• The upgrade to XenForo 2.3.7 has now been completed. Please report any issues to our administrators.

Damien Chazelle's "La La Land" (Ryan Gosling and Emma Stone?)

I think it looks magic, but it will be a down the middle movie I reckon.

You know the more I think about it, you might be right. I'm sincerely hoping this is great. I loved Whiplash, but I'm afraid this could be like a student film. Those beautiful shots I see could either be part of context that's wonderful or something that's self indulgent. Plus, this is his second film and he has more power and isn't as restricted. We'll get another sense of the type of filmmaker Chazelle is. This could kind of like his Magnolia. Not a bad movie, just nowhere near as good as Boogie Nights and feels full of itself at times.
 
You know the more I think about it, you might be right. I'm sincerely hoping this is great. I loved Whiplash, but I'm afraid this could be like a student film. Those beautiful shots I see could either be part of context that's wonderful or something that's self indulgent. Plus, this is his second film and he has more power and isn't as restricted. We'll get another sense of the type of filmmaker Chazelle is. This could kind of like his Magnolia. Not a bad movie, just nowhere near as good as Boogie Nights and feels full of itself at times.

That's part of the beauty and haunting nature of the portrayal. One of the few depictions outside of Bret Easton Ellis' work and some others that rings true about LA.

Here's one of the best quotes about LA:

“Everything in Los Angeles is too large, too loud and usually banal in concept… The plastic butthole of the world.”
-William Faulkner

Depicting LA regularly just doesn't do it justice. The feel of the city isn't normal. It's a weird surrealistic landscape that sometimes can turn into a nightmare refraction of Alice's Wonderland. Basically, self-indulgence and Los Angeles go hand in hand. Self-indulgence is what makes Los Angeles Los Angeles. That's why it has the bad rep that it does. This film, it seems like, is having beauty on the surface layer and angst underneath. That's Los Angeles personified. It's one of those "necessary evils" of being in the film industry since it's located there - basically this seems to represent the LA that I know perfectly.

Or, in order to capture the feel and tone of the city it needs to be self-indulgent which the presentation here seems to wonderfully/hauntingly be. The more self-indulgent it is, the truer it is in this case lol. The city is truly like living in a neon color David Lynch realm where reality doesn't match up with the surroundings in a very melancholy way. The highs are very high and the lows are very low and the in-betweens are a haze due to the landscape and people. The juxtaposition in the trailers is perfection.

I think in terms of that it might divide people, because the trailers feel very haunting and true to me from having lived through it. The clash of the tones may confuse general audiences because from the plot synopsis and what's going on underneath the glitz and glamour surface layer of the trailer - it doesn't seem like it will be a happy film at all or at least for the majority of it, rather the opposite of the surface layer - melancholic. That might rub some the wrong way and have others go crazy over it. It's hard to describe other than saying that self-indulgence is a big part of it's character and has a big part in the role the city plays on the lives of those who live there.
 
Last edited:
You know the more I think about it, you might be right. I'm sincerely hoping this is great. I loved Whiplash, but I'm afraid this could be like a student film. Those beautiful shots I see could either be part of context that's wonderful or something that's self indulgent. Plus, this is his second film and he has more power and isn't as restricted. We'll get another sense of the type of filmmaker Chazelle is. This could kind of like his Magnolia. Not a bad movie, just nowhere near as good as Boogie Nights and feels full of itself at times.

Actually this is his third feature film and his second musical.
 
That's part of the beauty and haunting nature of the portrayal. One of the few depictions outside of Bret Easton Ellis' work and some others that rings true about LA.

Here's one of the best quotes about LA:

“Everything in Los Angeles is too large, too loud and usually banal in concept… The plastic butthole of the world.”
-William Faulkner

Depicting LA regularly just doesn't do it justice. The feel of the city isn't normal. It's a weird surrealistic landscape that sometimes can turn into a nightmare refraction of Alice's Wonderland. Basically, self-indulgence and Los Angeles go hand in hand. Self-indulgence is what makes Los Angeles Los Angeles. That's why it has the bad rep that it does. This film, it seems like, is having beauty on the surface layer and angst underneath. That's Los Angeles personified. It's one of those "necessary evils" of being in the film industry since it's located there - basically this seems to represent the LA that I know perfectly.

