Pickleweasel
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Yeah I'll be seeing this multiple times
No film since Fargo has made so much use of [McDormand's] potent talents.[/QUOTE
https://www.vanityfair.com/hollywood/2017/09/three-billboards-outside-ebbing-missouri-review
5/5what is most impressive about McDonaghs movie is its freewheeling nature, its bottle-rocket sensibility; its awareness that people can turn 180 degrees on a dime. Three Billboards sets forth as a modern-day western, complete with mariachi music and a crossfire of hard stares across sleepy Main Street. Then it zigs left to sketch a comic small-town portrait, zags right to become a roguish picaresque. Old assumptions are overturned, unlikely alliances are forged in adversity
https://www.theguardian.com/film/20...ouri-review-frances-mcdormand-martin-mcdonagh
http://www.indiewire.com/2017/09/th...i-review-frances-mcdormand-venice-1201872841/Three Billboards Outside of Ebbing, Missouri certainly feels in line with Martin McDonaghs previous films, lathering on all the delightful profanity, corrosive one-liners, and acrid curveballs that spiked In Bruges and Seven Psychopaths with rakish charm. But here McDonagh has crafted the ultimate bait and switch, a film that carries its weary nihilism with a surprisingly light touch, an affectation later dropped in favor of an unexpected message of grace. Which is to say that not only is Three Billboards Outside of Ebbing, Missouri the directors most accomplished film yet, its also his most compassionate.
http://variety.com/2017/film/reviews/review-three-billboards-review-frances-mcdormand-1202546444/Its McDormands passion that welds the picture together. She makes Mildred a heroic fighter, but the actress has never played someone so eaten up by fury, to the point that it renders the character and the performance at once sympathetic and forbidding. Yet its Mildreds glowering refusal to back down that defines her, and McDormand brilliantly spotlights the conflicted humanity beneath the stony façade. On some level Mildred is just a small-town single mom who works in a gift shop, but she wears her jumpsuit and gray-polka-dotted bandana like a soldiers uniform, lashing out at everyone within earshot, a quest McDormand makes at once crazy-fearless, stubbornly infuriating, and noble. Mildreds son, Robbie, is played by Lucas Hedges (from Manchester by the Sea) with a cautious poise that cues us to see that dealing with his mother has never been a picnic.
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So far the release dates are:
Italy ------ 4 September 2017 (Venice Film Festival)
Canada ---- 10 September 2017 (Toronto International Film Festival)
UK ---------- 15 October 2017 (London Film Festival)
USA ---------- 10 November 2017
Australia ----- 1 January 2018
New Zealand ----- 1 January 2018
Italy ---------- 11 January 2018
Spain ---------- 12 January 2018
UK ---------- 12 January 2018
Argentina ----- 25 January 2018
Germany ----- 25 January 2018
Singapore ----- 25 January 2018
Poland ---------- 2 February 2018
Philippines ----- 14 February 2018
France ---------- 28 February 2018
http://www.imdb.com/title/tt5027774/releaseinfo?ref_=tt_ov_inf
Irish release is probably the same as the UK one, which sucks.
McDonagh was honored with the best screenplay prize in Venice, with reviews lauding the playwright for his sharp dialogue and storytelling. On the Lido, the film elicited numerous outbursts of applause after monologues from stars Frances McDormand, Woody Harrelson and Sam Rockwell.
Was it difficult to keep a sense of humor while dealing with such heavy topics?
No, its kind of always what I do in the plays and films. Its always that balance. Its never so funny that its not serious, but its never so serious that its not funny. This time we had to make sure that it didnt tip over into humor, pure humor or silly humor. We had to keep the tragedy focused all the time. And that was easy, especially with Frances, we just had to keep true to her journey, her story. And these other funny or whatever things can happen around it, but her story specifically had to be dead serious.
But in a slightly earlier edit, there was probably a bit more comedy, probably more Sam Rockwell at the start being a little more silly. That will be on the DVD extra. There was a great drunk scene. They were all great scenes and hard to cut but they tipped it, not into a comedy, but into less of a serious sad story. So the balance is exactly right for me. It never gets so sad that its depressing or completely bleak. I hope the humor eases that bitter pill a little bit. But I hope also the humor never takes away from the seriousness of the story itself.
Did you also write the role specifically for Peter Dinklage?
Ive been wanting to work with Peter for a long time. We almost did In Bruges together, strangely. He was going to be the dwarf fellow. Id seen him years and years ago when he was still a stage actor in New York. I saw him in plays, way before Game of Thrones, even before The Station Agent, so Ive known him for a while and always wanted to work with him. So I wrote this as a little-person part, and I was determined, or really hopeful, that he might get a break in the Game of Thrones schedule to do it. I think hes lovely in it. Hes so good you almost want him to be in it more. Hes kind of sad and sweet. Maybe there will be a sequel, and itll just be him and his dates.
The prize is seen as the most reliable early indicator of Oscar success.
Two years ago, Lenny Abrahamsons Room began its journey to a best picture nomination with a victory here.
In the last decade, only one Peoples Choice winner has failed to secure a best picture nod from the Academy.
McDormand is also now a strong favourite for an Oscar nomination.
Can't wait to see this ever since I saw the trailer months ago.
Yeah, this looks fantastic. Too bad it prolly take until late Jan-Februari for it to get over here.
Also reminded me that I actually have to watch Seven Psychopaths now, which I've missed out on.
Watched Seven Psychopaths in prep for Three Billboards. Seven Psychopaths had me a bit mixed - didn't feel as balls to the walls as some of the stuff I've seen from this film, nor as layered. But now that I'm familiar with McDonagh's work, I think I'll have more fun with it.
But...maybe it's just me, but did anyone else think Abbie Cornish just kind of stuck out? Like, what's this Australian lady doing in this tiny town in Missouri? It wasn't an issue and definitely not unrealistic, it was just...odd.