sabetoonth
Where You Get Those Eyes?
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I thought Cash was meant as an Ultimate Rage?
1) Rather, I addressed you as would I anyone who, in a literary discussion, was, quite frankly, wrong.
2) But since you deem it a particular area worth criticism, why not elaborate further and tell us the better way Millar should have done it? Which characters should he have Ultimized instead of "re-treading?" Why?
There is a difference between stating an opinion, which you've done, and being incorrect about something, which you've also done. Opinions of anything cannot be wrong, because opinions are subjective. By the by, this is why there's a difference between objective and subjective, apparently. Who knew?1) I wasn't aware that my opinion of a graphic novel could be "wrong". Perhaps you believe you have some super power to determine that? Maybe that explains your faux literary elitism you continue to espouse on here?
Bluhblahblahbluhbleh - I believe you missed the large chunk where I explained the point of criticisms and how they should typically be brought about and handled. But that's okay. You almost got there on your own.2) I believe I have explained why I don't like re-tread characters. It's uncreative and boring IMHO. I know Millar has the talent and creativity to do something new and different (he demonstrated that in The Ultimates) and instead he's just trying to milk the same characters ("legacy" or not) for all they're worth. Based on the first arc it seems that he believes he can simply re-tread past characters and give them new "bad-boy" attitudes, and that is supposed to be enough to distinguish them from prior Ultimate incarnations of the characters. For me personally it is not.
I would have preferred if he spent time making ultimate versions of other Marvel characters that we haven't seen in the Ultimate Marvel universe yet. IMHO he didn't do that in the first arc much at all. The only character he attempted to do this to was Red Skull; and I felt Skull's path to his end goal was rather incoherent and unbelievable.
man I'm really looking forward to reading this. Ult Thor is the only Thor I've ever read about and I'm really excited to see his back story in Asgard.
ULTIMATE COMICS AVENGERS 3 #5 (of 6)
Written by MARK MILLAR
Penciled by STEVE DILLON
Cover by GREG LAND The battle for blood gets thicker as the vampire frenzy comes to a head. With Cap fanged out, Fury brings out the big guns and some new recruitsnewish, that is: Perun aka, Russian Thor and the Giant Men. While Blades ordered to stand down, the new vampire Nerd Hulk has powered upand it looks like its going to take a lot more than a few Avengers to avenge these bloodsuckers. Mark Millar and Steve Dillon throw down a vampire tale like none other!
If i'm correct Lafuente is still and will be the fulltime artist. Sara is just helping out since Lafuente isn't new into monthly comics (Bendis got him into this, and this is his first monthly series) so he's doing the 150th issue and Sara just like 3-more issues to help out.
Personally i kinda like Lafuente, yeah the huge lemon head was lol at first, but the guy does cool dynamic action. Tho another point does go with everyone having a closely resembling face.
Newsarama: Jason, let's start from kind of the top-down. This is your Ultimate universe debut — what's your personal view of the Ultimate line over the last 10 years? As a writer, is it something you'd been hoping for a chance to explore for a while?
Jason Aaron: As I've fan, I've loved it. I've been keeping up with the Ultimate U from the get-go. And yeah, as I writer I've always been interested in getting in the mix there. Glad to finally be on board.
Nrama: And the Ultimate Universe has changed pretty drastically in just the last couple of years, since Ultimatum. What's your take on where the Ultimate Universe stands now? What makes it a territory that you were eager to add your voice to?
Aaron: I just love the attitude and the scale of the Ultimate U and the freedom that comes from working in it. Don't get me wrong, I love working in the main Marvel U as well, but since the Ultimate line has been so deliberate and well-maintained, it really comes with a lot of freedom. I'm getting to explore areas of Cap's past in a way I couldn't do in the Marvel U, since it's all already been so meticulously mapped out.
Nrama: Ron, it's pretty huge news that you're drawing Captain America again, albeit the Ultimate version. Your runs on the character in the '90s were legendary, and too short for a lot of fans' tastes. What's it like being back working with the character?
