Blitzkrieg Bop
Fight Owens Fight
- Joined
- Mar 28, 2009
- Messages
- 8,434
- Reaction score
- 134
- Points
- 73
I think it's a fair criticism that to say Django was underdeveloped, especially standing next to Schultz. However, I think we get to see enough of him for it not to be a total loss. The flashbacks with Broomhilda, his attack on the two Brittles, his talk with Schultz on the way to Candieland, and of course, the final scene really stood out for me the last time I watched it. Django is my favorite character of the movie, followed by Candie, then Schultz.
As for Schultz's death, I've got no problem with it. I've heard that "character is fate." Dr. King was a man who kept his cool but not when witnessing acts of violence or attempted violence towards slaves. Calvin was a real fraud of a man, adhering to projecting himself as an aristocrat. After snide comments back and forth to each other, Calvin threatens to have Broomhilda shot down if King wouldn't shake his hand. King ironically "breaks character", not Django who came close, but was "more used to Americans" which is what saves him.
I like that Django had to go on his own to save Broomhilda. Throughout the movie, King teaches him many things and Django had to prove that he learned from his mentor. I don't buy the criticism that King is really the hero of the movie or that the movie is about a white man's attempt to free himself of white guilt. Django had to play his part in he and King's charade and it's clear that no one, certainly not Candie, would listen to Django like they would to Schultz. Schultz knew that, Django knew that, and Quentin Tarantino knew that. Django plays his part like the stoic gunfighters of yesteryear, but when he's finally able to wipe out the rest of Candie's associates, the charisma comes through; from the lighting of the candle, to the tricks his horse does. I think Django is a character that makes you fill in the blanks.
EDIT: Saw this. http://www.amazon.com/Pulp-Fiction-...1368169415&sr=1-15&keywords=quentin+tarantino I want to check it out.
As for Schultz's death, I've got no problem with it. I've heard that "character is fate." Dr. King was a man who kept his cool but not when witnessing acts of violence or attempted violence towards slaves. Calvin was a real fraud of a man, adhering to projecting himself as an aristocrat. After snide comments back and forth to each other, Calvin threatens to have Broomhilda shot down if King wouldn't shake his hand. King ironically "breaks character", not Django who came close, but was "more used to Americans" which is what saves him.
I like that Django had to go on his own to save Broomhilda. Throughout the movie, King teaches him many things and Django had to prove that he learned from his mentor. I don't buy the criticism that King is really the hero of the movie or that the movie is about a white man's attempt to free himself of white guilt. Django had to play his part in he and King's charade and it's clear that no one, certainly not Candie, would listen to Django like they would to Schultz. Schultz knew that, Django knew that, and Quentin Tarantino knew that. Django plays his part like the stoic gunfighters of yesteryear, but when he's finally able to wipe out the rest of Candie's associates, the charisma comes through; from the lighting of the candle, to the tricks his horse does. I think Django is a character that makes you fill in the blanks.
EDIT: Saw this. http://www.amazon.com/Pulp-Fiction-...1368169415&sr=1-15&keywords=quentin+tarantino I want to check it out.
Last edited: