Blitzkrieg
Avenger
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http://variety.com/2017/film/in-contention/gary-oldman-darkest-hour-oscars-best-actor-1202545664/
http://www.awardsdaily.com/2017/09/01/telluride-review-darkest-hour/
.In Joe Wrights World War II drama Darkest Hour, which unspooled at the Telluride Film Festival Friday, Oldmans showcase might be his finest hour. He digs into the towering role with uncanny resolve, fearless under gobs of makeup, fully crafting not simply an impression of a man but the fiery soul of a character.
But this is Oldmans show. He simply owns the movie.
The best actor Oscar race hasnt caught fire at all yet this season. (Lead actress, conversely, is set to ignite at this very festival.) So consider Oldman the unequivocal frontrunner at the moment. Hes likely to remain that way, too, what with multiple Oscar-winning contenders like Daniel Day-Lewis, Tom Hanks and Denzel Washington not exactly starving for more Academy recognition. There will be others in the mix, certainly. But none is likely to match the bravado of whats on display here
http://www.awardsdaily.com/2017/09/01/telluride-review-darkest-hour/
There is no other way to watch Oldman than in near disbelief that anyone could bring Churchill back to life this convincingly. It will be difficult for any other actor to top Oldman this year.
But there is no doubt that Darkest Hour belongs to its lead. Oldman has every mannerism and inflection nailed down completely, yet he never loses focus on why we need yet another film about Churchill.
Its interesting that both Christopher Nolans Dunkirk and Wrights Darkest Hour swirl around a parallel chain of events. One could cut Dunkirk into the middle of Darkest Hour to frame the story of how 300,000 soldiers became stranded on those beaches.