I've said it before but as the years go on this film will grow in stature. It's hand made for film theory enthusiasts. As evidenced by this thread, some critics apparently wake up in a puddle of drool. Many of the reviews were paper thin in exposition and focused more on whether certain jokes worked (certainly an important factor) and little on the subtext/themes of the film. Because something so zany and colorful wouldn't dare have such things to mine. What is also weak about many critics is their lack of understanding or blatant dismissal of the role emotions play in film, and often equate emotion with 'messiness' or 'cheap manipulation'. Just ask Spielberg how his emotional work was often dismissed by critics back in the day as somehow less serious or important because he embraced emotional moments or constructed his films for emotional payoffs and catharsis. He lacked a certain emotional restraint for these critics, which many still don't know how to digest today. While 81% is an excellent score, I definitely think this film is more personal and superior to the first, which is 10 points higher in approval and .7 higher on AVG..