kewlmatto
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I have posted my ideas about this before (here). I've had it ticking away for some years and once wrote an outline to the story. I used to call it Batman: Entropy, then changed the title to Batman: Fear before finally settling on Fear the Batman.
My idea was to create a new Burton/Keaton Batman film that would sit within the other films. I don't want to use villains that were used later in the Schumacher films.
Posting Part 1 of the first draft - it is a little rough at this stage so apologies! Basically, number 1 - I want some feedback, and number 2 - I want to make sure I'll finish it this time around - posting it is more incentive to keep going.
Here's the skinny...
A third Burton/Keaton film
Fear the Batman
New characters: Scarecrow played by Jeff Goldblum, Black Mask played by Christopher Walken, Firefly (only a small role), Sasha Bordeaux played by Bridget Fonda, Lucius Fox (another small role)
Returning characters: Alfred, Max Shreck (as Black Mask), Gordon
Scenario: Batman has consumed Bruce's life, leaving his business world to crumble. Wayne Enterprises has employed Jonathan Crane to develop fear-inducing toxins for the military. Meanwhile Max Shreck from the previous film has survived to become Black Mask. Bruce is forced to take on a bodyguard (Sasha) by his board at Waynecorp. after several attacks on executives. Thematically, this would be about heat and fear, with Gotham sweltering in summer and Black Mask terrorising the city at the same time as Scarecrow.
This isn't yet in correct screenplay formatting, I know. I'm just doing the first draft in the style I'm most comfortable with. Here we go...
The Warner Bros. logo appears, engulfed in orange flames. The beginning of Danny Elfman’s score can be heard. We see a bat hanging from a tree, asleep. Its eyes open, it stirs, and takes flight. The camera follows it, panning around to show that it is near Wayne Manor, at dusk. The sky is an orange-red. The bat swoops down through thick tangled woods as the credits appear on the screen. The bat emerges from the woods, swoops down cliffs and into the harbor, racing across water. In the distance is Gotham City.
The credits read: Warner Bros. Presents, a Tim Burton film. Michael Keaton. Christopher Walken. Jeff Goldblum. Bridget Fonda. And Danny Glover.
The bat swoops up again as it gets closer to Gotham City. It weaves through a bridge, then into the sky, where we see the Bat Signal. The title of the film appears.
FEAR THE BATMAN.
The camera pans back to Gotham City. We see the tallest building, Wayne Tower, rise above the other skyscrapers. Batman stands on the iron crown of the building, using binoculars. He is watching the rooftop of another building with a listening device in his ear.
On the rooftop of the rundown building are three men in black masks. The masks are made from wood and have etchings similar to a samurai mask. They are kicking a man and dragging him onto a chair.
MASKED MAN 1: What do you know about the Timor Project?
MASKED MAN 2: Give us the access codes and we’ll let you live.
The man, African-American with white hair, struggles but says nothing.
MASKED MAN 1: No answer for us? Your mistake.
He pulls a gun out of his coat and points it at the man in the chair.
MASKED MAN 3: You gonna kill him before we get the codes?
MASKED MAN 1: Doesn’t matter. Black Mask said this was just meant to be a distraction.
MASKED MAN 2: A distraction. For who?
An explosion of white gas surrounds the men.
MASKED MAN 1: For him.
The shape of a large bat forms through the white mist. It is Batman, his cape fanning out with the wind. He breaks the arm of the man with the gun, takes the gun and uses the handle to hit the next man. The third man runs. Batman gets his grappling gun and shoots it at the man’s feet. He trips the man and drags him towards him. The masked man laughs hysterically. Batman pulls the wooden mask from the man’s face.
BATMAN: Who do you work for?
The man continues to laugh.
BATMAN: Who do you work for?
MASKED MAN 3: Hahahahaha….you think…I’ll tell you? Hahaha…you don’t frighten me…
Batman hits the man’s neck forcefully with his hand, knocking him out. He turns to the man on the floor.
BATMAN: You’re safe now. What did they want?
LUCIUS FOX: They wanted me to give you this…
Lucius hands Batman a worn leather mask. It is Catwoman’s. Tattered parchment is attached to it with a rusted safety pin. The writing on it appears to be in blood. It says “The past can be brutal. But the future’s a blast.”
Several blocks away, the Kane Bridge explodes. A large ball of fire rises from the suspension bridge. Sirens can be heard immediately. Batman fires his grappling hook towards the bridge. Maniacal laughter is heard as voiceover.
