one-sided beat down, that I almost wish Brubaker hasn't been using Fisk in Daredevil. We knew that whatever might have occured in this issue, Fisk would have been fine since he's now out of prison and hiring minors to his dirty work. I really would have liked to see Fisk been removed from the spotlight for a while after this...just excruciating display of power by Peter. It seriously would be hard to watch in person, in real life. Even knowing the circumstances, I would have probably still looked away.

Garney is to be praised every bit as much as JMS on the intensity of that "fight". I know I say it everytime I review this book, but he's great. I'll really miss him when this title goes thrice-monthly.

There's still no advancement of the plot as far as May's condition is concerned, and we're left with that ominous cover for next issue with the sorrowed Spidey pulling back the sheets of a seemingly dead person on a slab. I still don't think it's May and it's definitely not MJ, but if I'm being honest...I'm not really sure who it could be. We'll find out soon enough...

Wolverine #55 - I liked Loeb's run. Apparently that's a blasphemous statement, even among Wolverine fanboys, but I liked it nontheless. I thought it was an interesting look into why there are so many feral-ish mutants in the MU, and it provided closure on the Logan/Creed relationship. Well...until Marvel brings him back, that is.

I don't want to go much further, mostly because no one cares but also because...well, no one cares. But I did want to say, "I told you so" to all the posters (not just on this board, either), who jumped the gun and were so quick to point out Loeb's "continuity flaws". Just like I guessed (and just like Loeb stated very early on) everything was addressed by the time the story came to a close.

So take that you whiney bunch of *****es. :o

The Immortal Iron Fist #7 - Even better than I thought, and I thought this would be pretty damn great. The only drawback is that I was under the impression that Foreman was drawing the whole thing. He draws the first six pages, followed by some guy I've never heard of, followed by Khari Evans, who's work in this is a complete change from the artwork I've seen him do in the past. The transition between artists flows very well, though. They all compliment each other, but it still would've been nice to see a full 22 pages of Foreman goodness.

We get a break from the main story and are treated to a one in done about Wu Ao-Shi, the last female Iron Fist. It's so well written. It's got humor, action and most of all it's got loads of heart. There's a lot of substance filling these 22 pages. Fraction and Brubaker are doing a helluva job giving the readers their every penny's worth. Right now, I'd recommend this book over any other Marvel book to someone looking to get in on the ground floor of a new series. It's so much fun to read, and the art is beautiful. A solid 10 out of 10. :up:

The weeks keep getting and bigger. I've still got Annihilation Conquest Star-Lord #1, Fear Agent: The Last Goodbye #2, X-Men #201, Black Diamond #3, Invincible #44, Hellboy: Darkness Calls #4, Elephantmen #10, Black Summer #1 and Doktor Sleepless #1. There's no way I'm getting through these all tonight....
 
LMFAO, I haven't read IM itself for awhile, so I assumed doomsday device meant in MA, because how many doomsday devices can the guy be revealed to have been making in one day.
In Iron Man #20, he's prisoner to Hulk and relates to Dugan, through technotelepathy or whatever voodoo he has working for him with Extremis, that he has all these super-transmittery thingamabobs all around NY, and that if you activate them, everything within their boundary will be totally annihilated, Neggy Zone style. So, like. All of NYC.
 
Mighty Avengers #4

First thing's first. This issue loses a point because of the thought balloons. Bendis is using them clumsily and I guess I feel like Photojones does on them. Not necessary.

Now the issue itself? Pretty damn intense, chock full of intense moments. Ultron's opening speech was appropriately creepy in its bluntness. Ares really rocked this issue (Am I the only one that noticed him checking Black Widow's ass out right before Ultron cut the power?). This one was also pretty important for the Sentry considering that Ultron just viciously murdered his wife: everything hit the buttons I think Bendis wanted them too.

Also, just to touch on the death of Sentry's wife again. I was expecting a big "NOOOOOO!" out of him, something cliche. His holding her corpse quietly was much more effective.

The action was downright amazing at points (Sentry takes out Iron Man armor after armor in the most spectacular fashion). I particularly loved the Avengers saving the falling planes after Ultron knocked out power across the planet. They're superheroes people. :)

4/5

Iron Man #20

Cool issue, its nice to see where Tony is during all of this. Dugan facing off with the Hulk and not flinching was especially cool. Since Civil War ended, there's been tension between Tony and the more traditional elements of SHIELD (of which Dugan was a part of). I was afraid that with WWH all of the stuff that's been developing since Civil War ended would be put on the shelf, but that wasn't the case.

The conflict between Tony and the old guard is I think brought to a pretty satisfying resolution and we get to see that despite what some people think of Tony, he's still a hero, ready to sacrifice himself for the greater good.

What's interesting about this issue is that World War Hulk is serving the story not the other way around.

4/5

Annihilation Conquest: Star Lord #1

This is a pretty standard first issue for a military commando type of book (which the author notes as well).

