So tempted to give this is a 10/10. Seeing this again this Tuesday, but in "IMAX."
I just want one alternate ending on the blu-ray where Mia asks Seb why he never wrote her and that she waited 5 years for him but now it's too late.
*cues piano music* "It's not over..."
I had a feeling that I wouldnt care for this film and unfortunately I was correct.
Elayis... you are entitled to your opinions, but every single time I see one of your posts it's you going against the grain. It's almost the theme of your account![]()
Please tell me TDK isn't the lat popular movie that you liked.I'm not doing it on purpose.It'd be nice to share everyone's enthusiasm and enjoyment when it comes to movies, but I'm a writer & reviewer so when it comes to scripts I'm really picky.
It's nice when I can actually get behind something that's popular (like The Dark Knight), but it doesn't happen too often. I just happen to lean contrarian, although I don't do it just for the sake of it.
I thought it was fine, but it's nothing outstanding...gave it 7/10 and didn't even like it as much as Hidden Figures. I thought that the most moving part was the epilogue which was very, very manipulative. You could stick sequence like this in a lot of films to elicit audience's reaction. It's a well made movie but I won't remember much about it in a few days, the last truly amazing film I've seen was Fury Road 18 months ago and I still remember it vividly
The thing is, to me it felt so right in La La Land- especially the way it incorporated the key musical themes into that suite and how it was brought to life visually. The movie used the musical genre and how emotionally exaggerated and hyper-stylized it can be to its advantage in the way any filmmaker uses tropes of the given genre they're working in. Given that the whole theme of the movie is the push and pull between love and achieving your dreams, it felt like a natural culmination for the movie rather than something that was just being put in to get a cheap reaction.
For me, the finale is where the movie jumped from a very well-made, engaging film to potential classic that I expect to see plenty of more times in the years to come.
The thing is, to me it felt so right in La La Land- especially the way it incorporated the key musical themes into that suite and how it was brought to life visually. The movie used the musical genre and how emotionally exaggerated and hyper-stylized it can be to its advantage in the way any filmmaker uses tropes of the given genre they're working in. Given that the whole theme of the movie is the push and pull between love and achieving your dreams, it felt like a natural culmination for the movie rather than something that was just being put in to get a cheap reaction.
For me, the finale is where the movie jumped from a very well-made, engaging film to potential classic that I expect to see plenty of more times in the years to come.
Agreed. I don't remember who said it but someone said in their review that the ending montage could have gone very, very wrong (because of the cheese factor) but the director pulled it off. I don't agree with harlequinade, you can't just shove this into a movie and make it work. It takes finesse from the director and engagement from the audience.
Having crossed £10m during its first week, La La Land continued to shine brightly at the UK box office.
Lionsgates awards contender fell only 23% (excluding previews) as it danced to a $5.44m (£4.37m) second weekend for $18.5m (£14.88m) to date, retaining the number one spot for the second straight week as it expanded to 674 sites.
With $5m (£4m) taken during its first Monday-Thursday period, there is no reason to doubt that La La Land will continue to draw big crowds midweek, meaning that it could hit £20m this coming weekend.
Sing will likely prevent it from a third straight week as the UKs number one, but it should still enjoy a steady hold.