TheCorpulent1
SHAZAM!
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Aristotle filters everything through his "Marvel sucks at everything" lenses.
Batman R.I.P. is pretty obviously not going to kill Batman, and therefore not going to have his sidekick take over for him. It's a pretty clear counter-argument. Final Crisis is the culmination of the last few years of DC's Silver Age kick, which is diametrically opposed to the style of Marvel comics, which has grown progressively darker, grimmer, and grittier for 40 years. And Rucka's Checkmate ended with a demonstration of how well superheroes could work with the government without having to sacrifice everything that makes them superheroes (i.e., a refutation of Civil War.)Captain Canada said:I don't see any of that
That's to bad. He's missing a lot of great stuff Marvel's publishing these days.Aristotle filters everything through his "Marvel sucks at everything" lenses.
And Rucka's Checkmate ended with a demonstration of how well superheroes could work with the government without having to sacrifice everything that makes them superheroes (i.e., a refutation of Civil War.)
I'm getting tired of hearing this. No, I don't like Marvel as much as I like DC. And I don't like Joe Q. And I don't like the general tone of the Marvel U. That doesn't mean I hate Marvel, or that I think Marvel sucks at everything. I read plenty of Marvel.Aristotle filters everything through his "Marvel sucks at everything" lenses.
Sure, except for Captain Britain, Last Defenders, almost every X-book, Captain America, all three Avengers books, New Warriors, Secret Invasion, Hulk, and several others.That's to bad. He's missing a lot of great stuff Marvel's publishing these days.
I'm getting tired of hearing this. No, I don't like Marvel as much as I like DC. And I don't like Joe Q. And I don't like the general tone of the Marvel U. That doesn't mean I hate Marvel, or that I think Marvel sucks at everything. I read plenty of Marvel.
Yes, and Rucka refuted that idea by showing that there's really no reason that the Initiative should work poorly.The Iniative was never meant to function properly. IIRC it's meant to be a meta-texual middle finger to the Bush administration.
In Marvel almost everything the Iniative does is a huge screw up.
Do I criticize Marvel? Yes, I do. If you'd stop trying to find reasons to dislike me, you'd notice that I criticize what I don't like about DC too. Can I help it if DC doesn't piss me off nearly as often, or nearly as intensely, as Marvel does? And yes, I despise Stan Lee. That doesn't mean I hate Marvel. It does mean I hate anything Stan Lee wrote, because he's a ****ty hack writer who rode Kirby's artistic skill and his own corporate prostitution to fame.Kitsune said:Yeah, it's not like you bring up how much you hate marvel at every opportunity, or call Stan Lee a hack when it's not really even pertinent to the conversation at hand. I don't see how anyone could get the idea that you hate Marvel.
Yes, and Rucka refuted that idea by showing that there's really no reason that the Initiative should work poorly.
Realism in superhero comics is ********. It's a sham, a front for post-modern deconstruction and gray morality. You can't have realism. It's surreal by definition. The only real effects of the "realism" trend have been darker morality and deconstruction, which is far beyond overplayed by this point.
Realism in superhero comics is ********. It's a sham, a front for post-modern deconstruction and gray morality. You can't have realism. It's surreal by definition. The only real effects of the "realism" trend have been darker morality and deconstruction, which is far beyond overplayed by this point.
Favreau's Iron Man seemed decidedly unrealistic to me. It's very much fantasy-driven in the sense of classic comics: one man can defy the system and make a difference. If Tony Stark came back from Afghanistan and said he was totally changing the direction of his company away from everything that's proven profitable, his board of shareholders would've canned his ass so fast it would've made his head spin, and he would've been one man trying to make a difference broke and alone on the street.I think comics are a reflection of the time that they were published, and right now people want realism as opposed to surrealism. Look at the success of the superhero movies right now: Nolan's BB and TDK emphasized on realism, Favearu's Iron Man also makes it look like science as opposed to fantasy when Stark constructed his suit. X-Men (during the Singer era) strived to explain mutants and ditched the spandex. I think realism in comics can draw in more readers now because people are more jaded and they don't really buy into the fantasy elements as much as before. If it can make people feel more connected to the superheroes they read, then it's not a bad thing.
Geez, take it easy. It was just a joke. I don't agree with your analysis of Batman RIP, but I know you don't vehemently hate everything Marvel does.I'm getting tired of hearing this. No, I don't like Marvel as much as I like DC. And I don't like Joe Q. And I don't like the general tone of the Marvel U. That doesn't mean I hate Marvel, or that I think Marvel sucks at everything. I read plenty of Marvel.
That's not really the kind of realism, so much as, like BB, the movie strives to (and succeeds, I think) convey the idea that someone could actually be a superhero in the way Batman/Iron Man is (though they, of course, could not).Favreau's Iron Man seemed decidedly unrealistic to me. It's very much fantasy-driven in the sense of classic comics: one man can defy the system and make a difference. If Tony Stark came back from Afghanistan and said he was totally changing the direction of his company away from everything that's proven profitable, his board of shareholders would've canned his ass so fast it would've made his head spin, and he would've been one man trying to make a difference broke and alone on the street.
I tend to forget that sort of "realism" right off the bat. It's patently ridiculous that Batman or Iron Man could really do what they're shown doing in the movies--hence all the CGI. Every superhero requires some level of suspension of disbelief on that front.