The hero is a rough and experienced cynic. His superior doesn't like or trust him. We meet the team which is assembled of prisoners and they get their mission to knock out an enemy weapon that is close to being completed.

Its not ground breaking but it works.

I'm going to give this a 3/5 but I'd like to stress I did enjoy this issue, I expect next issue to be more interesting once the shooting starts.
 
The Immortal Iron Fist #7 - Even better than I thought, and I thought this would be pretty damn great. The only drawback is that I was under the impression that Foreman was drawing the while thing. He draws the first six pages, followed by some guy I've never heard of, followed by Khari Evans, who's work in this is a complete change from the artwork I've seen him do in the past. The transition between artists flows very well, though. They all compliment each other, but it still would've been nice to see a full 22 pages of Foreman goodness.

I was so looking forward to pleasuring myself to the Foreman goodness.:csad:
 
Annihilation Conquest: Star-Lord #1 - Wow, I'm only a little way through half my books, but I'm calling this one as my Pick of the Week. So far, this the best of everything AC related. Giffen is a genius, plain and simple. And the artwork by Tim Green II is stunning. It's like a cross between Charest and Moebius. The colors by Fairbairn really add to the linework. Great creative team. :up:

It opens with Peter's cybernetic implants being removed by Kree doctors. Basically, anything and everything metal is a no-no. I'm not sure if it's a plot hole, or if we just don't know the full story yet, but the last time I saw the Phalanx, they had no problem assimilating organic matter. I'm not sure what the "down and dirty" method of no metals hopes to accomplish. Perhaps the Kree aren't aware of the Phalanx's full capabilites?

At any rate, the issue follows the simple formula of reintroducing the hero, and introducing the members of his newly created team. There's Bug, a Shi'ar by the name of Deathcry (who's description sound eerily like Wolverine's), Mantis, Captain Universe (another Earthling, like Peter) and my favorites: Rocket Raccoon and Groot. The tree. If, after AC is all said and done, Star-Lord doesn't follow in Nova's footsteps and become an ongoing with this cast, I will pitch a mini to Marvel and make sure that Rocket Raccoon and Groot are seen again. The image of a space-faring raccoon sitting in a space-faring walking tree is a masterstroke.

And it's a classic premise; the motley crew, underdogs facing near impossible odds. Giffen's not reinventing the wheel here, and he knows it. And his dialogue is superb. It's rare these days that I'll laugh out loud while reading to myself, but Peter's comments about Raccoon's capabilites made me make a few audilbe chuckles. Also, the scene in which Peter first puts on his new Star-Lord costume? Priceless. :up:

After Wraith, my hopes for this event dimished a little bit. Thank Christ for Keith Giffen. I hope to God this becomes an ongoing...

X-Men #201
- Ramos' pencils make it almost impossible to get through this. I seriously question Carey's intelligence for lobbying so hard for him.

Decent, old school X-Men feeling story, completely ruined by horrendous artwork. Shame on Marvel. :down

Invincible #44 - I've decided I'm not going to review this anymore. It's the best, blah, blah. Every good thing that can possibly be said about something has been said about this book, by myself and others. It truely is the very best superhero book on the stands.

Let Dread write 28 pages on it. I'm tired.
 
In Iron Man #20, he's prisoner to Hulk and relates to Dugan, through technotelepathy or whatever voodoo he has working for him with Extremis, that he has all these super-transmittery thingamabobs all around NY, and that if you activate them, everything within their boundary will be totally annihilated, Neggy Zone style. So, like. All of NYC.

Wow....:huh:.


My only comment is....why would Stark feel he would have to blow up NY? That sounds like something Doom would fail half way thru setting up because the F4 caught on to him about. I mean why the hell would Ironman....Tony Stark...long time Avenger need to blow up NY...ah that's right because as of CW he's a Doomsday device building, hiring villains to further his cause, profiting off of the Stamford explosion, traitor....I kid :woot:.

It honestly does make you wonder what he would need that for, all that futurist "One day we might need an atomic bomb in NY if aliens ever invade it" crap aside.
 
Wow....:huh:.

My only comment is....why would Stark feel he would have to blow up NY? That sounds like something Doom would fail half way thru setting up because the F4 caught on to him about. I mean why the hell would Ironman....Tony Stark...long time Avenger need to blow up NY...ah that's right because as of CW he's a Doomsday device building, hiring villains to further his cause, profiting off of the Stamford explosion, traitor....I kid :woot:.

I thought he explained it pretty well. New York had been evacuated, the majority of the heroes had already been defeated. Things were looking bleak. If The Hulk decided to set his eyes on the rest of the world, and nobody was able to stop him, Tony wanted Dugan to be prepared to do what was necessary to stop him.

It honestly does make you wonder what he would need that for, all that futurist "One day we might need an atomic bomb in NY if aliens ever invade it" crap aside.

It wasn't specifically set up for New York, you simply set up the emitters around what you need.
 
Green Lantern Corps #14

Yep, I enjoyed the Sinestro Corps Special enough that I decided to check out the GLC segment, which I had been planning on ignoring. Goddamnit. Anyway, there are two plots in this issue, which, I will note, reads quite well for someone with limited background knowledge of the title (such as myself).

The first story sees Sinestro, former Green Lantern and dictator of Korugar, journey to his home planet to confront Dr. Soranik Natu, the new Green Lantern for that sector. Natu is attending a rally of supporters who are urging her to take a more political role in their society (which she rejects), when Sinestro turns up. As one of the most skilled ring-slingers in the galaxy, Sinestro basically humiliates her in their fight high above the city, but sets her up as the winner in the eyes of the Korugarians; Sinestro's goal is to make her into a savior in the eyes of the people, who will in turn pressure/corrupt her into becoming more like Sinestro, and keep the planet safe until the war is over. It's an interesting dynamic, and I must say that Sinestro is fantastically written of late.

The other story basically follows the Green Lantern Corps regrouping en masse on Oa in preparation for a counterattack against the Sinestro Corps, with Kilowog taking the lead. And since this whole story revolves around that old Alan Moore short story, we get another aspect of it introduced here: Sodam Yat, who is a rookie here, but in the original story is dubbed the greatest Green Lantern of all (Salaak, the chief GL, marks him as something special, and tells Arisia to keep an eye on him in combat). The main focus of this arc, according to the solicits, is the Battle of Mogo, and this issue ends with the cliffhanger arrival of the Living City from the aforementioned Alan Moore story. Since we all know the GLC isn't going anywhere in the long run, I'll be very interested in how this story turns out.

Mighty Avengers #4

Frank Cho's habit of inking his own art (while doublechecking this in the credits, I noted that Bendis and Cho share the mutual credit of "storytellers", rather than being "writer," "artist," etc.) has definitely cut into his leadtime on this title in a hurry, and we're already in the period of delays; as solicited, this arc will finish up in the very last month of October, which gives Cho a good amount of time; with luck, he can keep it. Anyway, when the alternative is apparently Leinil Yu's New Avengers contributions, I'll wait for Cho any day of the week.

Now that scheduling has been discussed, I'll say that this is a pretty decent title. I really loved the first issue, which was about as good an opening shot as one could hope for, but found both subsequent issues to be a letdown. This issue isn't quite up with the first one, but it's definitely far superior to its two predecessors.

Based on what I've read from Bendis, his stories would be immeasurably improved if he did all his plans, and then cut out one issue's worth of material and refashioned the story with that in mind. However, stuff definitely happens in this issue; we get explanations for several of the issues that have been raised since issue one (what happened to Stark (although I'm not sure that explanation is really satisfactory), how Ultron in controlling the weather), and some major plot developments. I remain very intrigued by the story, overall, and especially on what Ultron's "Plan B" is (and whose it is, since the story point is raised that Ultron doesn't have original ideas); it somehow involves killing the Sentry's wife, and hijacking nuclear missiles. On the former, I must note that that development was spoiled unnecessarily by the solicits for the next issue; bad form. Bendis writes a very interesting take on Ultron, and her opening announcement to the people of Earth is very well done. There are a lot of winning concepts here, too, such as Tony's in-case-of-death suit of armour.

We're already seeing the amount of thought-bubbles being toned down with each issue (in particular during dramatic moments, when they really clash with the tone). At the same time, I continue to find their use both interesting and annoying at turns; some are very interesting, while others (such as various characters bashing Hank) just rub me the wrong way. An interesting stylistic experiment, anyway.

Oh, and Ares is a badass.

X-Men #201

The second part of Mike Carey's "Blinded By The Light" story continues to pit the X-Men against the Marauders, although it's worth noting that, for all intents and purposes, the actual "X-Men" team is completely gone; Cable is "dead," Rogue is shot and unconscious, and Mystique, Lady Mastermind, and Omega Sentinel have defected/been hijacked. All that's left are Iceman and Cannonball, while the rest of the story features the casts of Astonishing X-Men and New X-Men. Of course, half the cast are still featured as villains, but when Carey said he was going to shake up the roster, he sure meant it.

Having earlier talked about Cho's art on Mighty Avengers, I will now say that Humberto Ramos is to be infinitely prefered when compared to Chris Bachalo, but neither are my favourite artists. This book really needs a more realistic, detailed artist, instead of the cartoony manga-ish look that it currently has. Given that Carey likes action so much, it would be great if his fight scenes were rendered by a more coherent artist. But, as I said, work with what you've got, and Ramos is much better than Bachalo.

