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The Stately Wayne Manor and Wayne Tower Thread

I'm very tickled by seeing the Strange Apparitions penthouse in TDK and here. But I'm not a big fan of putting the cave right under the building, if it was the cave. Maybe I've got my locations mixed up, but I also didn't see the need for it to not be the Manor, as the Alfred scene could've taken place there as well. The OTT gothic decor made all the sense in the manor, less so in a penthouse.
 
Did we ever get to see the exterior of Bruce's home? I don't recall seeing it.
 
I'm very tickled by seeing the Strange Apparitions penthouse in TDK and here. But I'm not a big fan of putting the cave right under the building, if it was the cave. Maybe I've got my locations mixed up, but I also didn't see the need for it to not be the Manor, as the Alfred scene could've taken place there as well. The OTT gothic decor made all the sense in the manor, less so in a penthouse.
That is the cave right under the Tower and that is straight out of 70s Batman comics, which many consider to the peak of Batman comics. In the special features, Reeves and his production designer explain that they always found it less convincing that Batman would have to commute into the City from the suburbs to fight crime. That doing so wasted a ton of time and that it would be pretty easy to trace the Batmobile to Wayne Manor once it was outside the City (something Denny O'Neil himself has said). They wanted Bruce to be physically of the City and ready to go out at a moment's notice. Reeves also referenced the Rockefellers, Astors, Roosevelts, etc., old money New York aristocracy (upon which the Waynes were modeled) all of whom had primary residences in NYC, with their suburban mansions actually being summer/vacation homes. All of which was the rationale of the great 70s Batman writer for moving Bruce into an urban Penthouse.

Reeves and co. also have a great explanation for the Gothic/Deco decor and architecture of Wayne Tower. With the Waynes being a founding family of Gotham and old money, like the old money New York families listed above, their skyscraper was actually one of the first built in the 1920s/30s. As a result, it has the more classical Gothic/Deco architecture of that period as opposed to looking like a modern penthouse like the one Bruce had in TDK.

For instance, here is an example of a $27 million Gilded Age penthouse in NYC:
https://streeteasy.com/building/1020-5-avenue-new_york/ph1314

As you can see, it has that Gothic decor we expect from Wayne Manor:
702646ab23feffd73e9afb20b2e02299-se_large_800_400.webp

55d5494ebce368f0bec4059ef9e817b8-se_large_800_400.webp


Originally, like you, I was rather saddened about losing the Manor. Especially after Nolan sidelined so much after Begins and Snyder just got rid of it, but given how much thought Reeves and co. put into this and how they did such a great job of converting the most iconic traits of the Manor into Wayne Tower, they have pretty sold me on their version as respectful new take. If they conceal the Batcave entrance behind a Grandfather clock, they will have won me over completely.
 
I think of all the iterations to avoid Wayne Manor, this one actually makes the most sense, considering how immersed Bruce is in being Batman, as opposed to striking a balance between Bruce and Batman.

It’s just in the unlucky position of coming after two iterations that either avoided the Manor altogether or only really spent 1/3 of their tenure with it.
 
I think of all the iterations to avoid Wayne Manor, this one actually makes the most sense, considering how immersed Bruce is in being Batman, as opposed to striking a balance between Bruce and Batman.

It’s just in the unlucky position of coming after two iterations that either avoided the Manor altogether or only really spent 1/3 of their tenure with it.
To be fair, I don't really think this version "avoids" the Manor. Rather, they drew from Batman: Earth One, and put the "Manor" in the City and, in particular, at the top of Wayne Tower. It's got the Gothic architecture. It is the ancestral Wayne home for at least a century, which Alfred has preserved as a mausoleum to Thomas and Martha since their deaths. It's got a Bat-filled cavern below it that Bruce turns into his base of operations. If you cut the penthouse (exactly how it is) off of the top of Wayne Tower and relocated it to a wooded estate lot in the burbs, it would be Wayne Manor exactly as we know it. (if you look closely at the shots of Wayne Tower in the film, even the exterior architecture is quite Gothic. The top actually kinda reminds me of a Cathedral).

It's not like Nolan burning it down at the end of Begins and only giving us a very half-hearted, unsatisfying return in Rises. Or Snyder non-sensically turning it into a graffiti covered ruin in only 30 years (despite being on a private estate where Bruce still lives).

I think the one mythology piece I am missing now that I think about it is Bruce's childhood fall into the Batcave and how that imprinted upon his psyche. Given how much inspiration Pattinson took from The Man Who Falls/Shaman, the stories where O'Neil introduced that idea, in his portrayal, I hope they can figure out some sort of way to adapt that story point.

Maybe Bruce could have fallen into a cave when they visited the former Wayne Estate/Orphanage for Thomas to announce his mayoral campaign?
 
