BOUGHT/THOUGHT July 25th

The Ellis Double-Header:

Black Summer #1 - After reading the preview #0 issue, I figured this was going to be a mini wherein Ellis gets everything off of his chest. Every qualm he has about the government, specifically the current administration and their "War on Terror". I was cool with that. I mean, Ellis is a very intelligent guy, and it's not very often we get a (somewhat) mainstream, full on, no subtlety attatched, attack on the President and his real world actions. Count me in. What I'm begining to see however, is that this might actually have a little bit or narrative substance as well. As in, this issue is 100% character and plot driven, with 100% less political commentary. Basically what I'm saying is that Ellis is actually writing a story with commentary, as opposed to providing commentary in the form of a thinly veiled story. Count me in.

We learn that John Horus, the superhero-y guy who murdered the Bush administration was part of a team of guys with enhancements. I don't think Ellis states what kind exactly, but they appear to be neural and cybernetic in nature. They're always connected to each other via a closed-circuit internet connection, and they've got these guns. These super cool guns that become an extension of them and their powers. Now, after some sort of falling out that involved a bomb meant for the wrong person, they all went their separate ways. One of them, Frank Blacksmith, went to work for the government to monitor the others in the event that one of them goes nutters. Guess he kinda sucks at his job...Anyway, there's another one of them, Tom, who seems to be the worst off. He's mentioned as being the most dangerous one of them but he hasn't turned his enhancements on in years. He's missing a leg (due to that bomb), and he's living in a crappy apartment, spending his days in a drunken stupor. Until his old buddy John Horus kills the Bush administration. Now he and the rest of his old team are being hunted down, forcing Tom to turn his enhancements on, kill a federal agent in one of the bloodiest fights in recent memory, and send a message via their special connection for help from any of his remaining teammates. One of them, Zoe answers the call in seconds and arrives to help him get out of his apartment (he's only got one leg, remember). It seems she can move faster than the speed of light by putting some sort of anti-math shield around her, this negating all laws of nature. Or something. Anyway, the issue ends with her explaining to Tom that everyone else in their club has gone nutters too, and that's actually what made John Horus go nutters and kill the President and his men. The implication, I think, is that they might be connected in more ways then they initially anticipated.

People ragged on this based on the preview issue centering around Ellis' thick commentary on why it's not crazy to kill George Bush, and I can see how it's not for everyone. But, I think it may have moved past that, and Ellis is actually telling a pretty compelling story about a group of people who have these incredible powers and they literally do not know what to do with them. The artwork by Juan Jose Ryp is ultra detailed. This is a fairly realistic take on "superheroes", and the artwork really works to compliment the script. He was hand picked by Ellis and he was picked well.

I still wouldn't recommend this to many people. The subject matter seems to be pretty divisive. Like I mentioned, this just isn't for everyone and that's okay. I don't think Ellis wrote it with everyone in mind.

Doktor Sleepless #1 - This is supposed to be Ellis' new Transmetropolitan, in terms of being his next giant ongoing. It's pretty good, but honestly, I'd have rather seen Black Summer continue. The artwork, while pretty doesn't seem to fit the tone or the environment that Ellis is creating. It's sort of Alan Davis-y, and I wouldn't select Davis to draw my futuristic, science-Jesus tale. It's not bad, per se...it just looks a little off.

The actual story is very good, and we get a lot of it in this debut. I was worried that Sleepless' identity and motivations would be dragged out and become the mystery of the title, but it's literally all revealed on the first page. It's a simple origin, and once it's out of the way, the story kicks in high gear.

Doktor Sleepless is fed up with complacency and apathy, especially in regards to the youth of America who preach against it, yet fall into it. Basically he hates hypocrites. It's about Sleepless becoming Sleepless in order to be a symbol of change. Sort of like Bruce Wayne becoming Batman to be a symbol for the people. Anyway, he's very funny, and overall a weirdly nice guy.

It's what you'd expect from Ellis when he's given full creative control to do what he's most comfortable doing. And that's creating a strangely eccentric main character involved in a deep and layered story. If you like that, you'll probably dig this.
 
He mentioned in the begining of his review that he was covering the past two weeks. He also managed to get the issue numbers wrong on a lot of the books he was reviewing.
 