As I said, the cast here is mostly the cast of other series, which just takes to a new extreme Carey's tendency to spotlight the connections between his title and others, whereas the other X-titles largely operate under the assumption that the other teams don't exist, or are doing other things off-camera (the exception being New X-Men, the student team). Anyway, following the defection or hijacking of nearly half the team, and the incapacitation or death of two other members, plus the jumping of the AXM team, Emma Frost downloads everything she has learned about the Marauders into Cannonball's mind, and sends him and Iceman away to warn the others, leaving the AXM team to be defeated (and seemingly killed) in battle. Meanwhile, a second team of Marauders attacks the mansion, where the New X-Men, Shadowcat, and Colossus are located. There's some very strange interaction between Blindfold and Elixir, which ends with Blindfold using Elixir's powers to put herself into some sort of comatose state. Yes, it's very confusing, but doubtless it will be explained. Carey has a knack for weird concepts, even if they don't always work.
 
Sensation Spider-Man 39

I'm disappointed. I thought that either by the end Eddie would be put to rest and that'd be that, or Eddie would become Venom (or Marvel would do something to hint that Eddie could still become Venom later on). Eddie attempts suicide yet again (I'm already expecting the Eddie Brock haters to make fun of this) and fails. Now Eddie's just lingering around the Marvel universe just waiting to die. No dramatic death, no potential return as Venom, it seems. Oh well...
 
In terms of Mighty Avengers. This book has so far been written as one disaster leading to the next (Okay, two disasters, one leading to the next).

Ultron tried to destabilize their megaton hitter in the form of the Sentry by killing Reynold's wife.

If this follows some form of pattern, we're looking at a Void emergence.
 
In terms of Mighty Avengers. This book has so far been written as one disaster leading to the next (Okay, two disasters, one leading to the next).

Ultron tried to destabilize their megaton hitter in the form of the Sentry by killing Reynold's wife.

If this follows some form of pattern, we're looking at a Void emergence.

I do wonder if she dies. She rarely appears anymore, and did look pretty cut up with Ultron's...stinger?...coming up behind him. If she's dead then I see Sentry beating the hell outta Ultron next issue, or like you said maybe Void popping out raising the stakes even more. Let's hope Sentry doesn't go all mopey and depressed over it and retreats further.
 
Like Jake said above tho, it just plays more into crazy Tony. Now he has crazy weather manipulating devices he's been spending billions on building for years? Just one more little retcon that has Tony doing secret stuff that leans towards a doomsday/world manipulating device that paints Tony a bit dark. Getting drunk or being a *****e is one thing, but having a device that can cause fires, droughts, floods, and thunderstorms on a world wide scale is another thing.

Just to address because I didn't notice it the first time around.

People need to lay off the Tony hate and actually read the issues once in a while.

Tony did not make his weather "machine" with the intention of it being used in a weapon. It says it in the issue Tony was planning to do things like end starvation with it.
 
Most likely, if the Sentry loses control, we'll see a Void.

And if people remember, the Void does have a tendency to kill things Robert doesn't like intentionally.

Like when Rob thought his wife was cheating with her aerobics instructor, the Void dropped a plane on him. (Which, ironically, my friends and I agreed years ago, was the worst case scenario.)
 
Sensation Spider-Man 39

I'm disappointed. I thought that either by the end Eddie would be put to rest and that'd be that, or Eddie would become Venom (or Marvel would do something to hint that Eddie could still become Venom later on). Eddie attempts suicide yet again (I'm already expecting the Eddie Brock haters to make fun of this) and fails. Now Eddie's just lingering around the Marvel universe just waiting to die. No dramatic death, no potential return as Venom, it seems. Oh well...

I really liked it. I thought we'd see the book closed on the character, but we did get a very creepy story out of it.
 
I'm not going to do a review right now of all the Annihilation books seperately, but I will comment on the second tiered event as a whole. I am friggin loving it...almost more so far than when the first series started.

The first Annihilation's prologue was basically a huge rip from Starship Troopers with Annihilus leading the army...but that was ok. Mindless bugs can be menacing...just ask Doogie Howser and Denise Richards....they can and will kill you and possibly eat your brains.

While they were dangerous in a mindless sort of way, they really upped the ante with the new story. The Phalanx has basically been promoted from old X-Men villians to a major universal threat.

So far I am happy..very happy. Starlord getting back in the saddle is awsome, and I especially love this b to c lister team he is creating. I was a huge Micronauts fan, so you could imagine how happy I am to see Bug returning...not to mention Rocket Raccoon. Great stuff.

My only gripe is some of the best characters that had the most work done to them seem to be taking a back seat to this event. Richard is "Dead" with faceless Kree lady now being the new Nova. Ronan and Gamora are Phalanxed. Super Skrull and Praxagora are nowhere to be seen yet (hopefully they'll be a part of this though), and Phyla is seeming to be more of the hero of this invasion.

One, if they indeed did pull a Green Lantern and killed Richard, I'm off the book. I didn't get into it because of the name Nova, it's because of how much Richard grew as a leader, person, and hero that I got into it. Heck, he even maturely handled Stark when I would have blasted him...and on top of that, he would have so destroyed the Thunderbolts had Iron Man not arrived.

