Spider-ManHero12
Web-Slinger
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I'm starting to that as well.
Something very interesting. The final swing in David Koepp's script was a POV shot.
EXT. OVER THE CITY -we swing through the sky, first-person Spidey-cam again, rushing past the buildings in great, graceful arcs.
SPIDER-MAN
But I can't. I will never forget these words: "With great power comes great responsibility."
Our gloved hand rises up into frame, shoots out a web, we swing off in another direction. It's exhilarating, dizzying, we see only the buildings racing by, but not ourselves.
SPIDER-MAN (V.O.) (cont'd)
Because I love her, she will never, ever know.
Up ahead, an enormous mirrored building looms up in front of us, maybe it's the one Saul Bass used in the opening of "North By Northwest."
SPIDER-MAN (V.O.) (cont'd)
This is my gift.
We're approaching the building fast, fast, we see ourselves now, our reflection, growing bigger, bigger, bigger, huge.
SPIDER-MAN (V.O.) (cont')
This is my curse.
We SPLAT up against the side of the mirrored building, and finally see ourselves as a figure, blood red and midnight blue just hanging there in the camera lens.
Sounds a lot like the POV shot in the trailer.

so, they are using the castaway ideas from the Raimi series?! haha
I know that Cameron came up with the concept of the spanky-shooters, but i think that was about it right?
I was just making a wee joke back there, haha, not trying to say the Raimi's were more original or whatever.

http://www.script-o-rama.com/movie_scripts/s/spider-man-scriptment.html
http://dantom.altervista.org/spider_ing_script.html - storyboards
A link in case you or anybody else wants to check it out again.![]()
t:http://www.script-o-rama.com/movie_scripts/s/spider-man-scriptment.html
http://dantom.altervista.org/spider_ing_script.html - storyboards
A link in case you or anybody else wants to check it out again.![]()
EDIT: not to mention, the suit looks very much like our good friend Spider-Man from 1977!
Its been quite a while since I've read Cameron's script, but if I recall correctly, he does go into detail describing the suit.How would you know that?
Glad they didn't head the P.O.V route with the final swing
Forget hate, watching the full figure swinging through Manhattan and viewing all poses and action is pure goldWhy not?
Not sure where this POV hate is coming from. It's better than just a camera that bobs up and down.
Forget hate, watching the full figure swinging through Manhattan and viewing all poses and action is pure gold
Agreed. For sake of the argument, lets say the POV shot weve seen IS the final swing. I can easily see a cool seamless transition from POV to 3rd person when we see the reflection in the window. The rest of the scene finishes in 3rd person.Yep. But it's even cooler when the point of view changes from first-person, to third-person.
I can't see (if there is a final swing) being entirely in first-person.