Or, in order to capture the feel and tone of the city it needs to be self-indulgent which the presentation here seems to wonderfully/hauntingly be. The more self-indulgent it is, the truer it is in this case lol. The city is truly like living in a neon color David Lynch realm where reality doesn't match up with the surroundings in a very melancholy way. The highs are very high and the lows are very low and the in-betweens are a haze due to the landscape and people. The juxtaposition in the trailers is perfection.

I think in terms of that it might divide people, because the trailers feel very haunting and true to me from having lived through it. The clash of the tones may confuse general audiences because from the plot synopsis and what's going on underneath the glitz and glamour surface layer of the trailer - it doesn't seem like it will be a happy film at all or at least for the majority of it, rather the opposite of the surface layer - melancholic. That might rub some the wrong way and have others go crazy over it. It's hard to describe other than saying that self-indulgence is a big part of it's character and has a big part in the role the city plays on the lives of those who live there.

Okay that's all well in good, but we have to see how it's executed. I'm not saying executing self indulgence within the narrative, I'm just saying self indulgent filmmaking.

Actually this is his third feature film and his second musical.

*Plinkett voice*

Oh...
 
Okay that's all well in good, but we have to see how it's executed. I'm not saying executing self indulgence within the narrative, I'm just saying self indulgent filmmaking.



*Plinkett voice*

Oh...

The narrative shouldn't be self indulgent. The characters should be mostly subtle, their story very emotional and not overplayed. The mise en scene should be self indulgent as hell. Everything but the characters should feel over the top. Like regular, struggling people tossed into Wonderland than enacts and interacts with them. Basically costuming, sound design, graphic design, lighting, music, etc. should be rreeaaallllyy over the top. Like an acid drug trip overlaying a more subtle character piece. If they pull that off, which it looks like they'll have captured LA. It's one of the haunting aspects of LA.
 
Last edited:
Geez... I'm afraid what'll happen to you if this movie doesn't live up to any of that.
 
Geez... I'm afraid what'll happen to you if this movie doesn't live up to any of that.

Whiplash was amazing. I related a lot to the protagonist who I'm guessing is a lot like the personality of the filmmaker, so I really trust him to follow through with this. That film was a home run. My only fear is it might hit too close to home (making it a hard watch). Both trailers portray that duality brilliantly, so if that's anything to go off of I'd say they're there.
 
Reviews so far aren't just good, they are amazing.
So far on Rotten Tomatoes it's 100% after 7 reviews (4 from top critics), but its average rating is 9/10.
I really want to see this but December is so far away.
 
Just from watching a teaser trailer, it's easy to feel confident that this will win OscarS.
 
Just
from watching a teaser trailer, it's easy to feel confident that this will win OscarS.

I think this will be at the very least heavily nominated. I could easily see it being nominated for (not counting the technical award stuff)

Costume Design
Music (original score)
Writing (original screenplay)
Best Actress
Best Director
Best Picture
 
Thrilled with the early word so far.

Please. Please let the good reviews keep rolling. We need this.
 
There's a reason why it's playing at Venice, TIFF and possibly Telluride as well. It's good,really good in fact, don't worry man.
 
I have a feeling fall/winter is gonna make up for the summer. Hell, even blockbuster wise - Dr. Strange, Rogue One, A Monster Calls, Home of Peculiars, Magnificent Seven. Then even The Accountant to wash the new Jason Bourne away. Not to mention the more classic award type films hitting theaters. Just seems like fall/winter's gonna make up for it.
 
Has been a while since I saw a movie getting this kind of praise. If Loving and Fences aren't very good, Emma may get that Best Actress win
 
So the movie starts with 100% on RT from 11 reviews...good.

Ever since the first teaser this became my most anticipated film.
 
It's getting rave reviews too... This'll be a good one to watch.
 
Was hoping this would get good reviews but with the talent behind this I shouldn't have worried.
 
It sounds like it's hers to lose at this point.
 
http://bit.ly/2damkGS

“La La Land’s” musical debut has been delayed by a week.


Damien Chazelle’s romantic drama, starring Emma Stone and Ryan Gosling, will open in limited release on Dec. 9 — seven days after its previously scheduled launch. The wide release date remains Dec. 16.
 

Users who are viewing this thread

Back
Top
monitoring_string = "afb8e5d7348ab9e99f73cba908f10802"