I love it. Having Batman constantly "leave the city" has always been a bit funny, considering he's protecting his city. I love the legend of a Manor/Batcave... but this makes more sense.
 
if i had one very minor nitpick, its that i think they sort of went overly gothic with the interior of wayne tower.
like in and of itself, design wise it is cool looking.

but i kept expecting gandalf or saruman to show up all sudden when bruce and alfred were walking around in there.
looked like a wizard's lair.
 
if i had one very minor nitpick, its that i think they sort of went overly gothic with the interior of wayne tower.
like in and of itself, design wise it is cool looking.

but i kept expecting gandalf or saruman to show up all sudden when bruce and alfred were walking around in there.
looked like a wizard's lair.
Yeah, I thought that as well until I started researching Gilded Age penthouses in NYC and frankly, it is surprisingly spot on. Especially if Wayne Tower was supposed to be built in or about the 1920s as Reeves explains on the special features.

The real ones are all ornate dark wood:
2932c9866c3a1f717b196b7dfae2072e.png

Definitely, one of those reality being stranger than you expect situations.
cb683fb4a05d4c0a9b3715d9be85e771-articleLarge.jpg
 
Here is another Manhattan penthouse from the era in question:
house-of-the-redeemer_library2.jpg

Granted, with the dust and cobwebs, the Wayne penthouse is a little heightened, but no more than the rest of Reeves' Gotham. Like everything else in this Gotham, it very much fits that decaying 70s New York on steroids aesthetic.
 
Here is another Manhattan penthouse from the era in question:
house-of-the-redeemer_library2.jpg

Granted, with the dust and cobwebs, the Wayne penthouse is a little heightened, but no more than the rest of Reeves' Gotham. Like everything else in this Gotham, it very much fits that decaying 70s New York on steroids aesthetic.

this stuff looks cool!
i just felt they might've heightened it a little bit too much in the movie, with those very ornate trusses with the spiky designs.

like it looked a bit too "evil wizard's lair" to me.

but its a very minor nitpick of mines, and doesn't take away from the movie.
 
Technically they did discard Wayne Manor. Wayne Manor got turned into the orphanage where Riddler lived. It's expanded upon in the prequel novel.
 
Technically they did discard Wayne Manor. Wayne Manor got turned into the orphanage where Riddler lived. It's expanded upon in the prequel novel.
Good catch. The novel seems to suggest that it is the actual Manor that was donated and Thomas, Martha, and Bruce lived there until Bruce was 6. However, I'm not sure how canonical that novel is. The description of when the Manor was donated in it is directly contradictory to the film and Reeves' comments in the making of special features. Reeves seems to state that the Manor was donated in or about the 1920s or 30s when Wayne Tower was built.
 
I love that Wayne Manor was turned into a orphanage in this version granted it didn't turn out too well at least according to Riddler but that feels like something the Wayne's would do good intentions selfess actions corrupted once they were dead.


Wayne Tower essentially was Wayne Manor the gothic architecture the batcave underneath the building being isloated while still being apart of the city.

I understand why some would have a issue with the penthouse/Wayne Tower in Dark Knight (personally I didn't) but not in The Batman.
 
this stuff looks cool!
i just felt they might've heightened it a little bit too much in the movie, with those very ornate trusses with the spiky designs.

like it looked a bit too "evil wizard's lair" to me.


but its a very minor nitpick of mines, and doesn't take away from the movie.
Get you on that and that is more than fair. Interestingly, listening to Reeves' commentary, just discovered it actually isn't heightened! They took the design straight from Hearst Castle, one of the great Gilded Age mansions in the US. Hearst, naturally being the guy who inspired Citizen Zane, and who they drew parallels to with this version of Bruce given Kane's own reclusive conduct later in life.

Here is the real interior of Hearst Castle:
1280px-Heast_Castle_library_p1080553.jpg
 
Get you on that and that is more than fair. Interestingly, listening to Reeves' commentary, just discovered it actually isn't heightened! They took the design straight from Hearst Castle, one of the great Gilded Age mansions in the US. Hearst, naturally being the guy who inspired Citizen Zane, and who they drew parallels to with this version of Bruce given Kane's own reclusive conduct later in life.

Here is the real interior of Hearst Castle:
1280px-Heast_Castle_library_p1080553.jpg

when i look at this, it makes me think william randolph hearst probably held seances and practiced the occult in here. lol.
 
It made perfect sense to use Wayne Tower in lieu of the mansion for this Batman, but I did miss the sense of isolation that Wayne Manor lends to Bruce, this visual representation of his family's gilded cage and the distance that it creates between him and the rest of Gotham. You get some of that with the ivory tower imagery here, but it's a somewhat altered metaphor.
 
Good catch. The novel seems to suggest that it is the actual Manor that was donated and Thomas, Martha, and Bruce lived there until Bruce was 6. However, I'm not sure how canonical that novel is. The description of when the Manor was donated in it is directly contradictory to the film and Reeves' comments in the making of special features. Reeves seems to state that the Manor was donated in or about the 1920s or 30s when Wayne Tower was built.
They might've done renovations to the tower or something, but the idea of the orphanage being the same place where Bruce Wayne was born and was raised in for a bit seems too powerful of a parallel for it to be a mistake on the book's part. In which of the special features does Reeves talk about the Manor?
 
