Directors we need to see more of

DarkSovereignty

Ooga Chakka
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Does anybody have a small time directors, (either on the indy scene, theater, tv show or music video) they'd like to see break out and demonstrate their talent?

for me its Joe Hahn, yep, the turntablist from Linkin Park. The guys music videos (specifically new divide and breaking the habit) are simply awesome to watch. i love the guys visual eye and would definitely see a movie directed by him. Another director i'd like to see is Neil Gaiman, i know he's suppose to be making the transition from book to film eventually with "death: the high cost of living", but that seems to be going no where as of yet. So i really wish there was some concrete news about him directing a movie. so, thoughts?
 
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Steven Norrington and Alex Proyas.

Norrington is not someone who will ever win an Oscar, but what he does he does better than anyone else (except James Cameron) - badass, exciting action. It's a real shame that the comicbook movie explosion has only seen him work on one movie, the somewhat underrated LXG. Just imagine how great Deredevil, or Catwoman, could have been under his no-nonsense style. There are so many directors today who make action moies but cannot make exciting action scenes. Norrington is the real deal.

Alex Proyas was behind The Crow and Dark City, you might liken him to a cross between Tim Burton and the Wachowskis. But unlike Burton, he can tell a story, and unlike the Wachowskis, he can engage the emotions of the audience.
 
Not necessarily he needs to break out but I wish he'd make more movies: Terrence Malick and Michael Mann.
 
Terrence Mallick
Peter Chung
Chuck Jones
Richard Linklater
Richard Stanley
Katsuhiro Ôtomo
Sergio Corbucci
 
Kurt Wimmer... after Sphere, equilibirum, Thomas crown affair, Salt, and law abiding citizen... i cannot believe Ultraviolet was his fault.

and Len Wisemen... i love his cool and sleek style.
 
Neil Blomkamp. He was awesome before he did D9.
 
Winner.

Also:

John McTiernan.
I miss him.
Predator-Die Hard- The Hunt for Red October
Are just perfect. Not many directors can do three movies like that in a row. If only he didn't wire tap his wife.

Steve Wang- Director of Drive, The Guyver 1, and 2

John Hyams- His Universal Solider:Regeneration is maybe the best dtv movie ever made. He took the limitations of a low budget and made it work. He is also the son of Peter Hyams(2010, Timecop, Sound of Thunder) and I can honestly say after one movie he is already better than his dad.
 
I miss him.
Predator-Die Hard- The Hunt for Red October
Are just perfect. Not many directors can do three movies like that in a row. If only he didn't wire tap his wife.

I know. Maybe he can do a prison set movie starring Wesley Snipes? :woot:

John Hyams- His Universal Solider:Regeneration is maybe the best dtv movie ever made. He took the limitations of a low budget and made it work. He is also the son of Peter Hyams(2010, Timecop, Sound of Thunder) and I can honestly say after one movie he is already better than his dad.

Absolutely agreed here. He had no money, an abandoned factory, a couple of UFC fighters with no acting experience, a lead star who didn't want to do the film and only just managed to convince Dolph to do the film two days before filmming, yet somehow managed to make a pretty freakin' awesome and highly rewatchable film, pulled a good english speaking performance out of JCVD (Previously thought impossible), made me fear Dolph Lundgren and put together superbly coreographed realistic action with out any wires, computers or shaking cameras that managed to put Paul Geengrass, Christopher Nolan and Marc Foster to shame.
 
After the ending to Regeneration; I would kill for a sequel. I was really, really impressed. And the two leads are barely in the movie, and I was entertained from the first min to the last. I hope he gets to do some Hollywood productions. Think about what he could do with a big budget. Like Superman.

Steve Barron- Director of Teenage Mutant Ninja Turtles and Coneheads, and A-Ha's fantastic Take On Me video that won more awards than Thriller. He recently did this pilot. Which is really awesome.
 
****, totally forgot bout Shane Black. Read he was directing something with Gibson starring.
 
Steven Norrington and Alex Proyas.

Norrington is not someone who will ever win an Oscar, but what he does he does better than anyone else (except James Cameron) - badass, exciting action. It's a real shame that the comicbook movie explosion has only seen him work on one movie, the somewhat underrated LXG. Just imagine how great Deredevil, or Catwoman, could have been under his no-nonsense style. There are so many directors today who make action moies but cannot make exciting action scenes. Norrington is the real deal.

Alex Proyas was behind The Crow and Dark City, you might liken him to a cross between Tim Burton and the Wachowskis. But unlike Burton, he can tell a story, and unlike the Wachowskis, he can engage the emotions of the audience.

Didn't Stephen Norrington also do Blade, the film which arguably kick started comic book films?
 
Didn't John McTiernan briefly went to prison for something, and that's why we haven't heard much from him?
 
Steven Norrington and Alex Proyas.