Two, I find wrath very interesting so far, although I agree with some of the people here and he is just a bit too Drax for my liking. I would like to see Drax actually show up again. But I will give Wrath the benefit thus far....I mean c'mon...the man has a Blaster that tranforms Megatron style into a tentacle whip. How is that not purely awsome?!?

I was never a Phyla fan but if the first issue is any indication, she will be given the same growth and royal treatment that Nova did last time. Her mission is two fold so far. First, she is trying to live up to the name left by the old Quasar (which are big shoes to fill), and she is on a crusade to find someone that can help tip the scales in their favor against the Phalanx. You know what my theory is? I think that the person she was sent to find is going to be none other than Adam Warlock...or at least I hope so.

All in all, great start, and I think once again Annihilation will be even better than the "Central" Marvel event of the year.

Look at it this way:

Hulk running around the Marvel Universe beating people up for contrived and silly reasons, or real threats to the universe, growth, characterization, and heroes banding together to beat unbeatable odds in space. Yea I thought so, Star Wars with Techno virus aliens wins every time.:yay:
 
Once again, a B/T from me that covers two weeks. In no particular order.

Countdown #41 and 40
Something just occurred to me regarding something that happened a few weeks back.

Rose Wilson -- ravager -- is sitting at Bart Allen's funeral, and she looks bored out of her mind, right? She's like, texting on her cell phone or playing with a big purple ***** or something. It just occurred to me that this is ******ed. Bart was the one person that Rose was actually close to, the one person that she actually liked. In Titans Tomorrow, she even ends up together with him. If anything she should have been emo'd out of her mind at Bart's funeral.

Just another thing that Countdown irrevocably fcks up.

Anyway.

Both issues, 41 and 40, were actually not horrible. Things do happen, and the plot does progress. However, the plots are still progressing incredibly slowly and boring...ly.

Trickster and Piper falling out of the plane in #41 was the very first scene of this series involving those two that just did not work for me. I don't know if they were trying to make it comical or slapstick or what, but it just did not work. When you're falling out of a plane into eminent death, you do not banter. You do not make snide comments and one-liners. It just took me completely out of the moment.

40 was not horrible, but it was pretty boring. Mary Marvel goes to meet Zatanna...but doesn't talk to her yet. Holly finds out not everything is as it seems at the Athenian Women's Shelter...but does nothing about it yet. Donna, Jason, Ryan, and Bob fight some nanoversians...and then nothing, they just go on to the next world to explore or whatever. This decompression bullsht is bullsht. Everything here just screams "To be continued next week!" and not in the good way.

The one interesting part of the book was the new Question showing up at the end there, except she seems to have put on her face wrong or something. Renee, girl, the point is to look like you have no face, not to look like you have no hair. Just another thing that Countdown irrevocably fcks up.

(6 out of 10 for #41)
(4.8 out of 10 for #40)


World War Hulk #2
Big fight. Big action. Pretty explosions! What's there to talk about? Well, the utter incomprehensibility of some of these fights, for one thing. Last issue we weren't shown how Hulk defeated Black Bolt but here we're shown exactly how he takes down some people and...yes it's pretty, but it's about as ridiculous as some of us had expected. The problem with this event from the very start was how overpowered the Hulk was going to become and how underpowered some of Earth's defenders were going to be in order to make Hulk look better.

He takes out the god of war, Ares, with one single blow. Okay, fine, maybe Ares is just a wuss. Then he takes the full force of Johnny Storm's nova blast combined with Storm's lightning, which should exceed the heat of the sun...and just magically is okay somehow. Literally not a scratch on him. Okay, getting less believable, but we can let it slide I suppose. Then Hulk knocks Reed Richards out by...hitting him. Just that, hitting him. What? I'm sorry but...that should not happen. Physical impact, no matter the magnitude, makes no difference when there's nothing to impact. Reed Richards is entirely maleable to the point where he barely even has mass if he doesn't want to. You might as well hit the ocean and expect the water to hurt. The fact that Hulk hits him and leaves bruises is...not possible, except that it happens here, just magically somehow. What's more annoying is that Hulk could have taken Reed out a lot more logically and realistically if he just used the thunderclap or something. But no, we have to have the Hulk so strong he smashes nothingness and hurts it.

How's the story holding up, apart from that? Pretty good. General Ross is a sweet twist at the end there, and I still suspect Betty is going to come into play somehow before all this is over. I really don't think there's much of a moral debate here; the Hulk is the villain, not the hero, and he has to be stopped. But that's good because this series isn't pretending that there's a moral debate. I like the bits with Dr. Strange where it's hinted that it's not just because he wants to take responsibility that he doesn't kill the Hulk, but also because doing so would damn his soul. That's an interesting take on things; as a magic user with the amount of power at his disposal, Strange would have to be more wary than anyone else at the sorts of decisions he makes regarding, well, his own mistakes. There are powers out there who would love nothing more than to drag the Sorcerer Supreme down into corruption, and the fact that Strange would need to resist that at every moment in his life makes sense.