THE NEXT DAY – WAYNE INDUSTRIES
A copy of the Gotham Globe is thrown onto a desk. Its headline reads “Terrorist Attacks Kane Bridge”. Below is a sub-heading – “147 Dead – But where was Batman?”. The camera pans up. It is Lucius Fox, the man Batman saved last night. He sits in a chair in the Wayne Industries conference room. His face is swollen and his arm is in a sling. Seven board members and one empty chair surround him.
LUCIUS FOX: Before you all ask, I am fine. Don’t spare any thoughts for me…think about the poor souls on the bridge last night.
FEMALE BOARD MEMBER: Lucius, you look terrible. Shouldn’t you be talking to the police?
LUCIUS FOX: I already have. They have more pressing concerns now.
OLDER BOARD MEMBER: You should be resting at home, Lucius. You shouldn’t be here.
GEOFFREY TAN: He has more respect for this company than the man who owns it.
LUCIUS FOX: Now, Geoffrey…that’s not…
GEOFFREY TAN: It’s what we’re all thinking, Mr. Fox. You are the second Wayne Industries board member to be attacked in as many months. And Bruce Wayne – the man whose name is on the building – is too chicken to show himself at another board meeting.
LUCIUS FOX: I’m sure Mr. Wayne has his reasons.
FEMALE BOARD MEMBER: I’d like to hear them.
BRUCE WAYNE: Very well, Christine. I was at the Bridge site helping with the relief effort.
Bruce Wayne appears from the doorway. He takes a remote from the boardroom table and turns on a large television on the wall. GCN is showing footage of him talking with fire fighters.
LUCIUS FOX: Mr. Wayne.
BRUCE WAYNE: Mr. Fox. Shouldn’t you be resting?
LUCIUS FOX: My altercation last night is page seven material. We have more pressing issues.
BRUCE WAYNE: Admirable.
GEOFFREY TAN: Yes, Bruce, Lucius is admirable. He has put all of his energy into saving this company, which is more than I can say for you. Hasn’t it been a month since we last saw you?
BRUCE WAYNE: Seven weeks, actually.
GEOFFREY TAN: Ah, my mistake, seven weeks. Well Mr. Wayne, in those seven weeks you might be interested to know that our stock fell twelve per cent.
BRUCE WAYNE: I think…given recent events…attack on the city…now is not the best time to play power-struggle over share prices.
OLDER BOARD MEMBER: I agree.
BRUCE WAYNE: I have set up a fund for the victims of the bridge bombing. I’ve also told the media that the rest of the Wayne Industries board will be at Ground Zero to announce it in a half an hour.
Geoffrey stares at Bruce for a moment with an annoyed smirk.
GEOFFREY TAN: Of course.
BRUCE WAYNE: Gentlemen. Lady.
The board stand up and begin to leave. Many members glare at Wayne. The older board member and Lucius Fox smile. Soon only Lucius and Bruce remain in the room. There is silence for a moment.
BRUCE WAYNE: ….What happened, Lucius?
LUCIUS FOX: They wanted to know about the Timor Project.
BRUCE WAYNE: The same men that attacked Sarah Rhoden?
LUCIUS FOX: Same outfit, at least. Black masks.
BRUCE WAYNE: …If you want to…resign like Sarah did, Lucius…I understand. I will make sure you have a very generous retirement package.
LUCIUS FOX: It’s going to take more than three men in masks to scare me away, Mr. Wayne.
BRUCE WAYNE: I heard there were four.
LUCIUS FOX: The Batman. Wrong place at the right time. If he wasn’t looking out for me…maybe …maybe there wouldn’t have been so many deaths on that bridge.
Bruce pauses for a moment.
BRUCE WAYNE: I’m shutting down the Timor Project.
LUCIUS FOX: No you aren’t, Mr. Wayne.
BRUCE WAYNE: I’m sorry?
LUCIUS FOX: Damned if I’m going to let some thugs stop us from developing the most promising advancements in military technology for decades.
BRUCE WAYNE: Somebody's leaking information. It’s too dangerous.
LUCIUS FOX: Bruce, I don’t need to tell you how much this company needs a military contract, do I? You shut this down...we won’t last another year.
BRUCE WAYNE: I won’t have your life – the life of any employee – in jeopardy because of this.