He mentioned in the begining of his review that he was covering the past two weeks. He also managed to get the issue numbers wrong on a lot of the books he was reviewing.


Ah, that's why it felt like he was jumping the gun on the clone thing.
 
Batman #666
Interesting story about Damian Wayne as Batman in the future. It's basically a standalone issue, but it relates to what Morrison has been doing in his other recent Batman issues. And the art was great, as usual.

X-Men #201
I like this storyline a lot. Not as much happened in this issue as in the last, but it advanced the plot enough, and had good action. I'm still not wild about the art, but the writing is great.
 
They REALLY needed a more realistic artist for the X-Men arc. It's so good, but the art is sooo silly in tone for it.
 
My problem with Invincible, is I thought we had a new War Woman. :(
 
I'm still betting it's his sister or cousin or something. If there's one homage Invincible hasn't made, it's a Supergirl related one.

Don't quote things before I say them. :o You psychic *****e bag.


I'd rather it be a new War Woman.
 
In another topic, I mentioned how despite my rep for long posts, I am not always in the mood to type them (I'm not THAT much of a machine). As I face a week in which I have over 8 comics, as well as having battled a bout of insomnia and running about trying to settle getting into grad school, I have waited longer than I usually care to. Don't worry, I still plan to give it my attention. Overall it was a good week to finish off July, aside for one stumble with a book written by the man whose last name is six letters, beginning with a B and ending in an S. Make up your own joke.

As always, Spoilers in this topic are complete. I pull no punches.

Dread's BOUGHT/THOUGHT for 7/25/06:

BLUE BEETLE #17:
Probably the strongest issue in quite a while; at least within the past half year. It is a shame this book isn't pulling better numbers, because from the status of DC lately, it seems to be one of few books that is not majorly F'd up. Rogers is still writing solo without Giffen and cruisin' along fine, and Albuquerque's art is still solid, and I am used to it. This issue has another adventure for our young hero Jamie, as he battles Typhoon. As he controls the storm, there are some parallels with real-world disasters like Hurricane Katrina or their ilk. Part of what makes good stories about young heroes work is not only seeing their errors, but seeing how they learn, adapt, improve, and come out of the fire forged better (a factoid that USM long ago abandoned in favor of being an Ultimate Team-Up in disguise). Jamie not only learns how to put his brain to good use when sheer power won't do, he also learns the painful lesson that no matter how hard you try, no hero can save everyone. Saving some 3 dozen people during Typhoon's rampage is great and all, but his heart mourns for the hand-full he lost, and he has a pivotal moment with his father to deal with it. Paco & Brenda get in some good dialogue, really, all of the lines work. Bruce Wayne has a cameo, which makes sense as Blue Beetle debuted having a team-up with Batman & the JLA in INFINITE CRISIS (and I think he is having one in BRAVE AND THE BOLD as well). The more this book avoids the origin rehashes and delves into solid superheroic stories, the better it is. Rogers is holding the fort excellently without Giffen the Veteran co-writing, and that is good to see. Some could call this "generic", but it is a good, enjoyable, fun sort of generic. It isn't a book I anticipate with baited breath every month, but one I usually enjoy when it does ship. DC's sheer stubborn-ness will likely see it reach the 2-year marker, which is good to see.

INVINCIBLE #44: Man, it is weird seeing a Viltrumite besides Mark without a moustache, even if it is a woman. It's another simple cover from Ottley (whose art continues to be awesome) and another great issue from Kirkman. Everyone who reads it knows what I am talking about, and it seems ever week someone on SHH discovers it for themselves (I can relate to people who "caught up" via trades or whatnot and then having to make the shift from reading tens of issues at once to having to wait a few weeks for every 22 page installment; Invincible will make you an addict, but in a good way). Kirkman manages to delve into the Eve/Mark "will they/won't they" romance and use a wrinkle that even I didn't see coming; Mark mentions the time-travle stuff and it BACKFIRES. Now Eve isn't sure whether his feelings are genuine. Talk about a romantic twist that could only happen in a superhero comic! However, the Viltrumite affair, re-introduced back into Mark's life by Allen's visit last month, comes to a head here, as we meet a female member of their race. At first she runs the risk of "estrogen syndrome", i.e. being more merciful or understanding simply because she is a woman and the cliche is women are "nicer", but the end of the issue blows that to hell, which felt appropriate, so I approve. One thing that does get slightly irksome is that Kirkman isn't usually quick to name these Viltrumites that show up; out of the trio that popped up back some 15-20 issues ago (who roughed up Allen and battled Nolan & Mark), only one actually had a name (Lucan, the bald black guy), and this gal goes through that process. I'm not sure if it is deliberate, as Kirkman doesn't name certain characters who are expendable (as the trio were), but I doubt she is so hopefully she gets a name next issue. I did like how Kirkman played around with her, keeping us guessing as to whether she was "for real" or not. At first she acts all war-mongerish, then tries to sympathize with Invincible and even is impressed by his strength and dedication, before fighting him anyway at the end. Considering that Viltrumites live for thousands of years, Mark, at 18-19 years old, is almost a baby compared to some veteran warriors (I'd imagine) and it explains how some of his species, despite being foes, are impressed by his might. The pair also team up to stop a sea monster (does this mean later adventures with the Merman race again?) and saving an ocean cruiser. Invincible has improved over his earlier issues but lifting something THAT huge is still more than he can do alone (real world fact; cruise ships can weigh anywhere from 40,000 to over 50,000 tons). The last time Mark fought one of his own kind, he needed Nolan to carry him, and the cover of the next issue implies that Allen may end up saving his bacon. At this rate, Mark may need to pull-a-Goku and train in advanced gravity for a while. ;) This book is always reliable for an enjoyably superhero universe, and I really can't praise it enough. Some of the letters Kirkman gets, however, are mind-boggling in how naive they are. One writer actually CRITICIZED Kirkman for being "tacky" with the $1.99 issue two months ago. Dude, are you ******ed!? INVINCIBLE is an Image book, which owns less than 5% of the market share; they're outsold by DARK HORSE. It sells within the Top 130's-150's of the Top 200, which may be fine for Image, but isn't even a glimmer in the eyes of Quesada or DiDio. How the hell can anyone blame Kirkman for what he does to promote his flagship solo effort? Hell, I'd even accept a hologram cover. And last month we had a writer who claimed Invincible would sell better if Kirkman "didn't take the Lord's name in vain" in dialogue. Considering how many people in the actual industry seem to fail to "get it", sometimes these letters almost shock me by how ignorant some fans are. Ironic, huh, that I post on the Internet yet need a letters page to make me realize that sometimes. Least Kirkman has noted sales for the book slowly improving, least in it's own respect. In some alternate reality, this book sells over 100k and is in the Top 10 like it deserves, and that is a reality I'd like to visit. This is my holy grail of comic titles, and I doubt it could ever outright displease me. Some issues are better than others, but I doubt I will ever absolutely hate an issue of this. It's too solid, too action packed, dramatic, poignant, with good dialogue and manages twists even in the age of cynicism and "having seen it all" fanboyism. Take the cover at face value; it is probably the best superhero comic in the universe. Can't wait to see Allen bust some heads next ish. Not too many characters can blend "calm/laid back" with "bad-ass", but Allen does.

THE 99 SPECIAL: ORIGINS: Got it because it was free, a new indie superhero effort from newcomer Al-Mutawa along with industry vet Fabian Nicieza (and Nabeel Mohan), with art by John McCrea & Jason Dennis (whoever they are). Apparently, the idea of an indie comic offering the origin issue for free to "hook" in readers in a very hostile market for "little guys" (re: anyone not DC or Marvel, and even THEY have titles that tank) is in vogue, and it's a solid idea. Whatever gets books into the hands of the audience as advertising, the better. This has a topic in MISC. COMICS but I didn't pay attention until now, when it clicked. The premise is that back during the 13th century Bahgdad, ancient teachings from an ancient library were literally mystically bound into powerful gemstones; 99 in fact (que the title). Coming in contact with them bestows super-powers unto people, and an explosion ages ago has scattered them. There are two organizations scrambling to find either the gems, or people empowered by them; one good, one probably-not-good. Stuck in-between in this issue is a young boy swept up by Middle East strife who becomes super-strong, nigh invulnerable, and twice the size of Ahnold. It is sort of like HEROES and other stories with a bit of Middle Eastern myth here. The art and story are a little generic, but it was refreshing reading something about and based in the Middle East that doesn't pander to either end of the stereotype; yes, there are head-dresses, but there are also characters without them. Nor do all of the characters blame America for all of their ills with justification. They just act like PEOPLE; heavens to betsy, I know. Perhaps it helps that the writer is himself Middle Eastern and well versed by his narrative at the end. I am not sure if I'd actually pay to read it, but another freebie is coming at the end of August and I likely will get that. I am a sucker for free stuff.

