Breaking Bad

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GIVE AaRON PAUL THE EMMY NOW!!!

I agree. He just won the Emmy with that performance IMO.

Another awesome episode and things are really starting to heat up. Cannot wait for next Sunday!
 
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Walt was a total ******* to Jesse. He didnt even try to bring up the logistics of killing Gus, ala gotta kill him before he gets rid of the both of them. No, he went straight to manipulating him.

Hank was at his most awesome at the end there. That look he gave after his presentation was priceless.
 
This show never dissapoints. I can't believe this is the same Walt that had his pants hanging out of a winnebago.
 
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Hmmm...something about this screenshot reminds me of something.

Maybe it reminds you of something too?
 
Did anyone else see the tapes in Saul's safe? My bet is that he's recording his conversations with both Walt and Jesse.
 
Anyone listen to the Breaking Bad podcast? It's pretty cool. Sound quality is **** though.
 
Not really a podcast person, but this and LOST's podcasts are/were so worth it. If you're using itunes, go to 'get info' and raise the file's volume up to the highest. It helps.

Lots of great info, love how they've been using a Canon 7D more often for small, fast shots. It's great to hear Vince and the editors, Dixon is awesome, discuss the process and musical selections.
 
Did anyone else see the tapes in Saul's safe? My bet is that he's recording his conversations with both Walt and Jesse.

doubtful, seeing that as shady as saul is, the one thing he does seem to value is attorney-client privileges.
 
Man, this episode was brilliant.

We know that when he told Jesse that he saw something in him, [BLACKOUT] he was comparing him to himself. Damn.[/BLACKOUT]

[BLACKOUT]Also, it's pretty obvious that Gus was the one who tipped off Hank about the brothers and gave the order to have the other nephew finished off. It was revenge for Tio Salamanca killing Gus' brother.[/BLACKOUT]

[BLACKOUT]Is it just me, or does anyone else now sort of like Gus' character, or at least have a better understanding of his motivations, especially after those last 10 minutes?[/BLACKOUT]

Also, it seems like Saul has a bit of a heart after all. :woot:
 
I don't think it was his brother. It was heavily implied by Hector's comment, and the words spoken - somethings were lost in translation - especially when he was pleading for Gus' life; he was saying that the Gus was more than just his partner. Which makes his story even more tragic. Never would have thought I'd be sympathizing with Gus, damn, these writers are good.
 
I don't think it was his brother. It was heavily implied by Hector's comment, and the words spoken - somethings were lost in translation - especially when he was pleading for Gus' life;

Yeah, I didn't mean his literal "brother". I figured it was more of a term of endearment than anything else.

Never would have thought I'd be sympathizing with Gus, damn, these writers are good.

I know. Last week, I was rooting for Hank to catch Gus, and now I kind of sympathize for him a bit. This show definitely isn't biased for any particular character or takes sides. It gives you both sides of the story.

Also, did anyone notice the parallel at the very beginning between Walt putting on the medical gown at the hospital and Walt putting on the equipment at the meth lab? Even the way both of those were shot, with Walt facing the camera right in the middle of the frame, was almost identical. I'm sure that was intentional. :cwink:
 
what an episode...wow.

gotta be a top 5 episode in the series, imo (still think half measures is #1). breaking bad is quickly cementing itself as arguably the best tv show on air today, and possible ever.

as great as the episode was, the plot in the present time wasn't furthered too much; it looks like things will be getting underway next week. i can only imagine how big a bang this season is going to end in.
 
Is it just me, or does anyone else now sort of like Gus' character?

I've always loved Gus. Definitely not in a "Man, what a bro. I bet he would be fun to hang out with." kind of way, but more in a Bill the Butcher-ish "That guy is such a ****ing awesome character." kind of way.

Also did anyone notice that Walt is developing the same nervous finger tapping that Gus had in that one scene?
 
Another amazing episode. This season just keeps getting better.
 
I like the choice of Stephen Bauer for Don Eladio.

The scenes with Gus and Hector were powerful. Especially knowing what he did to Gus.

I really want to know who Gus used to be in Chile. He mustve been someone important for Eladio to spare his life.

Did anyone else think that Max bore a resemblance to Gale?
 
Another week, another brilliant episode of Breaking Bad. When it seemed like Gus was getting more screentime, and we'd be seeing a vulnerable side, I was a bit worried. Flashes of similar mystique-crushing villain origins like the Star Wars prequels and Hannibal Rising sprang to mind. But the execution of it was brilliant. After being so powerful an off-screen presence for much of this season, Giancarlo Esposito really got to flex his acting muscles in a powerhouse performance this week.

Yes, this encouraged more sympathy for him. But though he's long been a scary character, I don't think he's ever been a downright hateable character. Gus has always come across as someone who is fair and does what's right for business, ruthlessly so. And as such, it was only the impulsive actions of Walt and Jesse that put them on his hitlist, and only our emotional connection to them that really set us against Gus as viewers.

But once again, Walt to me feels like the destructive influence ruining everything for everybody. I'd say Jesse would be better off ditching Walt and pairing with the more stable, even supportive Gus than endure Walt's self-centred belittling, but Gus may very well now be a sinking ship.

