LAIKA's next is "Kubo the Two Strings"

sounds like this is the clear frontrunner for best animated movie oscar
It does have a good chance at winning.
Its biggest threats are Zootopia (maybe?) and The Red Turtle, and probably Moana if everything goes well... I cannot picture Finding Dory winning, no matter how good it is (not that I would know since the movie still hasn't been released over here :dry:).
 
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Yeah finding dory couldn't even match Monsters University which I don't think was nominated.

The reaction over at io9 is strange with the reviewer and most of the commenters referring to the film as underwhelming. Doesn't seem like they re much for Laika s other films either though.
 
It does have a good chance at winning.
Its biggest threats are Zootopia (maybe?) and The Red Turtle, and probably Moana if everything goes well... I cannot picture Finding Dory winning, no matter how good it is (not that I would know since the movie still hasn't been released over here :dry:).
Not gonna happen with Zootopia and Finding Dory this year.
 
^ I'm still not convinced that the Academy would reward the inferior sequel (at least that's what the consensus about Finding Dory seems to be) to an Oscar-winning movie, but yeah, I guess you're right. The winner is probably gonna be either Moana or Zootopia. They like playing it safe.

It's a shame though because for once it'd be great to see stuff like this
https://m.youtube.com/watch?v=9nSSk7spa2M. An intense amount of behind the scenes time lapse footage.
get the aknowledgement it deserves. It's insane.
 
The problem with Disney releasing 2 (or something more with Pixar) movies a year is their beeping dominance at the Oscars. They'll get something no matter what.

I hope Kubo has legs. It made what was expected but hopefully it'll stay up there and become a sleeper hit.
 
It actually took a decade for a Disney animation studio film to win the animations feature Oscar. I wouldn't say a film is a shoe in because it's Disney. However Disney has stepped up its game so much.

I think one of the Wallace and Grommet films won once.
 
In an interview, Travis Knight mentioned that Kubo is intended as the studio's kind of wrap up statement on childhood. He says their next film has ab adult protagonist and likely no children characters. Interesting.
 
Finally got around to seeing it and I'm torn. I love dark family films, but this one just felt too dark to me. This is coming from someone who's favorite childhood films are 'The Neverending Story,' 'James and the Giant Peach,' 'The Land Before Time,' 'The Brave Little Toaster,' and anxiously looking forward to 'A Monster Calls' (a boy and his family grieving that his mom has terminal cancer, that script and book were just pitch perfect).Maybe it's because it resonated too much and hit the gut too close to home that I was sidewinded (however the films I stated have as well, very much so if not a lot more so) or, I don't know... I'd say it's a good nightmare, but that's not what I expected nor wanted to be surprised by... 8/10 as a horror story, 7/10 for the story's approach to the theme it dealt with, and 6/10 experience.

[BLACKOUT]The film is about a boy who misses his father. His grandfather wants the boy dead. The aunt attacks the boy and his mother. The mother becomes a monkey spirit to save the boy. They come across his father, albeit the characters don't know this at the time. So the family bonds. They build up the mother's death, but the father is just randomly stabbed through the back and killed with no build up to it. Within a span of three minutes the characters realize the protector is the father and then just as suddenly to the characters (a lot of adult audience members will probably pick up on this twist early on) he's killed. The boy confronts his grandfather. He takes away his memories of being evil and forgives him really fast. The movie ends with the boy remembering the ghosts of his parents.

As an orphan, it just hit really close to home. The lack of build up to the Dad dying again while real is very... Nightmarish and out of the blue. While I love dark family films, the notion of losing both parents after basically getting to know them for the first time and then forgiving the guy behind murdering the parents within an hour (in-story, not movie running time-wise)... Doesn't sit right with me, might be emotional baggage I bring to it or the speed in which they do it it.

