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This is a continuation thread, the old thread is [split]536609[/split]
So everybody is going to be wrong in this poll?
OW: $90M
DOM: $250M
INT: $350M
WW: $600M to $650M
Albeit the huge opening weekend of BvS thanks to pre-RT hype, that film is dropping laughably hard.
Justice League won't have a big opening anymore like BvS due to lack of confidence, and will have big drops unless Snyder delivers critically which i doubt it..
If Snyder returns then i'm confident the Justice League: Part One will gross less than Man of Steel. due to a bad opening weekend and bad legs, Snyder ain't gonna make a good film anymore.
That brave solider probably got eaten alive too after that post. Anyone have a link to it to see what others said? He probably got destroyed.
if the movie does 650 and WB gets 50 percent back thats obviously 325 million.
if making and marketing cost 450 thats obviously 125 million.
It then has to make 125 million from ancillary markets.
blu-ray and digital downloads and pay per view will be ? I actually think it will be quite high-from all the people who thought about seeing it in theaters but were disauded from reviews. I bet most fanboys will either pay per view to see it again or blu-ray/digital.
then ancillary markets worldwide.
the film is a box office dissapointment -but a financial disaster it is not
if the movie does 650 and WB gets 50 percent back thats obviously 325 million.
if making and marketing cost 450 thats obviously 125 million.
It then has to make 125 million from ancillary markets.
blu-ray and digital downloads and pay per view will be ? I actually think it will be quite high-from all the people who thought about seeing it in theaters but were disauded from reviews. I bet most fanboys will either pay per view to see it again or blu-ray/digital.
then ancillary markets worldwide.
the film is a box office dissapointment -but a financial disaster it is not
BvS made something like $100m profit with ancillaries.
JL has a $50m higher budget and is going to gross $200m less, meaning a $80-90m smaller intake by the studio. This is all assuming JL Blu-Ray and DVD sales are on-par with BvS', which it almost definitely won't be.
It's going to lose like $50m.
I think that jokesonm3 wins the no-prize for calling it pretty close a year and a half ago, on the very first page of this thread:
You're way oversimplifying this. WB doesn't get a flat 50% cut from box office receipts, it's lower.
Read this.
You're way oversimplifying this. WB doesn't get a flat 50% cut from box office receipts, it's lower.
Read this.
60% US and 40-50% foreign, up to 30% in China.
What was the 50M loss based on? 550M? 600M? 700M WW?
LOL
More like 50% US, 35-40% OS, 25% China.
Based on $670m WW.
LOL
More like 50% US, 35-40% OS, 25% China.
Based on $670m WW.
The percentage of revenues that the exhibitor takes in depends on the individual contract for that film which in turn depends on how much muscle the distributor has, according to Stone.
These deals often protect the theaters from movies that bomb at the box office by giving the theaters a bigger cut of those films. So if a film only makes $10 million at the box office, the distributor will get only 45 percent of that money. But if a film makes $300 million at the box office, then the distributor gets up to 60 percent of that money.
You can actually look at the securities filings for the big theater chains, to look at how much of their ticket revenues go back to the studios, points out Stone. So for example, the latest quarterly filing by Cinemark Holdings, shows that 54.5 percent of its ticket revenues went to the distributors. So as a ballpark figure, studios generally take in around 50-55 percent of U.S. box office money.
Movie studios in the US also take more money in the first few weeks, but theatres get a larger percentage of profit if the movie lingers in the screening instead of being replaced by other movies. That's why it's ultra important for a big budget movie like JL to make as much as possible early on, since WB will see lesser and lesser return in the upcoming weeks of release.
This is the old model, it is not used much anymore. These days the theater's cut usually remains constant throughout a movie's run.Movie studios in the US also take more money in the first few weeks, but theatres get a larger percentage of profit if the movie lingers in the screening instead of being replaced by other movies. That's why it's ultra important for a big budget movie like JL to make as much as possible early on, since WB will see lesser and lesser return in the upcoming weeks of release.
But we are seeing the cumulative impact of poorly-received installments within a particular franchise: it might not be obvious right away, but it erodes audience perception over time.