LUCIUS FOX: …So you bring the deadline forward. Finish the project. Deliver it to the army. I won’t go for my evening walks in the meantime.
BRUCE WAYNE: This is Gotham City, Lucius. I don’t know if that’s going to be enough.
LUCIUS FOX: Very well. Round-the-clock security personnel for every board member and every employee on the project. I’ll make the arrangements.
BRUCE WAYNE: Bodyguards? Good idea.
LUCIUS FOX: Gotham’s billionaire playboy…it’s about time you had one anyway.
BRUCE WAYNE: Me? I don’t….no, I’m fine Lucius. Fine. Certainly not round-the-clock security.
There is a slight pause.
LUCIUS FOX: Why, you got something to hide, Mr. Wayne?
Bruce stares at Lucius for a moment.
BRUCE WAYNE: ‘Course not. Set up a meeting with Jonathan Crane for me.
Bruce opens the elevator, beginning to leave. He steps inside.
BRUCE WAYNE: Then take the rest of the day off.
LUCIUS FOX: You know I won’t do that.
The elevator doors shut.
GOTHAM STREETS – NIGHT.
The Batmobile roars through the city. We see Batman inside, driving. On the screen in the console is Gotham News Network.
FEMALE NEWS PRESENTER: In financial news, while Wayne Industries were first to lend a hand to the relief effort for the Kane Bridge Bombing, that couldn’t save them from a devastating day on the NASDAQ. Wayne Holdings fell a whopping thirty per cent since trading resumed. Sources say that failed and stagnating research projects are to blame for the company’s poor performance.
The news cuts to an economic expert.
ECONOMIST: If Wayne Industries continues its current trajectory and business operations, expect it to be insolvent by Christmas.
FEMALE NEWS PRESENTER: CFO Lucius Fox declined an interview. Back to you, Chris.
Batman scowls at the news and hits the screen, turning it off. It immediately turns on again. Alfred appears via videolink.
ALFRED: Master Wayne, it isn’t wise to burn the candle at both ends, as they say.
BATMAN: I need to find him.
ALFRED: Black Mask? An urban legend.
BATMAN: No. I think he knows…about me. Wayne executives. Catwoman mask. It’s coordinated.
ALFRED: If that is so Master Wayne, I dare say your time would be best spent saving your company, your father’s legacy, and what is left of the Wayne name.
BATMAN: Soon. I have work to do.
Frustrated, Batman turns off the screen again. He takes a swift ninety-degree turn, taking him through a tight alleyway. He arrives at Ground Zero – the support towers for the Kane Bridge. The area is flooded with lights from firefighters and construction workers. Batman accelerates, plunging the Batmobile directly towards the emergency zone. The car hits the blockades, sending water and sand across the road. Emergency workers, police, media and firefighters scream and gasp in response. The Batmobile brakes at the base of the crumbled support tower. Batman reaches once again to the console and flicks a switch. An electromagnetic pulse is emitted from the car. The emergency floodlights, recording devices, streetlights and buildings surrounding the zone flicker, then fade. Danny Elfman’s Batman theme can be heard. Batman opens the hatch on the Batmobile and fires a grappling gun to the support tower, his cape flowing in the wind behind him. In the darkness, the people around the zone become increasingly chaotic, fearing another terrorist attack.
Batman reaches the top of the support tower, just below a section of road which remains charred after the explosion. He is hidden in the shadows, on scaffolding.
BATMAN: Shields.
A shot of the Batmobile. The shields cover the vehicle. Batman reaches for his utility belt. He gets infrared goggles, which he places over his eyes. He sees wiring which remains, clearly leading up to both sides of the bridge from the support tower. He follows the wiring down, into a crumbling section of the brickwork. He feels the support tower shake. A large rumbling noise follows. The tower has been unsafe since the explosion, leaving the crime scene untouched. Batman speeds up his actions. He finds the control panel for the bombs. It is small, containing several devices and a mess of wires. A third wire reaches out of the bottom of the panel, down the brickwork. A voice comes from the panel.
BLACK MASK: Don’t worry Batman, the fun’s not over yet. I left a present here for you.
The timer on the control panel turns on, with five seconds. Batman runs from the scaffolding and leaps into the air. The entire support tower explodes, a ball of fire reaching up into the sky. The small square of road which remains falls into the fire.
Batman is plummeting to the ground, knocked out from the explosion. Metres before he hits the rubble, a blaze of silver and red catches him and flies into the distance.