It has a serious theme and it's a good theme. But, it feels like it rushes it a little too fast. For example within a time span of 10 minutes Kubo's parents are killed by the mercenary daughter of his evil grandfather, he takes away his grandfather's memories, and becomes friends with the guy who just killed both of his parents (in-story timeline this would have all happened in an hour... if that). While the mother's death (or reincarnation then second death) was pitch perfect, the father dying again felt more like an after thought in how quickly his relations was revealed and he was stabbed in such a way that it focused more on the surprise than the emotions of it. It just feels like other films did this before, a lot less twisted, and a lot better.[/BLACKOUT]

It's a great and unintentional nightmare (the monsters and sisters were great, I'd love to see more like that; the presentation of the theme was disturbing), not what I was expecting. Just, torn...
 
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Travis Knight said:
“We cut a trough into the set, and we put a piece of rigging that goes under the set and into the mother’s stomach. It’s a little creepy, I know. But it allows us to slide her along the surface of the sand, and every time she reaches out and claws into the sand, that’s all a plasticine or clay surface that we have to carve into and move a frame at a time. We’d have little bits of sand that were flying up in the air, so we take these little bits of foam or clay, we put them on bug pins or wires or little bits of fishing line, and we have those elevated and move them a frame at a time to make it look like it’s bursting out of the ground.”

tumblr_oc69thvr8V1rq2e4to2_500.gif


tumblr_oc69thvr8V1rq2e4to3_500.gif
 
Anyone noticed her scar switched sides. There on the beach it's on her left side, and in the rest of the film it's on her right side[BLACKOUT] as a monkey[/BLACKOUT].
 
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Anyone noticed her scar switched sides. There on the beach it's on her left side, and in the rest of the film it's on her right side[BLACKOUT] as a monkey[/BLACKOUT].


Yeah, I noticed that.

My 5 year old claimed on the ride home that he wasn't scared, most of the kids at my screening didn't seem to really be focusing on the film, a lot of giggling going on. I'm not sure if the story was hard for them to follow or defense mechanism to avoid being scared. I did have to get my son to focus and listen to what was going on so he'd be able to follow the story. He had some questions and needed clarifications, and I just wanted to watch the movie. :/
 
Watchdog Group Chides Laika For “White-Washing” ‘Kubo And The Two Strings’
A watchdog group that advocates “balanced, sensitive and positive depiction and coverage of Asian Americans” is calling out producer Laika, and by extension distributor Focus Features, for using mostly white actors to voice Japanese characters in Kubo and the Two Strings, the animated feature that bowed Friday.


The Media Action Network for Asian Americans, which has been battling the issue for decades, noted that even though the movie takes place in ancient Japan, the voice actors getting the most time onscreen and playing the most important characters are white. The film centers on a young boy (Art Parkinson) who makes an honest living telling tales to the people of his seaside town until his humble existence is interrupted by a spirit from the past that has returned to enforce an age-old vendetta. Charlize Theron, Matthew McConaughey, Rooney Mara, Ralph Fiennes, and Brenda Vaccaro also star.

MANAA noted that although he is listed relatively high in the credits, George Takei’s lines “could probably fit on a single page.”

“These white actors would be appropriate for probably 95% of the movies out there,” MANAA founding president Guy Aoki said in a statement. “For something specific to the Asian/Japanese culture, why not give Asian American actors — who are rarely considered for significant parts in movies — the opportunity to be part of a prestigious project that could bolster their careers? … Why is the title character played by a 14-year-old white boy from Ireland? In fact, why are white actors playing an entire extended Japanese family?”

Laika president and CEO Travis Knight, who also directed Kubo, said in a statement to Deadline: “The critical conversation around diversity is one that Laika cares very deeply about. We have been at the forefront of issues around gender equality, sexual orientation, and complex family issues. We are proud of the diversity of experiences both on screen and behind the camera with our creative team and actors working on Kubo and the Two Strings. I look forward to further conversations about how we can continue to create even more opportunities in our films.”