They might've done renovations to the tower or something, but the idea of the orphanage being the same place where Bruce Wayne was born and was raised in for a bit seems too powerful of a parallel for it to be a mistake on the book's part. In which of the special features does Reeves talk about the Manor?
He touches on it in the long making of featurette, the Batman character featurette, as well as his commentary on the film. There is also a bunch of great quotes in the Art book from the production designer.

Wayne Tower is supposed to be one of the first skyscrapers in Gotham. It's old and past its prime. And the Batcave and private train station is based on the old New York story that the Astor family built a private train station into the basement of the Waldorf Astoria. So the logic behind it seems to be that the Waynes have resided at Wayne Tower since it was built 100 years ago.

There is other stuff I noticed in the novel that seem inconsistent with the film. For instance, the novel suggests that Maroni was the biggest kingpin in town until his bust and that Falcone only rose to power after Maroni had been removed. Which is directly contradicted in the film where Kinzie specifically tell Bats and Gordon that Falcone has been the mayor for "20 years".
 
He touches on it in the long making of featurette, the Batman character featurette, as well as his commentary on the film. There is also a bunch of great quotes in the Art book from the production designer.

Wayne Tower is supposed to be one of the first skyscrapers in Gotham. It's old and past its prime. And the Batcave and private train station is based on the old New York story that the Astor family built a private train station into the basement of the Waldorf Astoria. So the logic behind it seems to be that the Waynes have resided at Wayne Tower since it was built 100 years ago.

There is other stuff I noticed in the novel that seem inconsistent with the film. For instance, the novel suggests that Maroni was the biggest kingpin in town until his bust and that Falcone only rose to power after Maroni had been removed. Which is directly contradicted in the film where Kinzie specifically tell Bats and Gordon that Falcone has been the mayor for "20 years".
To be fair I think that on the last part the film contradicted itself, since at the beginning the way they talk about the Maroni drug bust implies it was a fairly recent accomplishment on Mitchell's part. It's too bad we don't have an interview with the author of the book or that no one has asked Matt about it. The thing that strikes me as odd of the prequel book is that there are a lot of stuff that does line up with the film and that only someone that had access to the script and to a lot of concept art could've known when it was written; plus even though novelizations are common, I don't think I remember a single time where a prequel novel was sold for a DC movie or any superhero movie, so it strikes me as odd that out of nowhere WB would decide to make a prequel novel for this film and not ask Matt about it.

I will say though the part about Maroni being the "biggest mobster in town", well, Alfred is the one that said that, so it's possible he just didn't know how Falcone already had the upper hand over Maroni, especially since this Falcone's whole shtick is being a recluse and being extremely private.
 
To be fair I think that on the last part the film contradicted itself, since at the beginning the way they talk about the Maroni drug bust implies it was a fairly recent accomplishment on Mitchell's part. It's too bad we don't have an interview with the author of the book or that no one has asked Matt about it. The thing that strikes me as odd of the prequel book is that there are a lot of stuff that does line up with the film and that only someone that had access to the script and to a lot of concept art could've known when it was written; plus even though novelizations are common, I don't think I remember a single time where a prequel novel was sold for a DC movie or any superhero movie, so it strikes me as odd that out of nowhere WB would decide to make a prequel novel for this film and not ask Matt about it.
The film doesn't contradict itself on that point. The Maroni bust was recent, but it is stated that Falcone was the one who figured out how to exploit the Renewal Corporation when the Waynes died. He indirectly controlled the city officials through grants from Renewal. He was the first among equals of the crime bosses at that time. However, he got greedy and wanted to eliminate the other mob factions like Maroni, with whom he split the pie. Which he did and put in place puppet officials who were even more directly under his thumb. To use an easy example from Star Wars, it is like the Empire before and after Palpatine decided to abolish the Senate.

The author of the prequel novel likely had access to script and art, but possibly from earlier in development and they may have diverged as there were script tweaks before, during, and after principal photography. For instance, The Force Awakens novelization is clearly based on an earlier version of the script as it has points and info that are inconsistent with later cuts and changes Abrams was required to make because Johnson wanted to take the story somewhere different from where JJ and his script intended.
 
The film doesn't contradict itself on that point. The Maroni bust was recent, but it is stated that Falcone was the one who figured out how to exploit the Renewal Corporation when the Waynes died. He indirectly controlled the city officials through grants from Renewal. He was the first among equals of the crime bosses at that time. However, he got greedy and wanted to eliminate the other mob factions like Maroni, with whom he split the pie. Which he did and put in place puppet officials who were even more directly under his thumb. To use an easy example from Star Wars, it is like the Empire before and after Palpatine decided to abolish the Senate.
Then I'm not sure I'd agree with it being a contradiction since Alfred didn't know that.
 
Then I'm not sure I'd agree with it being a contradiction since Alfred didn't know that.
You mean in the novel? Yes, I would say that Alfred's dialogue in there with Bruce about Falcone isn't consistent with the film. In the movie, as in the comics, Falcone is obviously the biggest kingpin in the City and well known as such for a longtime. That is made clear at several points in the movie. It is just not known how deeply he had corrupted City Hall and the Police Department. Why would Thomas go to Falcone for help if he was just a two-bit gangster? Thomas went to him because he was the big fish.
 

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