The one thing I foresee being a problem is that we pretty much know exactly how this is going to be resolved. I mean, we're literally shown the solution here, they literally tell us "This is the solution, this is a way to bring down the Hulk," and even solicit it on the cover of the final issue. Except that...the solution is sitting in his room on the couch watching TV. The one reason why he hasn't flown in and punched the Hulk's head off already is because...he just doesn't. Because we need to fill up space before issue five. Man, I know the Sentry is a big handicap for Marvel writers and it must be irritating to constantly have to come up with excuses for why he doesn't just eliminate every single problem, but this whole "He's sitting in his house having doubts" thing was tired long before it even began. It takes away from the story. It's not even that he's angsting or anything, he's just sitting there waiting.

(7 out of 10)


Justice League of America #11
Not bad. In fact, pretty good, though it wasn't my first impression. At first I thought it was just this big jumble of words. Only after rereading the issue carefully did I actually feel for the situation. If anything, it was a pretty cool idea. And I really didn't see the upside-down thing coming.

I do not believe Vixen is being written in-character here -- much too panicky and damsel-in-distressed and n00bish -- but without being a fan of the character it's hard to say how much. Roy is depicted pretty well, as expected of Meltzer, who's got a giant mancrush on the guy.

One more issue of Meltzer left. I'm not that disappointed to see him go, but I really wish his run was not hampered down by that useless, rambling drivel aka "Lightning Saga." If left to his own devices I think he could have come up with a lot of better stuff. We'll see what happens in the next, final issue.

(7.3 out of 10)


Mighty Avengers #5
Did the Sentry's wife just die? Is this an important moment or something? Am I supposed to feel moved? I'm confused.

I'm officially tired of Ares. I have absolutely no idea what he brings to this team other than to act like a slightly ******ed Wolverine.

Hank Pym actually acts competent and professional here, so of course Janet has to start ragging on him and putting him down. Man, someone seriously needs to slap some sense into that bich or something.

A lot happens here, and yet we're still no closer to a solution or anything involving progression. We still have no idea how to stop Ultron. We still have no idea how Tony's doing. What we did this issue was basically follow the Mighty Avengers around as they fail to find a solution. Yay.

The character interactions are pretty decent, though.

(6.2 out of 10)


Checkmate #16
If this isn't the single best comic that DC's putting out right now, it's right there near the top. I say this about every issue of Checkmate, since it's always true.

Fire and Ice's reunion? Beautiful. Something that was coming for a good long while and handled wonderfully by not just one but now two great writers.

August General as the new Black King's Bishop? Holy penis, what a scoop, something I entirely didn't see coming.

Sasha and Mr. Terrific. It makes so much sense it practically writes itself. He's the only one she can't "see," so of course he's the only one she sees.

And oh snap at that ending. Literally.

(9.5 out of 10)


The Initiative #4
As funereal and unnecessarily dystopian as we expected. Any hero who would knowingly send a dead kid's clone back to live with his parents isn't a hero. I don't like these people, which makes it impossible to care about them. No big loss.

(5 out of 10)


All-Flash #1
It's...quite good, for what it is. That is, the reintroduction of Wally West into the DCU.

Let's be frank here: DC completely botched the death of Bart Allen. The events leading up to it were poorly written and the event itself held practically no resonance. The aftermaths (DC heroes getting pissed and villains being afraid) feels almost fake, as if everyone were just going through the motions (see above re: Ravager). It completely, utterly feels like a big coup organized by bureaucracy and editorial instead of creativity and character service, which its creators have pretty much all but admitted. And despite all the false fuss made during the Lightning Saga crossover, Wally West was never actually dead in the first place. His great "return" is really just more hot air to lift up a story which couldn't stand on its own (see above re: Lightning Saga).

With all that said? I'm looking forward to this title. I'm really looking forward to Flash & Family and their crazy shenanigans. Mark Waid has really sold me on the concept in a very short amount of time. And also props to him for not pulling his punches with Inertia; in one single issue he managed to make the kid come across as the actual psychotic nemesis that Bart deserved and not a little punk without an ounce of charisma to him.

There's a rumor that John Rogers (Blue Beetle) is going to take on this title after Waid is done setting it up, which is just fine with me. The sad thing is that I think Rogers would have done a phenomenal Bart Allen series as well. Ah well.

(7.8 out of 10)


Quasar #1
I like it. I like her.

It's got some flaws and gets dangerously close to overtalking itself into exposition hell, but generally this is a strong start. What can I say? "Underdog against all odds" is a pretty surefire setup; Phyla is basically playing Nova's role from the last time around; she's got this big power and she doesn't quite know how to use it and she's got this very important task to accomplish with an army of mofos stacked against her. Plus her power supply is limited so that it might (and probably will) run out before the end of her quest. Oh yeah, and there's a piece of Annihilus stuck in her brain. No worries.

