Llama_Shepherd
Superhero
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Crisis was not based specifically on any comics, it took a fair amount from Earth 2, but nobody in the Justice League killed.
Sugar? Why you copping attitude? The times he's murdered people are in the comics that are no longer in canon arent they? Like you can reference them but that history isnt part of the current iteration of Batman's lore.You keep telling yourself that, sugar. I've seen otherwise, but it's clear that people are willing to ignore pieces of canon they don't like in order to support their shiny beliefs, so what else is there to say?
Because murder or execution is what the no kill policy is about. Can you point to specific moments where Batman faced a similar situation to Supes in MOS, because if he did and killed to protect people in imminent danger then thats not murder.And who was talking about murder, really? We were discussing Batman's no-kill policy. What he faces, and what Superman faced in MOS were two totally different situations -- and when push comes to shove, Batman has chosen death for certain individuals.
Well, it is the moral high ground that Batman, Superman, and other superheroes adhere to.And choosing not to kill is not necessarily the high ground here. How many people have been put at risk over and over because Batman doesn't put the Joker down when he has the chance? How many people have died, been injured or maimed because the Joker is alive?
If this is how you feel about Batman not killing, then I cant imagine how you feel about Superman who also refuses to murder and execute criminals as well. And unlike the criminals Batman routinely goes after, Superman's are threats on a galactic level.Hooray for Batman that he doesn't kill. Too bad for the hundreds of lives wrecked and destroyed because of his emo idiocy.
Superman and Batman both share that moral high ground though. They both refuse to murder criminals no matter how dangerous they are.FWIW, I do love Batman. But seriously...people are pitching fits because Superman killed, when Batman is just as responsible for bunches of lives being ruined, but he gets a pass because he doesn't kill? Feh, whatever. He doesn't get the moral high ground, no matter how awesome he (and others) thinks he is.
Unless we get a whole new Batman, like we got a whole new Superman for MOS. Which would make the most sense.
I don't give a fig if this version of Batman is the most established or well-known. Batman has killed. End of story.
I didn't say murder (although it's pretty much exactly that). What exactly would you call it then? I'm vastly interested to hear you justify those actions away in order to keep your Knight shiny and squeaky clean.
What Batman did was trick another man into doing something that HE KNEW would be dangerous. He let the man go through with the plan without telling him, "Hey, you're going to do this, and it will probably kill you. Just thought you'd like to know."
He did that in a calculating, cool manner, without apology. I would say that probably amounts to first degree murder right there. You don't have to pull the trigger to be guilty of murder. Some leeway can be granted, considering that the universe or whatever was about to be destroyed, and casualties in war and times of crisis are to be expected.
Still, it was a bastard move on the part of Batman.
My understanding is that the film is part of the continuity of this Batman. Which means the statement that Batman doesn't kill simply does not apply.
Besides, what's YOUR point? MOS set up a new universe, so it's likely that we'll get a different take on Batman, which renders your argument moot.
Careful there. Your intolerance is showing.
And yes, I would argue that Batman is justified to fight crime however he chooses to. If he wants to wear a fancy frock and glass slippers, more power to him. Who am I to judge what anyone wants to wear?
Besides, I love Sissy Maids, transgender, and cross-dressers, so that sort of thing is totally up my ally.
To be frank, the suggestion that a man wearing pink or lipstick is a horrible thing, is quite frankly, a little too close to bashing a vulnerable segment of society for my taste. Perhaps you didn't intend it to be a slur against someone, but you need to check yourself before you post that sort of thing.
Find a better argument. Preferably one that doesn't insult people.
No, what it would mean is that YOU wouldn't like it...but that doesn't mean that it's OOC or inaccurate. It just means that you have a closed mind and an inability to view the character in a different light.
It's an interesting debate, but the fact remains that it's in canon now that Batman has killed. Like it or not, it's there, it happened. You don't get to cherry-pick your canon based on what you like most and what you like least.
I mean, you totally can pick and choose your canon. It doesn't make you correct in your statements, however. You lose all credibility when you complain that the canon doesn't match with what you want. Sorry, thems the breaks of fandom. You take the bad with the good, and deal with it.
So, the point is:
Batman has killed, both in other worlds, and in this current world. To have Batman be able to be sympathetic with Clark's plight in MOS would not be wildly OOC. It would especially be fine if it was hammered home to Batman that Clark has no training in battle, that Clark was up against tremendous odds, and if he understands what a terrible toll it took on Clark to do such a thing.
Anyone with a heart would be able to grant Clark some compassion and leniency. So I'm hoping that the writers will spare us a "Batman lectures Clark about how killing is wrong", especially since we saw that Clark was devastated by what he had to do.
New Earth Batman (Year One - Flashpoint) had killed and tried to kill.
Not every instance of killing is out of character, because character needs to be established through precedent.
Otherwise, by the same argument, Batman was acting out of character (and has been) since gaining the "no-kill" rule.