How crazy was that whole scene with Hank and Walt bugging the car at Los Pollos Hermanos? I don't think a single week of this season has passed without me shouting "Oh, F**K!" at the screen at least once, but during that sequence I found myself shouting it several times. The kind of agonisingly tense set-piece Breaking Bad has mastered.

I've seen a lot of people grumbling about this season elsewhere, saying it's too slow or boring, but I think they're missing the point. After the adrenaline-rush of the abridged first season, and the meticulous plotting of the second season, Season 3 was to me a transitional season, where you could feel a tangible sense of Vince Gilligan and co expanding the scope and gravitas of the show to make it not just the best show on TV, but a serious challenger to become a contemporary to all-time greats like The Sopranos and The Wire. Thus far, I see Season 4 as the culmination of that potential. Each week, we are being treated to something with the kind of depth and intricacy not quite like anything else we've encountered on television before. I don't think we're going to get the full scope of Gilligan's achievement with Breaking Bad until the whole series has finished. But for now, I'll say Season 4 is quite possibly emerging as the best season yet.
 
Damn, these past few episodes have been excellent, giving me some great moments of shock and awe, and today, empathy for the devil -Gus himself.
:wow: :woot:

I don't think it was his brother. It was heavily implied by Hector's comment, and the words spoken - somethings were lost in translation - especially when he was pleading for Gus' life; he was saying that the Gus was more than just his partner. Which makes his story even more tragic. Never would have thought I'd be sympathizing with Gus, damn, these writers are good.

Hermano Max, desperately realizing that death was imminent and no forgiveness granted, says, "El es mi compañero, yo lo necesito, el es mi compañero, por favor--" BLAM!
Translated, "He is my companion (partner), I need him, he is my companion, please." If it was business partner, I think he would have used the word socio, which means business partner. I took "compañero" to mean sentimental partner in the urgency of his last pleas.

Maximino Arsiniega I believe his name was, for whom the chemistry scholarship was named at UNM, and in this way providing an explanation for how Gus and Gale initially met. I love how they keep expanding the background of these characters. And Tio Salamanca keeps demonstrating what a piece of **** he truly was before bound to that chair. I almost enjoyed watching him cry as Gus kept taunting him. Oh what the hell, I enjoyed it immensely. :twisted: Such a twisted couple of scenes. Sangre por Sangre.

So who is Gus that he was not killed and was able to create his own empire and stake his territory in New Mexico? I cannot wait for next week.


Yeah, I didn't mean his literal "brother". I figured it was more of a term of endearment than anything else.



I know. Last week, I was rooting for Hank to catch Gus, and now I kind of sympathize for him a bit. This show definitely isn't biased for any particular character or takes sides. It gives you both sides of the story.

Also, did anyone notice the parallel at the very beginning between Walt putting on the medical gown at the hospital and Walt putting on the equipment at the meth lab? Even the way both of those were shot, with Walt facing the camera right in the middle of the frame, was almost identical. I'm sure that was intentional. :cwink:

And this is great commentary on those scenes, and why I love reading the comments on the episodes, as they point out stuff I missed the first time around. I guess it's their visual way of conveying the themes expressed by Walt -at the hospital, in his gown, despite what Walt believes, he is not in control of what the result of his tests will be, at the mercy of inevitable death by fate. At "work," Walt is taking charge, taking back the control of his life and flipping off destiny, and death will come as a result of his own actions, it seems.

Favorite scenes:

-Mike pulling up right next to Hank and Walt as Hank goads his brother-in-law to put that GPS underneath the car. And Hank's WTF face when Walt kneels before the car a second time coming out the restaurant.
-Gus and Walt at the register. "I...I...I didn't do it. See? I didn't do it."
"Good. Do it.....DO it."
-Gus did kick the ass of those DEA agents, in his own Gus way.
-Gus taunting Salamanca in those two visits.

I wanna what happens next now.:eek:
 
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I also wanted to point out the great use of the parallel shot of Walt donning his hospital gown and Walt donning his lab suit. I've already read numerous interpretations of this sequence, but to me, it is to highlight the BS Walt is spouting. He talks about being in control of his own life, about taking control, then him going to work, observed by cameras, under Gus' thumb, shows how little control he really has. Whether it's donning a hospital gown to check for cancer or donning the lab suit to work for Gus, it's a date with the inevitable, his fate taken out of his hands, a hammer waiting to fall on him.
 
I'm pretty sure Walt lied about being in remission. I think the cancer is back, and he doesn't have much time left.
 
I'm pretty sure Walt lied about being in remission. I think the cancer is back, and he doesn't have much time left.

This is pure speculation, but I think the end of Walt will be the cancer. I think it would be the perfect final cruel twist of fate if, at the end of everything, he's eliminated Gus, neutralised the cartel, got Hank off his trail, done everything he needed to do to get himself into the position he's supposedly wanted all along, the one he's been overthinking himself out of for the past couple of seasons - being able to make a fortune cooking meth like it was a legitimate business, with no violence or unwanted interruptions. After all this time of tumultuous transition and unbearable, life-in-danger uncertainty, he's finally in the place he wants to be - on top of everything, the mighty Heisenberg. And then the cancer suddenly comes back with a vengeance and strikes him dead.
 
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