ANNIHILATION: CONQUEST: STARLORD #1: Industry vet, and core writer of the last ANNIHILATION series, Keith Giffen launches his title of the sequal effort, starring smart-mouthed terran Peter Quill, or "The Man Formerly Known As Starlord". Timothy Green II does the art and while he is solid on the most part, he makes Peter look a little too unexpressive and droll; it works in some panels and seems lazy in others. But, nothing bad. From the solicts, despite the seriousness of the event, this was looking to be the "spunky" title, the rag-tag cast of C-Listers thrown together as a crew fighting baddies, from Mantis to Rocket Raccoon (along with Bug, Deathcry, Groot, and yet another Capt. Universe incarnation). They're essentially acting as the Kree's Dirty Dozen, being sent out on a desperate suicide mission because the Kree finds them expendable, but still useful in a fight. Giffen paints the Krees as unabashed a-holes, not unlike the Shi'ar most times (only the Shi'ar compound their *****e-bagginess by being inept to boot), or the Skrulls (who compound that with being inept AND satisfying every outdated alien cliche from the 50's). But none of that matters here. In a way some of the takes on the characters may seem odd, such as people who don't actually buy that Mantis is the Celestial Madonna who has birthed the Celestial Messiah, or Bug outside the Microverse, but it flows together well. Quill's cybernetics are removed a little too quickly, so fast that it seemed obligatory, like Giffen removing some editorial tidbit from the last go he disliked or something. Starlord's costume gets a less-superheroy, more starfleet-captain design, and it is all the better for it. This was easily my favorite of the CONQUEST launches right now, and QUASAR was no pushover either. Giffen's dialogue is as hilarious as you would expect, and after the brooding emo-mystery of WRAITH, the drama of NOVA and the suspence of QUASAR, this title merges all that but pops the balloon a bit with some humor, and it works. Giffen even goes through the motion of summarizing Starlord's origin, which is a good thing to do with a #1 issue, something some writers (especially at DC) take for granted. Solid start and looks to be another winner from Giffen. Considering he's been in the biz over a generation, it's amazing how he gets less pub than a lot of other "vets" who are of his generation or younger, yet he usually has become more reliable. Bring on more Starlord and his Wacky Crew of Misfit Space Heroes. Cost of a starship; 1 million das't credits. Rocket Raccoon using a machine gun bigger than he is by standing on Groot's hand; priceless.

AMAZING SPIDER-MAN #542: Back in Black concludes, sort of, maybe, who knows, as JMS puts out his climax issue. Spider-Man vs. the Kingpin, some decades in the making (after Kingpin has spent most of the last 25 years hassling Daredevil). The one bit I was concerned about was that despite all the jazz about "Kingpin being all muscle" or "faster/more agile" than he looks, he is no match for Spider-Man and most of their battles where he's slugged toe-to-toe have been utter baloney. The last issue, I gave JMS credit for at least coming up with some reasonable limitations on Spidey; he'd been going days without rest, and he'd given a pint or more of blood to Aunt May. But, no, JMS pulls out the hat trick and actually has Spider-Man, or should I say Peter, pretty much effortlessly beat Kingpin down like he should. Kingpin is an overglorified sumo in a business suit and while that may challenge Daredevil, it shouldn't Spidey. It is more of "Dark Grim Spidey" and while all dark heroes officially sound the same (I've heard Moon Knight and Daredevil give simular exposition, the latter probably even to Kingpin too), it all fits because Kingpin ordered a hit on the Parkers and May got shot. Peter essentially beats Fisk down, vows to avenge May the moment she actually dies, and leaves him broken for the prison dredges. I do question the idea that is hinted that Kingpin hasn't been so publically defeated before. Really? DD's put him through Hell's Kitchen a few times. Sammy Silke got him shot a buncha times, and so did Echo (one bullet to the head even blinded Fisk for a while). If anything, what adds to Kingpin's rep is not him being "untouchable", but the fact that so many metahuman vigilantes can beat the snot out of him and the fat bastard keeps coming back. They can't, or won't, take him out. Two incarnations of Machete can get wacked, but Kingpin never does. Even Cap got whacked. Not Fisk. Not even the Punisher has put Fisk in a pine box along with just about every other mobster alive. But, no matter, in the context of the story, it works, and it is somewhat refreshing to see Peter be intimidating sometimes, as well as efficient, instead of a hapless clown. The story ends in a TO BE CONTINUED, like it has for about 2 years now, and it is getting old. I'll get the next issue because of the cover, but for chrissakes, Bendis and Brubaker might actually end a story before JMS does. Still, though, a great issue. Garney is fantastic with the action as well as the darker scenes. At least an issue like this might explain why MJ isn't in the crosshairs every day; when Spidey comes a-callin', watch out.