The problem that I've noticed with quite a few MOS detractors (but certainly not all of them) is that they aren't judging the movie on its own merits, they're judging it on what THEY EXPECTED it to be. There is a lot of "I wanted to see this" or "this is not how I expect people to at." That's not evaluating the movie on its own merits, that's judging the movie on what you THOUGHT it should be.
If these 2 posts include me, let me say that I walked into the movie expecting what Snyder/Goyer promised in interviews, which was what was set up in act 1. Nothing more. No "Lois should have red head", no "Those kinds of scenes must be included". My "shoulds" stem from after I saw the movie thrice and I noticed what didn't click with me, mosty emotionally and thematically.I noticed the same. I've seen a lot of opinions and reviews with the word "should" in it. That just signifies walking in with a pre-determined notion.
I get what you're saying, I really do. But I just didn't see the realization of the whole "Good or bad, you're gonna change the world" angle, which directly implied and set up he'd have a dilemma between Zod and Earth. If the choice was whether he'd reveal himself to the world or not, then I missed it, the story does make sense (even though I'd argue it's still executed poorly) and I can safely say it's a very boring obstacle for the main hero, thus making MoS an uninteresting movie at its core, to me.We were told what the film would be about: Clark's choice. What kind of person would he be? How would he use his powers? We know Jonathan wanted him to keep everything secret, but for Clark to have a kind heart, and to not abuse his powers. Jor-El wanted Clark to be a leader of Men, and to be a bridge between humans and Kryptonians. Clark wanted to make a difference in people's lives, but he wasn't sure how to.
Now we see a melding of sorts of his parents' desires: He will help save the world, but on his terms -- and yet, he isn't trying to be a leader.
So at the end of the film, the theme of choice has been laid to rest. Now, the rest of the themes, hope and inspiration...those were not fully realized in this film....and really, those themes can be touched on, but never realized until it is the absolute 100% end for Superman. So I'm not fussed that we didn't see people inspired or being led around by Superman.
Yes, but:There's more reasons in this film for Clark and Lois to hook up than there ever was in the comic books, in my opinion. I never understood how Clark could stand Lois, who was too stupid to figure out who he was.
And best of all, this Lois knows Clark, knows who he is, and she likes ALL of him. There's no need for her to like Clark but love Superman. She cares about his entire being, and that is so, so fantastic.
You are right about one thing: We didn't get a full-blown Lois/Clark relationship. What we got instead was the foundation for something wonderful for them to build on, the tenuous strands of something bigger that would grow not just from lust, but from friendship and trust.
I find that to be far more sexy than randomly tossing them together as sex partners. I think my two favorite moments between them are when he's getting ready to be turned over to Zod, they hold hands, and of course, that moment in the subway where he's crumbling, and she holds him up and holds onto him while he quietly breaks apart.
I don't need them in bed together, or to go on dates to get how they feel about each other. This was more than enough to see how they are now, and how they could be in the future.
If these 2 posts include me, let me say that I walked into the movie expecting what Snyder/Goyer promised in interviews, which was what was set up in act 1. Nothing more. No "Lois should have red head", no "Those kinds of scenes must be included". My "shoulds" stem from after I saw the movie thrice and I noticed what didn't click with me, mosty emotionally and thematically.
Just a small interjection here, but how do y'all feel about the Supergirl story in SUPERMAN/BATMAN where it's more or less intimated that Batman was willing to kill everyone on APOKALIPS to fulfill the mission? It's often bandied about by BatFan's as this great moment in Batman's comic history. Myself? It felt cheap and out of character. The fine line between hardass and *****ehat is as hard to know as the line between love and nausea. (Props to you King Joffee!)
Just a small interjection here, but how do y'all feel about the Supergirl story in SUPERMAN/BATMAN where it's more or less intimated that Batman was willing to kill everyone on APOKALIPS to fulfill the mission? It's often bandied about by BatFan's as this great moment in Batman's comic history. Myself? It felt cheap and out of character. The fine line between hardass and *****ehat is as hard to know as the line between love and nausea. (Props to you King Joffee!)
As Marvin and MessiahDecoy123 have said, it was a bluff. No different than when he bluffs that he will drop a criminal from a big height if he doesn't cooperate. We as the readers know this is not the case but Gotham's criminals and Darkseid don't. Batman gets them to psychologically think that he would go that far and then uses that to his advantage.
That's part of why the Joker is Batman's archenemy. He is the only villain to call Batman out on bluffing whenever Batman threatens to kill him.
The thing is that so many relationships within the Batman mythos revolve entirely around Batman not killing. The most well known example is with the Joker. His entire reason for not killing the Joker is because if he can make an exception and justify one murder, he can do it again and again after that and so on. That would technically all fall apart if Batman makes an exception every once in a while. If he can do that, there is no reason why he can't make an exception for the Joker "every once in a while".
