Where is Stillanerd anyways?
On topic: I just honestly haven't been keeping up with this these days. I was for a while, and just wasn't really liking this event so I felt less and less eager to pick it up till I dropped it, not out of protest, but out of meh feelings. Honestly, I would have preferred a cosmic hiccup that had Spidey and some allies going through the various worlds and an overall story that wasn't so grim. I liked the issue where Miles and Pete met 60's Spider-man, that was some goofy fun that I enjoyed.
I've been seeing him posting blogs for a Spidey fan site someplace. Crawlspace, I think...
You are right about it being too grim. I do enjoy the lighthearted stories more. I loved the new annual that came out recently because it was full of stories that originally brought me into comics and Spidey when I was younger. One off, little fun stories.
Yep, I’m now one of the two regular reviewers for Amazing Spider-Man over at the Spider-Man Crawlspace, not to mention I've become a regular panelist on their podcast (though my vocal delivery, I admit, does need some work). Which, yes, does mean I’ve been somewhat lax in my message board posts as of late.
Anyways, with Spider-Verse half-way over, my pros and cons so far are as follows:
PROS
*I really like seeing all these various versions of Spider-Man (and Woman) interacting with each other, and to Dan Slott and the various folks at Marvel credit, they’ve managed to keep them distinctive enough, each with their own “voice.” By far, the best example of this happened between Miles Morales, Spidey from the Ultimate Spider-Man cartoon, and the Spidey from the 1960s cartoon in Spider-Verse Team-Up #2. That story was a hoot, especially if you watched both of those cartoons. Same goes with Slott’s Newspaper Strip Spidey story in Spider-Verse #1, relying on the strips tendency to repeat events of the previous strip as a crucial part of the plot.
*Olivier Copiel art has been outstanding! Just been hitting it out of the park with each issue.
*The long-awaited rematch between Amazing Spider-Man and Superior Spider-Man. Yes, the build-up to the actual fight didn’t really work, IMO, what with Peter coming across as a bystander in his own book prior to his declaring that’s he’s now in charge, and that, logically, neither one of them could seriously injure the other, but even so, it was great to see Peter give Otto a good ol helping of humble pie and ass-whooping.
*Doc SpOck in general has been very well depicted, although, considering how the other characters have been portrayed--including Peter Parker himself--he simply wound up being the best-written, most consistent character by default.
CONS
*Because there are so many versions of Spider-Man (and Woman) in this story, they’ve thus been reduced to one-note caricatures and potential cannon-fodder. Which means you have little to no investment in them. Which then leads to one death after another that, at this point, has lost any and all weight they otherwise would have had had there actually been fewer characters. And speaking of deaths…
*Even though Mayday/Spider-Girl is getting a greater spotlight, killing off her parents and thus giving her “revenge” as a motive was the most obvious direction to take her during “Spider-Verse,” and I would be very shocked if, towards the climax of “Spider-Verse” she winds up staying her hand at killing an Inheritor when she has the chance, and declares herself that “she is her father’s daughter” and thus “will not betray what he stood for” after all.
*As for the Steampunk Vampire Clones, I.e. The Inheritors themselves, what a bunch of bores. Remember when Morlun, even though he was Dracula by any other name, used to be this frightening badass? Well, because we now have derivatives of him via his siblings, he’s been reduced to being one of many spoiled, silver-spoon brats playing lacky to his big bad dad.
*The tie-ins. Yes, I know every major event-driven crossover has them, but, just what happened with “Spider-Island,” we have major plot developments occurring in these tie-ins instead of Amazing Spider-Man, and what’s more, the reading order is out-of-sequence. For example, even though Spider-Man 2099 #6, Spider-Woman #1, and Scarlet Spider #1 came out before Amazing Spider-Man #11, they chronological take place after that issue.
*Silk. Prior to ASM #4, I was initially intrigued by this character. After ASM #4, I though she came across as a “Mary Sue” at best, and a plot-device for Spider-Verse at worst. And with subsequent issues, she’s become more and more annoying. Which is not a good sign considering how much of Spider-Verse apparently revolves around her, what with her being one of three different “chosen ones” that are “destined to destroy the Inhertiors” somehow.
*Finally, there’s some very huge and very noticeable plot holes. For example, Old Man Spider just before getting killed by Daemos declares that he knows what’s really going on, and that the other Spiders need to listen to him. Which then raises the question as to why he never said anything before. Especially since he plenty of time to explain what was going in the supposed “safe zone,” where they had The Other (Kaine), The Bride (Silk) and The Scion (Benjy) all in the same place at the very beginning of Spider-Verse. Also, what a lucky break Spidey had by sending Jessica Drew off on her covert mission to the Inheritors homeworld to spy on them, where it turns out not only does she have an evil counterpart who is working with the Inheritors but also sleeping with Morlun, thereby allowing Jessica to impersonate her and gain even greater access and intelligence than she otherwise would have.