Blackout.
TBC
My idea was to create a new Burton/Keaton Batman film that would sit within the other films. I don't want to use villains that were used later in the Schumacher films.
Posting Part 1 of the first draft - it is a little rough at this stage so apologies! Basically, number 1 - I want some feedback, and number 2 - I want to make sure I'll finish it this time around - posting it is more incentive to keep going.
Here's the skinny...
A third Burton/Keaton film
Fear the Batman
New characters: Scarecrow played by Jeff Goldblum, Black Mask played by Christopher Walken, Firefly (only a small role), Sasha Bordeaux played by Bridget Fonda, Lucius Fox (another small role)
Returning characters: Alfred, Max Shreck (as Black Mask), Gordon
Scenario: Batman has consumed Bruce's life, leaving his business world to crumble. Wayne Enterprises has employed Jonathan Crane to develop fear-inducing toxins for the military. Meanwhile Max Shreck from the previous film has survived to become Black Mask. Bruce is forced to take on a bodyguard (Sasha) by his board at Waynecorp. after several attacks on executives. Thematically, this would be about heat and fear, with Gotham sweltering in summer and Black Mask terrorising the city at the same time as Scarecrow.
This isn't yet in correct screenplay formatting, I know. I'm just doing the first draft in the style I'm most comfortable with. Here we go...
FEAR THE BATMAN
The Warner Bros. logo appears, engulfed in orange flames. The beginning of Danny Elfman’s score can be heard. We see a bat hanging from a tree, asleep. Its eyes open, it stirs, and takes flight. The camera follows it, panning around to show that it is near Wayne Manor, at dusk. The sky is an orange-red. The bat swoops down through thick tangled woods as the credits appear on the screen. The bat emerges from the woods, swoops down cliffs and into the harbor, racing across water. In the distance is Gotham City.
The credits read: Warner Bros. Presents, a Tim Burton film. Michael Keaton. Christopher Walken. Jeff Goldblum. Bridget Fonda. And Danny Glover.
The bat swoops up again as it gets closer to Gotham City. It weaves through a bridge, then into the sky, where we see the Bat Signal. The title of the film appears.
FEAR THE BATMAN.
The camera pans back to Gotham City. We see the tallest building, Wayne Tower, rise above the other skyscrapers. Batman stands on the iron crown of the building, using binoculars. He is watching the rooftop of another building with a listening device in his ear.
On the rooftop of the rundown building are three men in black masks. The masks are made from wood and have etchings similar to a samurai mask. They are kicking a man and dragging him onto a chair.
MASKED MAN 1: What do you know about the Timor Project?
MASKED MAN 2: Give us the access codes and we’ll let you live.
The man, African-American with white hair, struggles but says nothing.
MASKED MAN 1: No answer for us? Your mistake.
He pulls a gun out of his coat and points it at the man in the chair.
MASKED MAN 3: You gonna kill him before we get the codes?
MASKED MAN 1: Doesn’t matter. Black Mask said this was just meant to be a distraction.
MASKED MAN 2: A distraction. For who?
An explosion of white gas surrounds the men.
MASKED MAN 1: For him.
The shape of a large bat forms through the white mist. It is Batman, his cape fanning out with the wind. He breaks the arm of the man with the gun, takes the gun and uses the handle to hit the next man. The third man runs. Batman gets his grappling gun and shoots it at the man’s feet. He trips the man and drags him towards him. The masked man laughs hysterically. Batman pulls the wooden mask from the man’s face.
BATMAN: Who do you work for?
The man continues to laugh.
BATMAN: Who do you work for?
MASKED MAN 3: Hahahahaha….you think…I’ll tell you? Hahaha…you don’t frighten me…
Batman hits the man’s neck forcefully with his hand, knocking him out. He turns to the man on the floor.
BATMAN: You’re safe now. What did they want?
LUCIUS FOX: They wanted me to give you this…
Lucius hands Batman a worn leather mask. It is Catwoman’s. Tattered parchment is attached to it with a rusted safety pin. The writing on it appears to be in blood. It says “The past can be brutal. But the future’s a blast.”
Several blocks away, the Kane Bridge explodes. A large ball of fire rises from the suspension bridge. Sirens can be heard immediately. Batman fires his grappling hook towards the bridge. Maniacal laughter is heard as voiceover.