Ron Garney: Thanks! Well, it feels like a different character in a way — this isn’t exactly the same Steve Rogers, in that his methods for getting the job done might be grittier and more realistic so in that sense It kind of feels a bit new. There are moments though on certain pages I get feelings of deja vu. It’s been so long since I’ve drawn him in his own book, in action. I think the readers will probably feel the same way visually in certain panels. Can’t help it!
Nrama: Like Aaron, this is also your debut in the Ultimate Universe. How does it feel to be contributing to the legacy of that side of Marvel Comics?
Garney: Feels great! I know how important this universe is for Marvel and what a success its been — so I’m honored to be a part of it and have it be a part of my own career history there as well.
Nrama: Moving to the star of the series — what do you like about the Ultimate version of Captain America? From your perspective, in what important ways is he different than the traditional version of the character?
Aaron: He's a bit more of as *******, I think. But still a good guy at heart. Still a hero. And he's very much still a man out of time. That's really one of the main themes of the book. What happened while Cap was frozen in ice? What lessons did he miss out on on? And who was left to carry the load while he was gone?
Nrama: You've written mostly characters from the darker, grittier side of the Marvel Universe at this point — Wolverine, Ghost Rider, Punisher. Though Ultimate Cap is a bit harder-edged than the classic version, he's still Captain America and the "sentinel of liberty" — how's it been working with a much more conventional "good guy"?
Aaron: Yeah, I suppose he is a more conventional good guy, but he's also a soldier, and this book in some ways is really a modern-day war story, with Cap being confronted first-hand with the lessons of the Vietnam War, with the legacy of a time he completely missed out on.
Nrama: The plot itself seems especially catered to the Ultimate universe, since in "616" Captain America was awake and active during the Vietnam War (though now because of the way comic book time works, he would still be frozen through it). What can you tell us about the genesis of the story, and the conception of Cap's opponent being his Vietnam-era equivalent?
Aaron: I have a great interest in the Vietnam War, as anybody knows if they've read my first big comic work, The Other Side from Vertigo. My cousin, Gustav Hasford, was a Marine combat correspondent during the war and went on to write the novel that Kubrick's Full Metal Jacket was based on. Because of Gus, I've been able to meet lots of vets over the years and hear their stories. It was a complicated war and it has a complicated legacy even today. Cap missed out on all of that. All he knows about Vietnam is what he reads in the history books. I wanted to have a character show up who in some ways is just like Steve Rogers. Just a patriotic kid who wanted to do his part in service to his country. But it didn't work out at all like he planned, and where Cap became our country's greatest hero, this guy found himself forever sworn to be an enemy of America.
Nrama: Speaking of the Vietnam War Captain America — what can you share about him? Why is he Cap's "ultimate nemesis," as he's described in the information revealed to press?
Aaron: Like I said, he and Cap are very similar in a lot of ways. It's just that their wars were very different. Cap was a hero, forged in the trenches of WWII. This other guy either reached his breaking point, or as he would put it wised up, in the jungles of Southeast Asia. Now they're coming face to face for the very first time, with America itself as the prize. This Vietnam War era Cap is a character that Marvel U fans will recognize, though one who's never appeared in the Ultimate U before.
Nrama: You guys worked together on Wolverine: Weapon X. What has it meant to both of you to be reunited on this project?
Aaron: I love working with Ron. I think he's one of the very best artists working at Marvel today and has been for a while now. I just keep trying to come up with new ways for him to have people punch each other in the face, and he keeps making me look like I know what the hell I'm doing.
Garney: Well, it offers consistency and an opening for my work to continue growing in a coherent direction. I’ve always experimented, now it’s nice to just keep pushing in one direction to try to realize some potential down the road. I think when I did Cap the first time, the fact that it was so short sort of stunted the artistic growth and vision I was looking for there. Ain’t too shabby working with a superb writer and guy like Jason Aaron, and Jason Keith, the colorist extraordinaire, again, as well.