I love Phyla's design, as well. Not that many superheroes wear capes anymore, much less superheroines, and it looks remarkably good on her.

And I love that sword. That sword is awesome.

Phyla has the opportunity here to become the next great Marvel universe heroine. What happened for Richard Rider could easily happen for her here as well. I hope it does. That sword is awesome.

(8.1 out of 10)


Starlord #1
The very first thing I notice -- the very first weakness I find -- is that Peter Quill looks absolutely nothing like how he looked back in the original Annihilation, or even a few weeks ago in the Conquest Prologue. It's pretty distracting. The art flatters pretty much everyone here except for Quill himself, who is stuck wearing this expression of perpetually bored petulance, which clashes with Giffen's abrasive Quill dialogue. I see this being a problem down the line...but das't it, I survived the Super-Skrull mini, I can survive this.

And there's a lot to like here. Quill himself is easy to sympathize with. Everyone and their mothers are looking forward to see more of Rocket Raccoon. There's a giant walking tree. There's no way this will not be fun.

What's interesting here is that Giffen reminds us the Kree are big dickz. Yeah, Ronan's a badass and some of the best heroes come from Kree and they're possibly the only stabilized force for..."good"...left in the galaxy, and that makes it easy to forget especially of late that the Kree civilization and Kree superstructure is essentially made up of one big giant clump of *****ebag mixed with ass. Fun times.

(8 out of 10)


Black Canary #2
I actually seem to like this series, which is extremely odd to me. I've always liked Dinah as a character but never enough to be interested by her as a solo character, much less as a solo character contemplating marriage and raising children...and yet here we are, and I'm contemplating it. This series isn't exactly great in the sense that the writing is off-the-walls spectacular, but it's pretty damn good in the sense that Bedard seems to get these characters and knows exactly how to make them tick.

(8.6 out of 10)


Green Arrow: Year One #2
Hmm. Pretty good still. But I don't know if I would recommend this to anyone who's not a fervent Ollie-lover. The character of Oliver Queen today is not someone with whom you would desperately need this origin to understand. But I suppose that if you're looking for a stylized, very competent reimagining of Oliver Queen's roots, this would be the place to look. I just don't know that it's actually necessary. But hey I dunno, some people tend to like that sort of Ultimatized stuff.

(7 out of 10)


Brave and the Bold #5
Batman and the Legion. And I do have to credit Waid with the fact that while he has Batman basically kicking all their asses up and down the street, he doesn't exactly make Batman look like a big *****e doing so. I still have a bit of trouble accepting the notion that Batman is a match for Karate Kid in any way shape or form...but I'll deal. Interesting developments on Rann. Any chance to see Supergirl not be annoying is a good chance.

(7.2 out of 10)


Blue Beetle #17
Great issue. I actually started laughing at the unexpected Batman cameo. And Brenda? Brenda is made of win.

(8.9 out of 10)


Green Lantern Corps #14
I think I expected a little more, but this is just fine too. Natu vs Sinestro. It was nice. It played perfectly to the strengths of both characters. And the resolution to the Korugar conflicts takes Natu into a very, very interesting place.

I don't like the fact that the Lantern rings aren't allowed to kill people. Was this always in effect, even in the silver age? It seems ridiculous. Back in Kyle's day, Kyle consciously made it so that all his constructs could never kill anyone, but always had the choice to make it otherwise if he ever...chose to.

Curious about the new rookie Lantern that appeared with Arisia this issue, I wiki'd him. And this is what it said:
wikipedia said:
Prophecised in the "Tales of the Green Lantern Corps" Annual #2 by Alan Moore, a Daxamite named Sodam Yat will one day be hailed as the "ultimate Green Lantern." According to the story, he will perish battling the final catastrophe that will bury the Green Lantern Corps in the future.
Whoa.

And oh man, that ending. Some people saw that ending coming back when the character was first introduced, and here it is in all its glory. The Living City vs the Living Planet? Sht meets fan!

(8 out of 10)


Amazons Attack #4
"Cassie? I don't think they can hear you inside the plane!"

Wow. When Supergirl is the brains of the operation, we should all be very afraid.

Not much better than prior issues, but not much worse. There's some weird nonsense about Bana-Mighdall Amazons inviting Grace Choi to join them for gods know what reason, possibly because Pfeifer isn't content with just ruining a few characters in this series.

Oh yeah, and while Superman is trying to make peace with the Amazons, gunfire from American soldiers takes them all out before they can respond. But isn't Superman faster than speeding bullets? Oh, but that would be using logic. Sorry. Superman actually makes sense here like Artemis and Phillippus in the last issue...but we can't possibly have that, so things explode instead to distract us from actual facts.

(4 out of 10)


Wonder Woman #11
So apparently the answer is...crazy gods.