Kubo and the Two Strings is just the latest target for MANAA, which has called out such films as The Martian, Aloha, 21, The Last Airbender and the upcoming Dr. Strange, Ghost in the Shell and The Great Wall that its says have “white-washed Asian American characters” by casting white or non-Asian actors.
http://deadline.com/2016/08/kubo-an...-actors-japanese-characters-manaa-1201807914/

are they seriously complaining because the voices of animated characters come from actors(who you dont see because its animated) who have white skin??
 
Look, I'm not a fan of whitewashing myself... in fact, I quite dislike it, and I kind of understand where those people are coming from.
But it's an animated movie we're talking about here. The characters look the way the should and that's all that matters. If they want to see the movie dubbed by voice actors of the appropriate ethnicity, they should just go watch the Japanese dub.
 
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Watchdog Group Chides Laika For “White-Washing” ‘Kubo And The Two Strings’

http://deadline.com/2016/08/kubo-an...-actors-japanese-characters-manaa-1201807914/

are they seriously complaining because the voices of animated characters come from actors(who you dont see because its animated) who have white skin??

Regardless of what you see on screen in real life there are very limited opportunities for Asian actors. Everyone in this film did a fine job but are we really going to act like Art Parkinson is some kind of big name draw? Why not give that opportunity to a young Asian actor who may otherwise struggle to find roles? That is what Disney has done with films like Big Hero 6 and Moanna. Why hire McConaughey to specifically not sound like himself?
There are already limited opportunities given that most of the stories told in the film industry are about white characters. Giving all of the leads in a story about Japanese characters to white actors just further exacerbates that issue. It's an unfortunate mark against the film that could have been very easily sidestepped.

I'm trying to figure out why that article specifically mentions the Martian as white washed. That movie has a very diverse cast including a pivotal role played by Benedict Wong.
 
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Regardless of what you see on screen in real life there are very limited opportunities for Asian actors. Everyone in this film did a fine job but are we really going to act like Art Parkinson is some kind of big name draw? Why not give that opportunity to a young Asian actor who may otherwise struggle to find roles? That is what Disney has done with films like Big Hero 6 and Moanna. Why hire McConaughey to specifically not sound like himself?
There are already limited opportunities given that most of the stories told in the film industry are about white characters. Giving all of the leads in a story about Japanese characters to white actors just further exacerbates that issue. It's an unfortunate mark against the film that could have been very easily sidestepped.

I'm trying to figure out why that article specifically mentions the Martian as white washed. That movie has a very diverse cast including a pivotal role played by Benedict Wong.

i think because the character Chiwetel Ejiofor plays is Indian in the book
 
This is my favorite film of the year so far. It is in every sense, wonderful.
 
Regardless of what you see on screen in real life there are very limited opportunities for Asian actors. Everyone in this film did a fine job but are we really going to act like Art Parkinson is some kind of big name draw? Why not give that opportunity to a young Asian actor who may otherwise struggle to find roles? That is what Disney has done with films like Big Hero 6 and Moanna. Why hire McConaughey to specifically not sound like himself?
There are already limited opportunities given that most of the stories told in the film industry are about white characters. Giving all of the leads in a story about Japanese characters to white actors just further exacerbates that issue. It's an unfortunate mark against the film that could have been very easily sidestepped.

I'm trying to figure out why that article specifically mentions the Martian as white washed. That movie has a very diverse cast including a pivotal role played by Benedict Wong.
Yeah, this is voice acting, where the race or sex of the actor holds no weight. It also helps that and they nailed it.
 
Yeah, this is voice acting, where the race or sex of the actor holds no weight. It also helps that and they nailed it.


Who studios choose to hire has real life effects outside of the film.

Art Parkinson did a fine job but so could have many different actors.
 
I'm an Asian guy, and while I think it can be a problem that they could've avoided (at least cast Kubo with an Asian kid), it takes a backseat to the BS with live action casting. Again, I'm within reason, so I don't think it's a detriment to Kubo at all.

But we have to have priorities and I think we need more Asians/Asian-Americans in live action films and TV shows who are not token.
 

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