THE NEXT DAY – WAYNE INDUSTRIES
A copy of the Gotham Globe is thrown onto a desk. Its headline reads “Terrorist Attacks Kane Bridge”. Below is a sub-heading – “147 Dead – But where was Batman?”. The camera pans up. It is Lucius Fox, the man Batman saved last night. He sits in a chair in the Wayne Industries conference room. His face is swollen and his arm is in a sling. Seven board members and one empty chair surround him.
LUCIUS FOX: Before you all ask, I am fine. Don’t spare any thoughts for me…think about the poor souls on the bridge last night.
FEMALE BOARD MEMBER: Lucius, you look terrible. Shouldn’t you be talking to the police?
LUCIUS FOX: I already have. They have more pressing concerns now.
OLDER BOARD MEMBER: You should be resting at home, Lucius. You shouldn’t be here.
GEOFFREY TAN: He has more respect for this company than the man who owns it.
LUCIUS FOX: Now, Geoffrey…that’s not…
GEOFFREY TAN: It’s what we’re all thinking, Mr. Fox. You are the second Wayne Industries board member to be attacked in as many months. And Bruce Wayne – the man whose name is on the building – is too chicken to show himself at another board meeting.
LUCIUS FOX: I’m sure Mr. Wayne has his reasons.
FEMALE BOARD MEMBER: I’d like to hear them.
BRUCE WAYNE: Very well, Christine. I was at the Bridge site helping with the relief effort.
Bruce Wayne appears from the doorway. He takes a remote from the boardroom table and turns on a large television on the wall. GCN is showing footage of him talking with fire fighters.
LUCIUS FOX: Mr. Wayne.
BRUCE WAYNE: Mr. Fox. Shouldn’t you be resting?
LUCIUS FOX: My altercation last night is page seven material. We have more pressing issues.
BRUCE WAYNE: Admirable.
GEOFFREY TAN: Yes, Bruce, Lucius is admirable. He has put all of his energy into saving this company, which is more than I can say for you. Hasn’t it been a month since we last saw you?
BRUCE WAYNE: Seven weeks, actually.
GEOFFREY TAN: Ah, my mistake, seven weeks. Well Mr. Wayne, in those seven weeks you might be interested to know that our stock fell twelve per cent.
BRUCE WAYNE: I think…given recent events…attack on the city…now is not the best time to play power-struggle over share prices.
OLDER BOARD MEMBER: I agree.
BRUCE WAYNE: I have set up a fund for the victims of the bridge bombing. I’ve also told the media that the rest of the Wayne Industries board will be at Ground Zero to announce it in a half an hour.
Geoffrey stares at Bruce for a moment with an annoyed smirk.
GEOFFREY TAN: Of course.
BRUCE WAYNE: Gentlemen. Lady.
The board stand up and begin to leave. Many members glare at Wayne. The older board member and Lucius Fox smile. Soon only Lucius and Bruce remain in the room. There is silence for a moment.
BRUCE WAYNE: ….What happened, Lucius?
LUCIUS FOX: They wanted to know about the Timor Project.
BRUCE WAYNE: The same men that attacked Sarah Rhoden?
LUCIUS FOX: Same outfit, at least. Black masks.
BRUCE WAYNE: …If you want to…resign like Sarah did, Lucius…I understand. I will make sure you have a very generous retirement package.
LUCIUS FOX: It’s going to take more than three men in masks to scare me away, Mr. Wayne.
BRUCE WAYNE: I heard there were four.
LUCIUS FOX: The Batman. Wrong place at the right time. If he wasn’t looking out for me…maybe …maybe there wouldn’t have been so many deaths on that bridge.
Bruce pauses for a moment.
BRUCE WAYNE: I’m shutting down the Timor Project.
LUCIUS FOX: No you aren’t, Mr. Wayne.
BRUCE WAYNE: I’m sorry?
LUCIUS FOX: Damned if I’m going to let some thugs stop us from developing the most promising advancements in military technology for decades.
BRUCE WAYNE: Somebody's leaking information. It’s too dangerous.
LUCIUS FOX: Bruce, I don’t need to tell you how much this company needs a military contract, do I? You shut this down...we won’t last another year.
BRUCE WAYNE: I won’t have your life – the life of any employee – in jeopardy because of this.
LUCIUS FOX: …So you bring the deadline forward. Finish the project. Deliver it to the army. I won’t go for my evening walks in the meantime.