IMMORTAL IRON FIST #7: A title I love to death, really, but this issue was one that I feared in other topics would come down to being filler. Despite good writing by Brubaker & Fraction and good art by Foreman, Evans, & Fernandez, and despite a very enjoyable, action packed, emotional tale of one of the past Fist's, that is precisely what this issue is. Filler. It is almost the definition of filler. Some might say that Bru & Fraction try to tie it into the Rand story by claiming Wu-Ao-Shi's tale is in THE BOOK OF THE IRON FIST that Orson gave Rand, Lei Kung the Thunderer is her mentor and one could argue that Rand himself could be narrating, and that is all well and true. But those do not directly tie things into the rest of the arc, and this issue still read more like an annual sort of story than a core one. Of course, that is mostly because for the past decade or less, writing for trade has become the norm and "filler" one-shots have been less in vogue as they were in the 60's-80's. The real world answer, as photojones2 noted elsewhere, is Aja may have needed some lead-in time and this issue took 3 artists as is to finish. Of couse, the title has classically used seperate artists for flashbacks/ancient history scenes to give things a different look (as well as divide labor) and it works well. So, this is the story of Wu-Ao-Shi, bratty girl thief who becomes an Iron Fist but falls in love with a hapless fisherman, and later becomes a vengeful pirate queen, a few months after PIRATES 3 has been out of theatres and no one really is impressed by that stuff anymore. Has ANY comic story ever used the notion of a "Pirate King" before those films? No. And once they fade from popular culture, none will again. Anyway, like I said, don't let my criticizing the placement of this story mean that it is bad. Far from it. It follows some cliches, least if you have watched anime, but it does then efficiently and truthfully. I like the usage of K'un L'un as a timeless, fantasy fuedal Japan-land that Bru & Fraction have going. The art is kinetic and effective. And since we are examining the lineage of the Iron Fist's now, you need to make the reader appreciate them, so stories like this are required. My questioning was why now, smack dab in the middle of an intense arc with Steel Serpant and a mystic tournament, and not in an annual, because annuals are essentially precisesly for filler stories (and always have been; Marvel's attempts to prove otherwise these days usually fail; that doesn't make the stories bad, I just am blunt). Maybe this will come to bare later on; maybe Rand uses her "chi flaming arrows" or something, but I really, really doubt it. A good, solid issue. But one I will have forgotten within a week.
 
Part II:

MIGHTY AVENGERS #4: About a month late, give or take. Last time I reviewed an issue, I got a lot of lambasting; this month I expect to be grilled over DARING to say a negative comment about IRON FIST #7 (which I liked, and was good, to repeat, just was unabashed filler), so I can damn well say whatever I want about this issue. Some say that this is Bendis doing a big, dumb, fun actioner, not unlike a Micheal Bay effort. Things like these characters having yet to attone for their sins during CW's when they were all back-stabbing *****es, or their continued efforts to entrap the New Avengers, even to the point of shamelessly exploiting the death of their friend Cap, are supposedly to be ignored here. But that is not the end of the issues here. Bendis has gotten the idea that thought-balloons needed to be re-invented, so he made them more obnoxious than they ever were. His reasoning for having Ultron morph into a naked woman is so divoid of sense or logic that Bendis barely tries, just burries it in gobbledegook as the solicts butter up fans for Cho Cheesecake. But, as Cho has limitations in making faces differ, Ultron turns into Wasp, so he doesn't have to actually draw a new woman. Why the hell is Ultron saying he/she "loves" humanity before exterminating them!? When in everloving hell has Ultron ever said that!? How the hell did he apparently download estrogen...from STARK'S ARMOR!? And then there is poor, poor Ares; a mighty warrior god in Oeming's mini, reduced to almost a YouTube parody of 300 or Maximus from GLADIATOR here. All he does is wail and charge with his axe without any sort of logic or hesitation. Bendis at least has been consistant in that regard, and the idea of Ares seeing it as a Trojan Horse can hold some water. I admittedly thought his end-of-issue spanking of about a dozen Iron Man armors in rapid succession was very cool; well draw, well paced, excellent (makes one go, "and to think, Hulk backhanded him in WWH #2"). And at least Bendis is consistant with his "Iron Man is a manipulating prep-time *****e", basically noting how Iron Man invented satellites that literally control the weather. Yes, yes, I know, he did it to aid world hunger, and I actually have no doubts Stark would use it for that. But I've seen villains get beaten into coma's for even PLANNING of building machines like that, and it should give anyone pause. Bendis also gives the impression that the Avengers always secretly think nasty thoughts about Hank Pym every time they face Ultron, and if so, no wonder he's relapsed so many times. There are many writers who have issues, for whatever reason, that these Avengers all used to be actual friends, and Bendis is one of them. Stark having an AI set up in case of his physical death makes sense, and also is plot convient. The biggie of the issue, though, is Plan B; has Ultrona just killed Sentry's wife? Doesn't that REALLY mess up continuity if it is true, as she is alive and well in WWH? Or is she a Skrull? And why did Ultron attack Mole Man again? I mean, look, it does have some at-times good lines, and good Cho-drawn action, and yes, boobies. We still are in some of the same situations, yet it seems to move faster than NEW AVENGERS usually does, and at least this is a team of Avengers struggling to fight Ultron, and not, y'know, Ninjas or Falling Airplanes. But even with my "popcorn movie" blinders on, it has some hassles. I am dreading an ending where some obligatory characters shows up from nowhere to explain the situation to everyone, and the audience, as if they are toddlers, which is a FAVORITE Bendis ending. Still, it has good art, an actual credible challenge for the Avengers and solid art. Honestly, it may take fewer tweaks on this book to make it boss than it would for NEW AVENGERS at times. Just get Brian Reed to co-write anything Bendis writes from now on.

ULTIMATE FANTASTIC FOUR #44: A Four 4 issue. Not that it matters. Carey continues with his rehash of Ultimate Silver Surfer, and this issue is where it really starts kicking for me that Carey is doing good here. This is his best arc yet. It isn't drowning in sci-fi gibberish, and isn't over-ambitious and over-complicated or cluttered. In fact, it pretty much takes a big eraser to some of the garbage Ellis did with his ULTIMATE GALACTUS story and does it in a way that it SHOULD have been. An Ultimate Surfer who is unique and yet is familiar enough to seem like the version fans like. And it has a good Ultimate twist; his master seemingly "saves" worlds via inducing bliss, rather than eats them. His master also happens to be Psycho-Man (or Revka Temerlune Edifex Scyros III; try saying that ten times fast!), who uses a sort of mind control to make everyone his fawning slaves to induce his "utopia". It helps that he isn't being overly nasty or sadistical, at least for now. And as always, Ferry's art is great, even if the Four's costume designs now look a little too 90's ish, reminding me of their look around the Onslaught days. Carey's last arcs have either been pleasant but mediocre or too ambitious, but this one finally has his groove on. Considering Kirkman's near-desperation with Ultimate X-Men and USM being a wasteland of low level fan-fiction, it is good to see this book rise again. Carey's not a match for Millar yet, but he may be, given time.

X-MEN: FIRST CLASS #2: For the first time ever for the series; a multi-part story! It's more Silver Age superhero X-Men adventure with Parker & Cruz. The kids are sent to Monster Island by the Professor, whose random, vague, and brief psychic commands begin to test everyone's patience, as does the horde of monsters they flee from. However, have they been led into a trap by an enemy? The quirk here is if you read the actual 60's stories, Xavier really WAS rather vague and blunt with his orders, as Warren mocks here (after all, this was a Professor who preferred to have his students believe him dead than just say, "Look, I need to prep for fighting some aliens, leave me alone for a few months"). Parker has a knack for capturing that old school goodness, and considering his talent on AGENTS OF ATLAS and SPIDER-MAN & THE FANTASTIC FOUR, it is a shame he's not on bigger books; he'd have been a natural to write MTU if it was still around. It's more of the same here, you either get a kick of the simple, stress X-antics with half the angst, or you find it pointless. I'm in the former category. Now that Parker has 12 issues of an ongoing to play with, I wonder where he will take the book, and this looks like the first "arc" to find out. It also is the first in a while without a team-up.