I bet R'as felt the same way when Bruce threatened him with death and stabbed him in the chest, or when he mortally wounded Ra's decaying body. Oh, and when Bruce burned his body, to prevent any resurrection. Or killed his father. Or waged a war with Talia that led to both the death of Ra's' daughter and grandson.Then there are character like Ra's. Batman and Ra's respect each other but they completely disagree on each other's methods. Ra's is committed to committing murder for the greater good whereas Batman is not. That's one of the major factors as to why they are on opposite sides. Sure that their antagonistic relationship will still kinda be there if they have Ra's kill all the time while Batman only kills occassionally, but I feel like that would weaken their thematic relationship overall. I could give more examples but you get my point.
Already in the first two sentences of your long post and your argument already falls apart. The Superman in MOS was heavily influenced by John Byrne's Superman, which is the Modern Age Superman. In the same way, the new Batman will most likely be heavily influenced on the Modern Age Batman much like most Batman products that have come out since the 1980's. It makes logical sense as well to base this Batman off the Modern Batman since that is the best Batman to play off this specific version of Superman.
I'm not talking about all versions of Batman. I am talking about this specific version of Batman. The Batman that first debuted in Year One and onward. For this specific version of Batman, it is taboo to kill more than it is to any other superhero.
....They are slowly drizzled into perfection overtime. This is especially true for Batman, who was originally a knockoff of the Shadow which is why he killed people for the first few comics.
If anything, Batman became a far more complex character due to the complexity that comes with his no-kill policy.
I never saw it as that. Remember that "I won't kill you but I don't have to save you" moment in Batman Begins? That's what I saw it as. He did not want Flash to die and then that other speedster volunteered. Instead of telling him the danger, he just went along with it. A bastard move? Indeed. However, Batman himself has always been a bit of a bastard. He beats criminals to a pulp, breaks and enters, and the list goes on. He only has one rule that he does not break, which is resorting to murder. The only thing stopping him from crossing that line and becoming a monster like the Punisher and the Joker is that one little rule.
Your understanding is wrong. It was not a story from the comics. It was not in continuity of the New Earth Batman. It was a recycled and rejected movie idea (keep that in mind) from the DCAU that had major changes done to the original version (it's practically not the same film anymore and not even the exact same characters). Such film does not by any means trump the last 30-40 years of comics that established Batman's morality in solid stone. It's like saying gravity doesn't exist because a random guy passing on the street said so (figuratively speaking).
My point is that MOS created a world that was heavily inspired by some of the most well known Superman comics. It was a faithful adaptation to the Modern Age Superman mythos. So it is likely Batman we'll get a similar treatment, which renders your argument moot.
Heck, the new Batman might be the most accurate representation of the Post-Crisis Batman so far on the big screen, for two reasons:
1) If they want to create a solid Superman/Batman dynamic, that is what they would logically go for since that is the version of Batman that fits best and plays best off this specific version of Superman (because that version of Batman exists in the same universe as the Superman they based the film on).
2) We have yet to get the Batman as we know him as a whole in a film. All other live-action versions so far have been radically different or exactly the same but watered down in their abilities. In order to keep things fresh and to make the audience like this new Batman as fast as possible since he is being introduced not too long after Nolan, that's probably the version they'll go for.
You're forgetting certain factors. Yes, there is nothing wrong with a man that does what I just described, but think about what that would mean for Batman - a character entirely designed on looking intimidating as if he was a monster dressed in colors that blend in the dark (which pink can't do). But for the sake of argument, I will find a better argument.
Remember One More Day? It is regarded as the worst Spider-Man story ever told and literally went against everything Spider-Man is all about. Everybody was out of character and nothing made any sense or matched up with the Spider-Man we've seen in that universe prior to the story.
Suppose that someone adapted OMD into a film after establishing a Spider-Man continuity where Spidey is the character that we know from the 616 comics. Would you argue that what they did is ok because OMD is a story from the comics? Even though it completely went against Peter's entire character and made no sense at all? Bad writing is bad writing. Pure and simple. If a writer goes against the essence of the character, that does not excuse other writers to completely break the rules of said character. It only means that writer does not understand the character. Mistakes are meant to be learned from, not repeated.
There is nothing wrong with different interpretations or bringing your own spin on things. However, when doing a story that takes place in the mainstream universe of a character or an adaptation based on the mainstream version of that same character, there are some basic rules that have to be followed that are not left up to interpretation. When doing a story that takes place in the mainstream DC universe or is an adaptation based on the mainstream version of Batman, you cannot have Batman killing. Any cases of him killing in such particular story is simply inconsistent and inaccurate writing. You have to stay true to the ground rules that you've established in a universe or that have already been established for you (depending on whether or not you created the universe at hand or continued it from the previous writer).
I feel dumb that I never looked at The Killing Joke this way...
http://badassdigest.com/2013/08/16/did-batman-kill-the-joker-at-the-end-of-the-killing-joke/
http://www.bleedingcool.com/2013/08...ing-joke-grant-morrison-talks-to-kevin-smith/
Are you talking about how you never viewed the book as misogynistic, or the idea that Batman killed Joker, or both?![]()
Because I'm more repulsed by the crass handling of Barbara's paralysis than Batman's manpain from killing Joker.