Wow. That's...that's...I dunno. I have absolutely no idea what to think. I think I hate it with the fire of a million burning babies, but truth be told it's not nearly as bad as I thought it would be. This isn't exactly the first time the gods have turned on Wonder Woman; though it does ruin the stellar depictions they've been given recently, I've honestly grown a bit numb to it considering all the other things about Wonder Woman that has been ruined recently. They ruined her competency, her history, her background, her career, her feminism, her family, her people, her supporting cast...why not ruin her faith as well?

This is going to tie into Countdown with the death of the New Gods or somesht and my goodness I don't think I've ever feared for a series as much as I've feared for this one. Meanwhile, weren't there supposed to be killer bees or something? What happened to those? Oh forget it, I don't even care.

(4.9 out of 10)


Teen Titans #49
It's funny; it's only been four short issues since issue #45, which heralded the start of the Beechen run on this title, which will probably go down in fandom memory as the single worst issues on this title...ever. We are, basically, reading what will probably be known as the worst period of the Teen Titans run. Four short issues, and yet it has felt like forever.

This issue sucks. It's not quite as bad as the last one and not exactly the trainwreck of a pathetic inbred joke that #46 was, but it sure tries real hard. More junk about Amazons and sides and Superman and somehow there's women doing something. Bleh. Oh and Cassie and Tim make out publicly, which is stupid now kthx.

(2 out of 10)
 
Fallen Angel #19
The only title on the shelves this month to feature the words "pap smear." And yes, I checked Image.

I think I've figured out a lot of why I love this comic; it features all of Peter David's strengths and almost none of his weaknesses. David is great on characters. He can write characters btching at each other for pages and not only does it not feel like *shudder* decompression, it makes for incredible reading. David is not so good on plot devices. What I mean is, a lot of his plots feel like they have to be there, just because they do, and fall into the background becoming sort of uninteresting necessities. I don't think I could clearly tell you what the plot of X-Factor has been for the last five issues, and I've read them all. I can, however, tell you exactly what has happened with the characters, who's been sleeping with whom, who's angry at who else, who's having whose baby, and which character has been making homosexual passes at himself. Well, that last one can only be Jamie.

The plot thing is not a problem with this comic; not to say that there isn't any plot or whatever, but from the outset it was never the important portion of the series and never pretended to be. From the very beginning the focus is on Lee, Liandra, the Fallen Angel, and the wacky people who surround her. The plot is there for us to follow if we want, but what is important is what the characters do. This might feel awkward under another writer with different strengths, but is perfect for PAD.

I don't know where the heck this Shi ("Bangs!") character came from and I don't care; I love the poo out of her. I hope she appears again on this series.

Two more issues of this book and it will have officially outlasted its prior DC run. Nice work.

(8.8 out of 10)


Buffy the Vampire Slayer #5
...Hmm. Not what I expected. It's confusing and odd. Sometimes even awkward. Sometimes even stilted.

But it's very touching. There's no mistaking what he's trying to say and what we're supposed to feel. And I'm onboard with that.

We do get marginally more insight into how the Slayers world works and how these new girls are inducted into that world, even if that insight sorta boils down to "Er, he's making this up as he goes along, isn't he?" But oh Christ, that commercial with Andrew and Vi (It is Vi, right? Please be Vi) made it all worth it. Hilarious. I have a feeling it's one of those moments which would have played great on TV, too.

I also had to laugh at "We'll have to pad the bra a little," which led me to believe that Token Black Teacher has never actually met Buffy either. Seriously? Pad the bra? SMG in the later seasons had no breasts whatsoever to speak of. And yes to the faerie. Please more of this faerie. I will be so happy if this faerie appears ever again in this series.

But I think my favorite moment(s) would have to be

"Who the hell are you?"
"Who the hell are you?"

It's very clever. You want to know more about her. You want to know her name. But you won't and never will. Which is the point.

(7.4 out of 10)
 
Wizard- If anyone wants to see Alex Ross make Power Girl look unattractive, check out this cover. Oh, and it's great to see Kingdom Come Superman join the JSA. Great idea, DC. Now more new readers can wonder what the **** is going on in another title. Brilliant.

Unless you've read Kingdom Come. Then you know EXACTLY what is going on.
 
Silver Surfer: Requiem 3 of 4
Just a good story. I love how JMS is writing this as almost a view of humanity (and in this story, holy wars) as seen by a nearly all powerful 3rd party. The art by Ribic is beautiful and somber, which adds to the tone of the whole series. I'm really looking forward to the conclusion.
 
The Initiative #5
As funereal and unnecessarily dystopian as we expected. Any hero who would knowingly send a dead kid's clone back to live with his parents isn't a hero. I don't like these people, which makes it impossible to care about them. No big loss.

(5 out of 10)

The Initiative came out this week? :confused:
 

Users who are viewing this thread

Back
Top
monitoring_string = "afb8e5d7348ab9e99f73cba908f10802"