BRUCE WAYNE: This is Gotham City, Lucius. I don’t know if that’s going to be enough.
LUCIUS FOX: Very well. Round-the-clock security personnel for every board member and every employee on the project. I’ll make the arrangements.
BRUCE WAYNE: Bodyguards? Good idea.
LUCIUS FOX: Gotham’s billionaire playboy…it’s about time you had one anyway.
BRUCE WAYNE: Me? I don’t….no, I’m fine Lucius. Fine. Certainly not round-the-clock security.
There is a slight pause.
LUCIUS FOX: Why, you got something to hide, Mr. Wayne?
Bruce stares at Lucius for a moment.
BRUCE WAYNE: ‘Course not. Set up a meeting with Jonathan Crane for me.
Bruce opens the elevator, beginning to leave. He steps inside.
BRUCE WAYNE: Then take the rest of the day off.
LUCIUS FOX: You know I won’t do that.
The elevator doors shut.
GOTHAM STREETS – NIGHT.
The Batmobile roars through the city. We see Batman inside, driving. On the screen in the console is Gotham News Network.
FEMALE NEWS PRESENTER: In financial news, while Wayne Industries were first to lend a hand to the relief effort for the Kane Bridge Bombing, that couldn’t save them from a devastating day on the NASDAQ. Wayne Holdings fell a whopping thirty per cent since trading resumed. Sources say that failed and stagnating research projects are to blame for the company’s poor performance.
The news cuts to an economic expert.
ECONOMIST: If Wayne Industries continues its current trajectory and business operations, expect it to be insolvent by Christmas.
FEMALE NEWS PRESENTER: CFO Lucius Fox declined an interview. Back to you, Chris.
Batman scowls at the news and hits the screen, turning it off. It immediately turns on again. Alfred appears via videolink.
ALFRED: Master Wayne, it isn’t wise to burn the candle at both ends, as they say.
BATMAN: I need to find him.
ALFRED: Black Mask? An urban legend.
BATMAN: No. I think he knows…about me. Wayne executives. Catwoman mask. It’s coordinated.
ALFRED: If that is so Master Wayne, I dare say your time would be best spent saving your company, your father’s legacy, and what is left of the Wayne name.
BATMAN: Soon. I have work to do.
Frustrated, Batman turns off the screen again. He takes a swift ninety-degree turn, taking him through a tight alleyway. He arrives at Ground Zero – the support towers for the Kane Bridge. The area is flooded with lights from firefighters and construction workers. Batman accelerates, plunging the Batmobile directly towards the emergency zone. The car hits the blockades, sending water and sand across the road. Emergency workers, police, media and firefighters scream and gasp in response. The Batmobile brakes at the base of the crumbled support tower. Batman reaches once again to the console and flicks a switch. An electromagnetic pulse is emitted from the car. The emergency floodlights, recording devices, streetlights and buildings surrounding the zone flicker, then fade. Danny Elfman’s Batman theme can be heard. Batman opens the hatch on the Batmobile and fires a grappling gun to the support tower, his cape flowing in the wind behind him. In the darkness, the people around the zone become increasingly chaotic, fearing another terrorist attack.
Batman reaches the top of the support tower, just below a section of road which remains charred after the explosion. He is hidden in the shadows, on scaffolding.
BATMAN: Shields.
A shot of the Batmobile. The shields cover the vehicle. Batman reaches for his utility belt. He gets infrared goggles, which he places over his eyes. He sees wiring which remains, clearly leading up to both sides of the bridge from the support tower. He follows the wiring down, into a crumbling section of the brickwork. He feels the support tower shake. A large rumbling noise follows. The tower has been unsafe since the explosion, leaving the crime scene untouched. Batman speeds up his actions. He finds the control panel for the bombs. It is small, containing several devices and a mess of wires. A third wire reaches out of the bottom of the panel, down the brickwork. A voice comes from the panel.
BLACK MASK: Don’t worry Batman, the fun’s not over yet. I left a present here for you.
The timer on the control panel turns on, with five seconds. Batman runs from the scaffolding and leaps into the air. The entire support tower explodes, a ball of fire reaching up into the sky. The small square of road which remains falls into the fire.
Batman is plummeting to the ground, knocked out from the explosion. Metres before he hits the rubble, a blaze of silver and red catches him and flies into the distance.
Blackout.
TBC
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