ALL-NEW OFFICIAL HANDBOOK TO THE MARVEL UNIVERSE A-Z UPDATE #3: Just started it, but it is what it is. Good to see Namor and Juggernaut get longer Bio's than they got 2-3 years ago. I also enjoyed the Acts of Vengeance profile that factually states how dramatically out of character some of the pro-SHRA heroes were when you consider their opinions about a law that was almost exactly the same about 15 years earlier that the MU tried passing. I always love in how commenting on connections or smoothing other continuity glitches, you can always read between the lines to see when errs were made. :whatever:
 
INVINCIBLE #44: Some of the letters Kirkman gets, however, are mind-boggling in how naive they are. One writer actually CRITICIZED Kirkman for being "tacky" with the $1.99 issue two months ago. Dude, are you ******ed!? INVINCIBLE is an Image book, which owns less than 5% of the market share; they're outsold by DARK HORSE. It sells within the Top 130's-150's of the Top 200, which may be fine for Image, but isn't even a glimmer in the eyes of Quesada or DiDio. How the hell can anyone blame Kirkman for what he does to promote his flagship solo effort? Hell, I'd even accept a hologram cover. And last month we had a writer who claimed Invincible would sell better if Kirkman "didn't take the Lord's name in vain" in dialogue. Considering how many people in the actual industry seem to fail to "get it", sometimes these letters almost shock me by how ignorant some fans are. Ironic, huh, that I post on the Internet yet need a letters page to make me realize that sometimes. Least Kirkman has noted sales for the book slowly improving, least in it's own respect. In some alternate reality, this book sells over 100k and is in the Top 10 like it deserves, and that is a reality I'd like to visit.

Aw, I think those letters are funny. Kirkman must think so, too considering they're, you know...printed in his book. :up:

AMAZING SPIDER-MAN #542: I do question the idea that is hinted that Kingpin hasn't been so publically defeated before. Really? DD's put him through Hell's Kitchen a few times. Sammy Silke got him shot a buncha times, and so did Echo (one bullet to the head even blinded Fisk for a while). If anything, what adds to Kingpin's rep is not him being "untouchable", but the fact that so many metahuman vigilantes can beat the snot out of him and the fat bastard keeps coming back.

There's a world of difference between being publicly beaten in Hell's Kitchen, and getting a prison beatdown in front of all of your prisonery peers. That's outright humiliation, dude. Especially when the Kingpin literally invited Peter to show, thinking he would be the one doing the beating.

He's been beaten before, but not like that.
 
Is it just me or is Tony Stark, like, gay for Thor? First the Thor clone, now weather-controlling satellites? I'm half-expecting JMS to have Stark accuse Thor of never taking him out or saying he's pretty anymore. :dry:
 
He hasn't, and he doesn't.

JMS accused Thor of being gay in ASM:inlove:

and it was cute and funny too:inlove:

No I did not just say cute. You guys are gay.
 
Is it just me or is Tony Stark, like, gay for Thor? First the Thor clone, now weather-controlling satellites? I'm half-expecting JMS to have Stark accuse Thor of never taking him out or saying he's pretty anymore. :dry:


Resisting the urge to make a "I wish I knew how to quit you" gag.
 
He hasn't, and he doesn't.

JMS accused Thor of being gay in ASM:inlove:

and it was cute and funny too:inlove:

No I did not just say cute. You guys are gay.
He accused Thor of reading some effeminate magazine. He implied Thor was gay. :o
 
Is it just me or is Tony Stark, like, gay for Thor? First the Thor clone, now weather-controlling satellites? I'm half-expecting JMS to have Stark accuse Thor of never taking him out or saying he's pretty anymore. :dry:


"Umm... Why does Stark have a folded up picture of he and Thor in the old days in his wallet?"

"Looks cut actually, you can see the arm of Cap in there."
 

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