Norrington is not someone who will ever win an Oscar, but what he does he does better than anyone else (except James Cameron) - badass, exciting action. It's a real shame that the comicbook movie explosion has only seen him work on one movie, the somewhat underrated LXG. Just imagine how great Deredevil, or Catwoman, could have been under his no-nonsense style. There are so many directors today who make action moies but cannot make exciting action scenes. Norrington is the real deal.

Alex Proyas was behind The Crow and Dark City, you might liken him to a cross between Tim Burton and the Wachowskis. But unlike Burton, he can tell a story, and unlike the Wachowskis, he can engage the emotions of the audience.

Agreed on these two. I enjoyed both of Norringtons Blade and LXG and while I didn't much care for Knowing I enjoyed Proyas's other films - The Crow, Dark City and I, Robot.

Others I'd like to see more by are..

Hughes Brothers
I haven't seen From Hell but I loved Book of Eli. I thought it was slick and looked great and the action was handled really well. I think we would get a good result if these guys took a stab at a Terminator film..

Alfonso Cuaron
Unfortunately I haven't got round to seeing Children of Men yet but his Prisoner of Azkaban remains the best Potter film yet IMO. Although I have enjoyed OOTP and HBP, I would have liked to see Cuaron stay on the films.

Duncan Jones
Moon is one of my favourite films of last year. It's great what he did with such a small budget. The practical effects rather than overuse of CGI look good and he got 2 great performances out of Sam Rockwell. I know he's got a couple films lined up but I'm looking forward to them.

Francis Lawrence
I know people are often dubious over music video directors but I think this guy has a really good visual style. While I didn't think I Am Legend was that great, I did enjoy the look and feel of it and I thought Constantine was fantastic (although I've never read the comics so I'm viewing it as a film and not adaptation). I'd like to keep seeing him do big action/blockbuster type films.. I'm probably gonna get shot down for this but I think he could do something interesting with Superman or Thundercats (if it got made live action) or perhaps something game based..

John McTiernan
Die Hard and Die Hard with A Vengeance are easily the best in the series and Last Action Hero is an underrated gem IMO. I would like to see McTiernan back at the helm of a Die Hard film... while I enjoyed Live Free or Die Hard, Wisemans style was too slick and 'modern' for a Die Hard film. Aside from having John McClane, it didn't really feel like a Die Hard film to me (16 Blocks felt more Die Hard IMO) Anyway.. get McTiernans '80's action' style back.

Chuck Russell
The Mask... Scorpion King... Ok, sure they're not the biggest and best films out there but I think he made two perfectly competant and enjoyable films (and I think the CGI in the Mask still holds up today although that is maybe due to it's cartoony nature as opposed to a realistic nature).

Don Bluth
An American Tale... Land Before Time... All Dogs Go To Heaven... These were some of my favourite childhood films and are easily better than what kids get today.. (Dreamworks I'm looking at you). Like Brad Birds Iron Giant, it's a shame Titan A.E came along in the declining 2D market because both were good films... I think Bluth has good storytelling ability... so even if he transitions to CGI animation, I'd like to see more from him. Personally though, I'd like to see him make another great 2D animated film and show people how it's really done.
 
Didn't John McTiernan briefly went to prison for something, and that's why we haven't heard much from him?
He did, about a year or two ago he was supposed to direct a movie starring Adrian Brody, that was pretty much The Transporter but with parkor action. Looks like the deal fell through.

Yeah, what ever happened to Chuck Russell? His name has been on a lot of movies, but nothing has really come together.
 
Kurt Wimmer... after Sphere, equilibirum, Thomas crown affair, Salt, and law abiding citizen... i cannot believe Ultraviolet was his fault.

If the directorial failings of David Goyer have taught us anything, not every writer should direct. Equilibrium was decent, but Ultraviolet was a remarkably awful film, that I doubt would have been that much better without the "alleged" studio influence.
 
Gotta back you guys up on the Universal Soldier Regeneration thing. One of the best DTV movies I've seen in a while, and I'm a big fan of DTV. You could see the skill of the director right there on the screen. He managed to tell a really great story with little more than an abandoned factory.
 
People have mentioned Shane Black and I've recently read a book called Tales from the Script" which featured Black's insights in the biz. BTW, it's a very good, honest book. get it.

Anyway, Shane dissapeared from the limelight for like..a decade. And the reason for that was because of his 'out of nowhere' fame starting with Lethal Weapon. Not only was he a nobody back then, he got a lot of money for being a nobody, and that rubbed some of members of the Hollywood community the wrong way.

I think the Academy of Arts and Science rejected him when he tried to become a member and for no reason. It was because he was 'that guy'. And at parties, people would be like "Oh..it's THAT guy".

So he got depressed and became a hermit for 8 years till he found the courage to make "Kiss Kiss Bang Bang"
 

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